Archive | MFA Art News RSS feed for this section

Introducing virtual exhibition tours as Morton Fine Art and Gallery B suspend daily hours

13 Mar
Visit Morton Fine Art’s YouTube Channel for virtual tours of our solo exhibition of Kesha Bruce’s “We Can Birth Worlds” at Morton Fine Art in DC and our group exhibition at Gallery B in Bethesda. We are still conducting business, in a new way.
After much consideration, and out of concern for the health and welfare of all our community, Morton Fine Art has concluded that it is necessary to suspend daily open hours at both Morton Fine Art in DC and our group exhibition at Gallery B in Bethesda, effective immediately.
We instead encourage virtual tours from Morton Fine Art’s YouTube channel.
All works are available for acquisition and additional details can be requested by emailing the gallery at mortonfineart@gmail.com or calling or texting (202) 628-2787. We are still conducting business, in a new way.
We very much appreciate your patience and understanding as we all negotiate this unprecedented situation. Please continue to follow the guidance of the CDC and public health officials. We hope that our earnest actions will help contribute to a better health outcome for our entire community.
Best always,
Amy and Julia
Virtual Tour MFA Artist Kesha Bruce Solo Exhibition 'We Can Birth Worlds'
Virtual Tour of KESHA BRUCE’s solo exhibition “We Can Birth Worlds” at Morton Fine Art in DC
Contact the gallery for an accompanying price list and additional details.
Virtual Tour #1 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda, March 2020.
Virtual Tour #1 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda
Virtual Tour #2 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda, March 2020.
Virtual Tour #2 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda
Virtual Tour #3 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda, March 2020.
Virtual Tour #3 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda
Contact the gallery for an accompanying artwork pricing and artist information.
About Morton Fine Art and *a pop-up project
Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.
Redefining the traditional gallery model, Morton Fine Art (MFA) enhances a single gallery space with two locations: MFA’s permanent fine art gallery space and *a pop-up project, a temporary mobile art gallery of curated group shows.
Morton Fine Art
52 O St NW #302
Washington, DC 20001
Updated hours to be determined.

Morton Fine Art celebrates 10 years of artist partnerships and placing artwork!

16 Jan

THANK YOU to all of our wonderful partner artists, colleagues and collectors who have shared in MFA and *a pop-up project’s journey over the last decade. It’s wonderful to celebrate 10 years together!

 

 

From our first *a pop-up project by Morton Fine Art on E St NW in Penn Quarter in 2010 – WE APPRECIATE YOU!

 

To nearly 9 years on Florida Ave NW in Adams Morgan, 2010-2018, WE APPRECIATE YOU!

 

 

 

 

To our current home at 52 O St NW in NoMA, 2018 onward – WE APPRECIATE YOU!

Cheers to many more years together at Morton Fine Art

_________________________________________________________________________________________

 

Celebrating 10 years of placing exceptional contemporary art in global private and public collections.

Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Morton Fine Art Location: 52 O St. NW #302, Washington, DC 20001

Hours: Weds-Sat: 12pm – 5pm; Sun – Tues: by appointment

Contact: (202) 628-2787, mortonfineart@gmail.com

VICTOR EKPUK’s “The Face” unveiled in Bahrain for Bank ABC

12 Dec

 

Bahrain’s Bank ABC unveils Victor Ekpuk-designed 5.4m-tall ‘The Face’

Sculpture is a visual centrepiece of the façade of the bank’s revamped HQ building and is made of painted stainless steel

The Face is a tribute to Bahrain’s rich heritage.

Bahrain ABC
The Face is a tribute to Bahrain’s rich heritage.

Bahrain Bourse-listed Bahrain ABC has revealed a permanent piece of architecture 5.4m-tall ‘The Face’, which designed by Nigerian-American contemporary artist, Victor Ekpuk, as a tribute to Bahrain’s rich heritage, multi-cultural fabric, and hospitable business environment.

According to Bahrain ABC, the sculpture that is made of painted stainless steel is a visual centrepiece of the façade of its recently renovated twin-tower headquarter building in the kingdom.

Commenting on the sculpture, group chief executive officer of Bank ABC, Dr. Khaled Kawan, said: “After reflecting on our 40-year journey as the Bahrain banking industry celebrates its 100 years this month, and to commemorate the renovation of our HQ building, we commissioned Victor to create this unique and majestic art piece that cleverly connects our heritage and future aspirations.

The Nigerian-American contemporary artist, Victor Ekpuk [image: Bahrain ABC]

“‘The Face’ will outlive business cycles and peoples’ tastes and remain an eternal tribute to Bahrain and its people.”

“How do you capture the essence of a people whose history is long and culture layered in centuries of civilizations? You look to their beautiful faces hoping to catch the essence of their memory,” Ekpuk said.

The Nigerian-American artist counts Smithsonian National museum of African Art, Smithsonian National museum of African American Culture & History, Brooks Museum, The World Bank, Newark Museum, Hood Museum, Krannert Art Museum, and United States Art in Embassies Art Collection among his works.

Click to read article in full.

 

Available artwork by VICTOR EKPUK.

 

Morton Fine Art, 52 O St NW #302, Washington, DC 20001

+001 202 628 2787

mortonfineart@gmail.com

http://www.mortonfineart.com

SHOW US YOUR WALL – The New York Times feature on the art collection of Tony Gyepi-Garbrah and Desirée Venn Frederic including VICTOR EKPUK

1 Aug

THE NEW YORK TIMES

 

SHOW US YOUR WALL

Collecting to Explore ‘Origin, Culture, Form, Function and Race’

This Washington couple has floor-to-ceiling art as well as wearable creations and folk art curiosities.

Tony Gyepi-Garbrah and Desirée Venn Frederic at their residence in Washington.
Credit Ting Shen for The New York Times

By 

WASHINGTON — Desirée Venn Frederic and Tony Gyepi-Garbrah live in a light-filled apartment in the Trinidad neighborhood of Northeast Washington that is small in size but grand in scope.

The charcoal walls, stretching up to 15-foot ceilings, hold dozens of paintings, prints, photographs, 100-year-old textiles, collages, drawings, pastels, ceramics and antiques, conferring a museumlike aura on the home.

Ms. Venn Frederic is wearing art as well. Her floor-length slip dress, by the Brooklyn-based designer Fe Noel and the Chicago painter Harmonia Rosales, incorporates the image of a Yoruba deity, Oshun. Ms. Venn Frederic said the appeal of the dress was in its “fanciful and disruptive” character.

When the couple met four years ago, they were acquiring art individually. “One of the reasons I took an interest in Tony was because he understood legacy-building with art,” she said. She and Mr. Gyepi-Garbrah, 39, plan to marry later this year.

He is a first-generation American born to Ghanaian parents who works as an information technology engineer. He is also a photographer and painter.

She is of Geechee and Maroon ancestry. She was born in Freetown, Sierra Leone, and raised in Montgomery County, Md. Through her company, Combing Cotton, she pursues her interest in social equity.

“God Head” (2011), top, and “Untitled (Red and Black)” (2010), by Victor Ekpuk.
Credit Ting Shen for The New York Times

She also envisions creating a museum of fashion and related ephemera.

These are edited excerpts from the conversation.

TONY GYEPI-GARBRAH In true salon style, 75 art aficionados, collectors and artists stood shoulder-to-shoulder talking art, art, art.

How do you select works to buy?

DESIRÉE VENN FREDERIC Meticulously. I don’t merely collect what I like. I’m attracted to works that challenge the linear understandings of origin, culture, form, function and race. I call these aesthetic triggers.

GYEPI-GARBRAH We buy from galleries, art fairs and auctions. We also scour estate sales and private vintage collections. Often we buy directly from the studios of artists with whom we build friendships. I do a lot of research before acquisitions.

Is there a piece with an interesting back story?

GYEPI-GARBRAH The two mixed-media works by Victor Ekpuk. I went oversees to Galerie SANAA in Utrecht, the Netherlands, to acquire “God Head.” During that time I discovered that Ekpuk was represented by Morton Fine Art [in Washington]. They had “Untitled (Red and Black),” so I bought it too. Now the pair is in conversation. Ekpuk lives in Washington and we’ve become friends.

Figurative wood sculptures, made in Ivory Coast.

Credit Ting Shen for The New York Times

Top, “Chocolate City” (2010), by Steven M. Cummings, and “Inventions & Patents” (2014), by Charles Philippe Jean Pierre.

Credit Ting Shen for The New York Times

Those little wood statues lined up against the wall on the floor look like toys.

VENN FREDERIC They’re Colon figurative sculptures depicting occupations — policeman, doctor, baker — held by colonists in the Ivory Coast between 1893 and 1920. I have a collection of 150.

Your photos capture images that span decades and can be read as a history of our times. How do you think photography represents both society today and in the past?

GYEPI-GARBRAH Photography is a visual documentation of fleeting moments and changing landscapes, and, in this vein, we believe Steven M. Cummings is a master. “Chocolate City” speaks to forced migrations and the displacement of African-Americans from their native lands.

“Fred Meets Fred” is an oversized black-and-white double image of Frederick Douglass that contrasts past and present. A chain dangling lengthwise from top to bottom of the picture separates the two Douglasses. The bicycle wheel symbolizes change and continuance of time.

A sofa in the apartment by Sharla Hammond.
Credit Ting Shen for The New York Times

VENN FREDERIC We acquired the couch from the visual and textile artist Sharla Hammond, who was inspired by “Afro Blue” [a jazz composition recorded by John Coltrane]. The fabric depicts the heads of five Afro-clad icons — Angela Davis, Betty Davis, Pam Grier, Minnie Riperton and Diana Ross.

Above the couch that black-and-white painting seems very in-your-face.

VENN FREDERIC It’s “Cow in the Field” by Andrew Cressman. We operated a gallery in Washington and exhibited his works. I continually approached this painting with a sense of wonder and bought it after the show [in 2015]. It takes up a lot of our wall real estate. I appreciate that some pieces overwhelm, and this is one.

Read the New York Times article in full.

 

Available artwork by VICTOR EKPUK. 

 

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787

http://www.mortonfineart.com

mortonfineart@gmail.com

Washington Post In the Galleries: JULIA MAE BANCROFT ‘Through Glass Lace’

25 May
Violet'sWindow_web

‘Violet’s Window’, 2018, ink, gouache, pencil and oil pastel on paper, 20″x 20″

Julia Mae Bancroft

There are fewer photo transfers in Julia Mae Bancroft’s “Through Glass Lace” than in her previous Morton Fine Art show, but the weight of old photographs remains heavy. The D.C. artist’s mixed-media pictures are almost all in black and shades of gray, with just occasional touches of pale pink or green. Bancroft conjures the past as drained of color but crowded with memories.

Texture is as crucial as image to Bancroft’s style. The pictures incorporate pulp, fiber, papier-mache and hand-stitched embroidery, and they are on sheets of paper mounted to stand slightly away from their backdrops. The layers represent what the artist’s statement terms “a glass lace screen” while “piecing together a fragmented narrative.”

That narrative doesn’t seem to be autobiographical. Some of the photo imagery is older than Bancroft, evoking the 1960s and much earlier times. The same is true of the artist’s technique, notably the needlework. The reminders of traditional women’s crafts ground Bancroft’s ghostly reveries in real-world labor.

~ Mark Jenkins, 2019

Julia Mae Bancroft: Through Glass Lace Through May 22 at Morton Fine Art, 52 O St. NW, No. 302.

ThinkingofFalling_web

‘Thinking of Falling’, 2019, ink, gouache and collage on paper, 22″x 11.5″

Remaining available artworks by JULIA MAE BANCROFT can be viewed here on our website and are also accessible for viewing in person at Morton Fine Art.

Morton Fine Art

52 O Street NW #302, Washington DC 20001

Hours: Wednesday – Saturday : Noon – 5pm

Sunday – Tuesday : by appointment

ANDREI PETROV’s painting featured in Showtime’s “Billions”

25 Apr

 

Billions is an American television drama series created by Brian Koppelman, David Levien and Andrew Ross Sorkin, starring Paul Giamatti and Damian Lewis that premiered on Showtime.  It launched its fourth season in March 2019.

 

About ANDREI PETROV

Based in New York City ANDREI PETROV explores memory in his organic abstract paintings. His paintings probe the distortion, incompleteness and rare moments of clarity in the shadows of memory. Each piece portrays the intrinsic struggle and selective inclusion or exclusion of details in the process of recollection. At times, sharpness occurs in the rear of the picture plane while the out of focus, obscured areas, exist in a larger scale toward the foreground and make reference to the inscrutable nature of long and short term memory.

Petrov’s paintings have been exhibited nationally and internationally in prestigious collections and can be viewed at The Four Seasons Hotel in both Washington, DC and Punta Mita, Mexico, The Fairmont Hotel in Chicago and The Conrad Hotel, Miami. His paintings have also had cameos in the following films, The Royal Tenenbaums, Autumn in New York, Kate and Leopold, The Business of Strangers and Words and Lyrics. He is the featured visual artist 2016 for Music@Menlo. He is represented by Morton Fine Art in Washington, D.C.

Available artwork by ANDREI PETROV

Morton Fine Art Relocating to NoMA District in Washington, DC

12 Oct

After nearly 9 years on Florida Ave, Morton Fine Art will be relocating the gallery to 52 O Street NW, Washington, DC, 20001 in November 2018. The building at 52 O Street NW was built in 1914 in what was then a remote, industrial part of town. It was designed by architect Clement Didden who previously assisted Richard Morris Hunt in the design of landmarks including the Metropolitan Museum of Art. Before becoming an arts-dedicated space in 1978, 52 O Street NW housed a meat-packing company, a plumbing company, a Hecht’s furniture factory and Decca Records. NoMA is a vibrant, growing neighborhood nestled next to Capitol Hill, Shaw, Mt. Vernon Triangle and H Street NE corridor in Washington, DC. It also has ample street parking, easy metro access, and close proximity to Union Station.

We look forward to continuing our active solo and group exhibition programming in our new location and also to participating in projects locally and nationally to promote Morton Fine Art’s artists in new markets. Upcoming out-of-gallery, outreach projects include Prizm Art Fair in Miami from Dec 3-9, 2018 where we will showcase the artwork of select MFA artists to a national and international collector audience; an MFA curated group exhibition of gallery artists honoring Black History and Women’s History months at Workhouse Arts Center in Lorton, VA mid-Feb through the end of March 2019; and two month long “pop-up” exhibitions at Gallery B in Bethesda, MD in March and April 2019.

 

New Location:

Morton Fine Art

52 O Street NW #302

Washington, DC 20001

 

New Hours:

Wednesday – Saturday: 12pm-5pm

Sunday – Tuesday: By appointment

 

Map of 2 mile route down Florida Ave NW from our Adams Morgan location to new NoMA location – SO EASY!

Morton Fine Art