Now on view at Morton Fine Art through June 4th, 2013. Please contact the gallery for availability and pricing details.
mortonfineart@gmail.com
(202) 628-2787
Now on view at Morton Fine Art through June 4th, 2013. Please contact the gallery for availability and pricing details.
mortonfineart@gmail.com
(202) 628-2787
A one-of-a-kind kinetic art performance by artist MAYA FREELON ASANTE which boasts free-falling art for all.
Accompanied by the natural environment of Baltimore City, ‘Scattered to the Wind’ took place on Saturday, April 27th, 2013 at the Bromo Selzter Arts Tower in Baltimore, MD.
Let go with me
Make room for Joy!
The weightlessness
of forgiveness
Seeks peace
With love
Artwork by Victor Ekpuk, made during the presentation of ZAM Africa Magazine in 2009.
Bethesda’s “Fair Focus” Art Exhibition artist discusses the inspirations behind her work and what her life would be like without paint
Potomac Patch, 14 May 2013
As part of Bethesda’s Art Walk festivities, the “Fair Focus” Art Exhibition was an event for the community to enjoy unique masterpieces by reputable artists from all over the world, including Julia Fernandez-Pol.
The Argentinian-American artist grew up looking either under a microscope or through a telescope. Over time, Fernandez-Pol used those same observation techniques to create her paintings. After moving across the country to Los Angeles, Fernandez-Pol is establishing herself on a new coast and her work is just getting started.
Bethesda-Chevy Chase Patch: Who is Julia Fernandez-Pol?
Julia Fernandez-Pol: I think Julia the artist is allowing my eccentricity to be my important feature. One of the things for me is that I love the quirkiness and subtleties that come from nature. A lot of the experimentation comes from trying to find those unique characteristics in nature through a parallel world in paint.
Patch: What inspires your paintings?
Fernandez-Pol: Science, research and the idea of beauty and grotesque. I like when I start to get a little bit grossed out by my paintings, because then I know that I have gotten somewhere.
Patch: What do you like about your paintings shown at the “Fair Focus” Art Exhibition?
Fernandez-Pol: What I like about the work there is the idea of color and light coming from darkness. As much as I like the really intense, heavy and dense fields of paint, I think it is nice to see some space, especially in a world of digital culture.
Patch: Out of all of your paintings, which one did you have the most fun creating, and why?
Fernandez-Pol: I like to work on a lot of paintings at once, because if I am struggling with one painting then I can usually find the answer in another painting. I do a body of work in terms of using the dark fields and bioluminescent neon colors.
Patch: What do you love the most about painting?
Fernandez-Pol: I love when it is unexpected. There are so many ways to use paint and it’s like this never-ending exploration.
Patch: What could you see yourself doing if you were never introduced to painting?
Fernandez-Pol: I would want to be a neuroscientist. I love to know about the brain and I think that it is really important in my work.
Patch: What’s next for you?
Fernandez-Pol: I am out in Los Angeles; I moved here about three months ago. I am trying to work on more sculptures and develop other projects.
Donnett’s exhibition, “You Are The One,” has a department store theme. Display cases, shopping bags, mannequins and clothing racks full of hanging T-shirts become symbols that help us explore the community environment. One sculpture portrays a male teenage mannequin wearing sagging jeans. Given the importance of clothes and shopping for personal identity in contemporary cultures, the theme seems most fitting.
Drawings, printmaking, collage, sculpture, video, paintings and photographs of the neighborhood—some by Donnett and others by participants—forge a link between the artists and the community. The materials employed, including a prom dress made by a participant’s great-grandmother, were collected from local sources as a part of the creative process. The exhibition was developed on site during the artist’s three-week residency.
Tribal African sculptures appear throughout the exhibition, used perhaps to tag the cultural heritage of the artist and broaden the cultural references. Exercising a whimsical twist, Donnett reverses conventional gallery presentation style by placing African sculptures on the tops of display cases instead of securely inside. Clothing normally accessible to customers on racks or tables is sequestered within the plastic display cases where art normally resides.
How did Donnett become an artist? Actually, he grew up practicing drums and enjoying hip-hop dancing on the streets of Houston before studying art in college. He came to the visual arts almost by accident when he was kicked out of music class and sent to art class over a disagreement with the band director. His first loves of music and dance still remain a part of his performance art. Donnett’s interest in community-based arts as reflected in works shown in galleries in New York and Chicago brought him to the attention of RedLine, which subsequently invited him to Milwaukee.
RedLine Milwaukee makes studio space accessible to artists and hosts classes for painting, sculpture, printing, photography and experimentation with the latest media arts. It is arguably one of the Milwaukee arts community’s best-kept secrets. Artists Lori Bauman and Steve Vande Zande founded RedLine in 2009 to provide professional career development support to artists and to offer educational and community outreach with a focus on the arts and social issues. Donnett’s residency serves these aims very well.
To view the story online please visit: http://expressmilwaukee.com/article-21013-%25E2%2580%2598you-are-the-one%25E2%2580%2599.html
Charles Williams is a professional contemporary realist painter from Georgetown, South Carolina and a graduate of the Savannah College of Art and Design (SCAD) in Savannah, Georgia with a Bachelors Degree in Fine Art. From utilizing oils for the basis of landscapes, each painting captures his reflection of human emotions in response to and in sync with the natural environment.
Recent achievements and awards include a Hudson River Landscape Fellowship, featured work in the Artists Magazines 28th Annual Art Competition, honorable mention from Southwest Art Magazines 21 Emerging Under 31 competition, 2012 Winner of the Fine Art Category from Creative Quarterly, 2013 selected artist for 28th Positive Negative juried art exhibition at East Tennessee State University, juror/curated by Michael Ray Charles from PBS Ar21, one of 25 selected artists for 2012 Dave Bown Project in Chicago, juror/curated by Karl Hecksher, owner K5 Editions, New York, Andrea Karnes, curator at Modern Art Museum, Fort Worth, Mary Kate O’Hare, curator American Art, Newark Museum, 2nd place Bluecanvas Publication international competition “Environments,” and featured cover artist of Composite and Professional Artist Magazine. Williams’ works has been shown in American Art Collector, Empty Magazine, Charleston Magazine, Grand Strand, Studio Visit, Bluecanvas and other national publications. He was recently interviewed and broadcast on ETV/ NPR station, entitled: Nature Through the Eyes of an Artist.
His contemporary landscapes have been exhibited in group and solo exhibitions in galleries in New York, Vermont, California, Georgia, South Carolina and several other southeastern states. His upcoming participation in Morton Fine Art’s Beyond Yesterday: A Collection of Landscape Memories marks his exhibition debut in Washington, DC.
“I explore the relationship between human emotions and the natural environment. These parallel perspectives are the basis for my landscapes and inspires me to capture honest moments, showing others a glimpse of what’s beneath the surface.” – CHARLES WILLIAMS