Tag Archives: washington

NATE LEWIS, ‘Remember What They Did’ Billboard Campaign Seeks To Inspire Voter Turnout

8 Sep

 

‘Remember What They Did’ Billboard Campaign Seeks To Inspire Voter Turnout

  SEP 7, 2020

Artist Nate Lewis grew up in Beaver Falls.
CREDIT REMEMBER WHAT THEY DID

“There’s a lot of trust that has been lost because of the President, really — his disregard for science and his disregard for caring for people,” said Lewis.

Speaking of the virus on July 1 – and echoing a frequent talking point of his — Trump said, “that’s going to just sort of disappear, I hope.” The illness has now claimed nearly 190,000 lives in the U.S. Trump’s words are featured in Lewis’ contribution to Remember What They Did, a new, artist-driven billboard campaign meant to spark voter turnout in battleground cities.

Lewis’ design pairs Trump’s quote with the image of a CT scan of a COVID-19 patient. Lewis used the image because “it’s an eyewitness account… about how real this virus is.”

In late August, the billboard was pasted up high over Washington Boulevard, in Larimer, and on North Craig Street, near Bigelow, in the Upper Hill District. In all, there are four Remember What They Did billboards in Pittsburgh, and 10 others split between Detroit and Milwaukee. The campaign targets communities with high concentrations of voters who are young, Black, or Latino. A spokesperson for Artists United for Change, one of the nonprofit groups behind the initiative, said it will ultimately include “dozens of billboards … and hundreds of street art posters” in six cities total.

Artists United for Change is a political committee tied to progressive groups.

There are now seven billboard designs, each by a different artist. The artists include internationally known names like Shepard Fairey (known for his “Hope” poster of Barack Obama) and Swoon (a.k.a. Caledonia Curry, who coincidentally just opened a solo exhibit at Pittsburgh gallery Contemporary Craft).

Six of the seven billboards feature Trump quotes, including “fine people on both sides” (describing counter-protesters clashing with white nationalists in Charlotesville, Va., in 2017), and “When the looting starts the shooting starts,” regarding social-justice protests in May. A seventh billboard targets Sen. Lindsey Graham for saying “I don’t care” in regard to the lengthy detention of migrants at the U.S.-Mexico border.

The initiative’s partners in Pennsylvania include liberal group Keystone Progress. All the billboards feature the injunction “Vote Them Out.”

Lewis’ artwork has been exhibited in galleries around the U.S. He said he left Beaver Falls in 2003, after high school, to study nursing. He took up art while still a student. In 2017, he quit nursing and moved to New York to pursue art full-time. He now splits his time between New York and Washington.

Lewis’ work is often politically themed, and he said he hopes Remember What They Did inspires discussion.

“I hope that it reaches the young people … who aren’t pleased with the current administration, who aren’t pleased with the continual division that’s being sown,” he said. “I hope the people who want to vote the president out, that it sparks them to take action, really, to spread that action, to vote and use their right so that we can hopefully just move forward.”

Virtual tour with artist narration of ANDREI PETROV’s solo exhibition “Sanctuaries”

10 Aug

 

Sanctuaries
A solo exhibition of paintings by ANDREI PETROV
August 1st – August 29th, 2020
VIRTUAL TOUR with ARTIST NARRATION
On Morton Fine Art’s YouTube Channel TODAY
Video Credit: Jarrett Hendrix
Contact the gallery for price list, additional information and acquisition.
(202) 628-2787 (call or text)

ANDREI PETROV, Moonlit Poem, 2020, 10″x20″, acrylic & watercolor on canvas

About Sanctuaries
Internationally recognized for his incredible nature based abstract paintings in oil, Andrei explores expansive and airy seascapes, a wonderful breath of fresh air during these times of confinement. The scale of these beautiful paintings reflects the adjustment from his large Brooklyn studio (where he oftentimes creates large works on canvas) to more intimate works created from his home studio in Manhattan’s Lower East Side. Each piece has distinct brushwork, depth and layering, and palette which is distinctly and unmistakably from Andrei’s hand.

ANDREI PETROV, For Years to Come, 2017, 30″x48″, oil on canvas

ANDREI PETROV, Splashdown, 2020, 14″x19″, acrylic & watercolor on canvas

 

ANDREI PETROV’s Obscured Source and Secure Location installed

About ANDREI PETROV

Based in New York City ANDREI PETROV explores memory in his organic abstract paintings. His paintings probe the distortion, incompleteness and rare moments of clarity in the shadows of memory. Each piece portrays the intrinsic struggle and selective inclusion or exclusion of details in the process of recollection. At times, sharpness occurs in the rear of the picture plane while the out of focus, obscured areas, exist in a larger scale toward the foreground and make reference to the inscrutable nature of long and short term memory.
PETROV’s paintings have been exhibited nationally and internationally in prestigious collections and can be viewed at The Four Seasons Hotel in both Washington, DC and Punta Mita, Mexico, The Fairmont Hotel in Chicago and The Conrad Hotel, Miami. His paintings have also had cameos in the following films, The Royal Tenenbaums, Autumn in New York, Kate and Leopold, The Business of Strangers and Words and Lyrics. He is the featured visual artist 2016 for Music@Menlo.

Sanctuaries marks ANDREI PETROV’s seventh solo exhibition at Morton Fine Art.

 

About Morton Fine Art

Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Morton Fine Art
52 O St NW #302
Washington, DC 20001

COVID-19 protocol: Contact the gallery for supplementary artwork documentation such as detail images and short videos. Safe, no contact door to door delivery available. Shipping nationally and internationally. By appointment only. Mask required.

 

Studio visit with Ethiopian artist MERON ENGIDA

5 Aug

 

 

Ethiopian artist MERON ENGIDA shares her studio, art practice and inspiration. Contact Morton Fine Art for additional information and acquisition of her incredible paintings.

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787 (call or text)

mortonfineart@gmail.com

http://www.mortonfineart.com

“A Personal Vision” feature of ROSEMARY FEIT COVEY in Williston Northampton School Bulletin

14 Jul

 

Available Artwork by ROSEMARY FEIT COVEY

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787 (call or text)

mortonfineart@gmail.com

http://www.mortonfineart.com

Michael Booker’s 360 interactive virtual tour and artist talk for his solo “Godspeed”

1 Jun

360 interactive virtual tour with artist talk for MICHAEL BOOKER’s long awaited solo exhibition, Godspeed. Launching on Morton Fine Art’s YouTube channel. Navigate around the video with your touchscreen, touch pad or mouse. Contact the gallery for price list and acquisition.

Visit our Website

MICHAEL BOOKER’s solo exhibition Godspeed and 8 minute artist talk at Morton Fine Art, Washington, DC. Navigate around the video with your touchscreen, touch pad or mouse.
Video credit: Jarrett Hendrix
Godspeed 
A solo exhibition of artwork by MICHAEL BOOKER
June 1st – June 24th, 2020
360 INTERACTIVE VIRTUAL TOUR
On Morton Fine Art’s YouTube Channel TODAY
Artist Talk included
Contact the gallery for price list, additional information and acquisition.
(202) 628-2787 (call or text)
mortonfineart@gmail.com (email)

Fruit of My Fruits, 2020, 40″x30″, fine liner pen, watercolor and collage on paper

About Godspeed
Influenced by quilts used during the Underground Railroad to send hidden messages to the traveling slaves, the drawings in Godspeed document a journey of escapism for travelers in search of a better life, for themselves and for generations to come. Quilts are used as sign markers, shields, portals, and gateways to help secure safe passage towards an “Afrotopia.” Hip Hop music, African wax fabrics, and the quilts of Gee’s Bend give form and guidance to the figures and patterns, encompassing African American history, culture, and mysticism.
– MICHAEL A. BOOKER, 2020

 

30 second video of MICHAEL BOOKER’s fine liner pen and watercolor artworks featured in his solo exhibition Godspeed

 

Installation image of Fruit of My Fruits and In Due Time

Photo credit: Jarrett Hendrix

About MICHAEL BOOKER

Michael Booker is a mixed media artist originally from Jackson, Mississippi who currently resides in Maryland. He received his BFA in Studio Art – Painting from Mississippi State University in 2008, and received his MFA in Studio Art from University of Maryland in 2012. He has exhibited in various galleries across Mississippi, Alabama, North Carolina, Maine, Maryland, Virginia, and Washington DC. His work has been acquired by the David C. Driskell Center in College Park, MD. Currently, he is an Assistant Professor of Art at Montgomery College Takoma Park/Silver Spring. Booker is represented by Morton Fine Art in Washington, DC.

Sunkissed Child, 2020, 14.25″x10.5″, fine liner pen, watercolor and marker on paper

 

About Morton Fine Art

Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Morton Fine Art
52 O St NW #302
Washington, DC 20001

COVID-19 protocol: Contact the gallery for supplementary artwork documentation such as detail images and short videos. Safe, no contact door to door delivery available. Shipping nationally and internationally. Upcoming: by appointment only. Mask required.

Rob Shore’s film “One Window” on the art process of KATHERINE TZU-LAN MANN, Funded by Adobe

29 Apr

Katherine Tzu-Lan Mann’s art starts with an act of chaos, an act of chance — and then seeks to impose order around it. Her work invites people to take their shoes off and step into another world. Funded by Adobe, One Window is an experimental documentary short that seeks to use the creative methods behind Katherine’s own art to produce a film about it. By the end of the film, viewers won’t have any trouble seeing how a seventy foot-long abstract mural is a work of detailed self-portraiture about one of the most extraordinary artists of our time.
 
Director & Producer: Rob Shore
Executive Producer: Eric Philpott (Adobe)
DP: Shane Alcock
Editor: Matt Tanski
Sound Design & Music: Joe Basile
Location Sound: Phil Edfors
Colorist: Robbie Carmen
Assistant Camera: Camille Toussaint
Picture This Productions
Represented by Morton Fine Art, 52 O St NW #302, Washington, DC 20001
(202) 628-2787 (call or text)
mortonfineart@gmail.com

360 interactive virtual tour of KESHA BRUCE’s solo “We Can Birth Worlds”

25 Mar

Deeply inspired by her spiritual practice and surroundings in the Arizona desert, Kesha Bruce creates reflective and rich artworks intended to be visual landscapes to dream into in her solo exhibition We Can Birth Worlds.

 

 

About We Can Birth Worlds
Kesha Bruce’s work explores the complex connections between history, personal mythology, and magical-spiritual belief in the African diaspora. Her latest work is concerned primarily with exploring the ways vibrant color and abstract symbols can not only trigger powerful emotion but begin to conjure narratives.

Inspired by the belief that hand-made objects can be imbued with the spiritual energy and the intention of the maker, Kesha Bruce employs a labor-intensive creative process of dying, ripping, knotting and the cutting away of fabric to create each painting. The resulting pieced, patched, and assembled surfaces use repetition and pattern to hint at dream languages or perhaps hidden sacred texts.

A direct outgrowth of her daily spiritual practice, these new works are an effort to translate the expansiveness of the artist’s inner joy and reclamation of freedom into a visual language.
With We Can Birth Worlds, Kesha Bruce aims to create visual landscapes to dream into. Landscapes for present and future Black joy, possibility, and liberation.

 

 

 

About KESHA BRUCE

Born and raised in Iowa, she completed a BFA from the University of Iowa before earning an MFA in painting from Hunter College in New York City.
Kesha Bruce has been awarded fellowships from the New York Foundation for the Arts (NYFA), The Vermont Studio Center, The CAMAC Foundation, and the Puffin Foundation.
Her work is included in the collections of The Smithsonian Museum of African American History and Culture (14 pieces), The Amistad Center for Art and Culture, The University of Iowa Women’s Center, The En Foco Photography Collection, and MOMA’s Franklin Furnace Artist Book Collection.

Represented since 2011, We Can Birth Worlds is her seventh solo exhibition at Morton Fine Art.

Available Artwork by KESHA BRUCE

 

About Morton Fine Art

Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Morton Fine Art
52 O St NW #302
Washington, DC 20001

Wed – Sat 12pm-5pm
Sun-Tues by appointment

**Hours are currently suspended to prevent further community spread of COVID-19. Virtual tours and detail images and video available upon request. We are still conducting business in a different and safe way.**

 

 

KATHERINE HATTAM’s artwork featured in the Brisbane Times

20 Mar

 

 

Old books and riotous colour collide as Katherine Hattam’s art makes playful statements

By John McDonald

Katherine Hattam. Lives: Thornbury, Melbourne. Age: 69. Represented by: Arthouse Gallery, Sydney; Daine Singer Gallery, Melbourne

(And Morton Fine Art, Washington, DC, USA)

The black swan of trespass, by Katherine Hattam; oil on linen, 217cm x 155cm (framed), $17,500; Artwork Photograph by Clare Rae.
The black swan of trespass, by Katherine Hattam; oil on linen, 217cm x 155cm (framed), $17,500; Artwork Photograph by Clare Rae.CREDIT:

Her thing. Colourful paintings incorporating collage and considerable word-play.

Our take. Katherine Hattam has spent her life in and around the Melbourne art scene. Her father, Hal Hattam, was the art world’s obstetrician of choice and a talented amateur painter. Katherine has been exhibiting regularly since the late 1980s, and lately her son, William MacKinnon, has made a name for himself as an artist.

In The Landscape of Language, Hattam’s third solo exhibition at Arthouse, she continues to use old paperbacks as collage in her larger paintings. The book titles invite us to look for meanings that may or may not exist, beyond whatever memories they conjure up in the artist’s mind. Hattam favours old Penguins that would have disintegrated by now anyway.

In terms of colour, and the riotous Australiana that runs through these canvases, this is one of her boldest outings. Hattam’s swans may be black but her kangaroos can be bright blue or pink.

Her subjects range from domestic still lifes to allegorical landscapes. On the way, she pauses to consider the attempts by the First Fleet’s William Dawes to learn the Eora language; environmental issues (symbolised by Hokusai’s menacing wave); and a favourite picture by American master Philip Guston.

In a painting called Pantheon (1973), Guston wrote a list of the artists he most revered. Hattam has undertaken a feminist revision, replacing Guston’s all-male list with a female cast. As statements go, it’s more playful than strident.

Can I afford it? For a well-established artist, Hattam’s prices are very affordable. The most expensive picture in this exhibition is the oil painting, The black swan of trespass (pictured above, 217cm x 155cm), at $17,500. This would equal her existing record price. There are 12 works selling for the low price of $2200. This includes small oil paintings such as Pink kangarooSwans dream phthalo, and The friendship garden (each 43cm x 31cm).

Where can I have a squiz? Arthouse Gallery, 66 McLachlan Avenue, Rushcutters Bay, Sydney,
until March 28; arthousegallery.com.au.

 

AND stateside at Morton Fine Art, 52 O St NW #302, Washington, DC USA.

Click HERE to view available artwork by KATHERINE HATTAM.

 

 

 

ROSEMARY FEIT COVEY’s print “Quiet Desperation” currently on view at Katzen Arts Center at American University.

7 Feb

ROSEMARY FEIT COVEY’s print “Quiet Desperation” currently on view at Katzen Arts Center at American University.

Grouping of artwork in Katzen Art Center’s exhibition “Good Form, Decorum, and in the Manner: Portraits from the Collections of the Washington Print Club Members” including ROSEMARY FEIT COVEY’s wood engraving, “Quiet Desperation”.

Photo credit: Katzen Arts Center

ROSEMARY FEIT COVEY’s wood engraving “Quiet Desperation”

Courtesy of the Artist and Morton Fine Art

 

 

“Good Form, Decorum, and in the Manner: Portraits from the Collections of the Washington Print Club Members” features works ranging from the early masters of printmaking to contemporary artists. These prints question what it means to capture a person’s likeness across time and cultures.⁠

 

About  Katzen Arts Center:

Housed in the dynamic and multidisciplinary Katzen Arts Center, the American University Museum builds its programming on the strengths of a great college and great university. We focus on international art because American University has a global commitment. We show political art because the university is committed to human rights, social justice, and political engagement. We support the artists in our community because the university takes an active and responsible role in the formation of our contemporary art and culture.

We present exhibitions that mirror American University’s aspiration to be the premier Washington-based, global university. Our programming puts the best art of our region in a national and international context. Our collections enable us to present the art history of Washington, while our Kunsthalle attitude brings the most provocative art of our time to our place.

Katzen Arts Center, 4400 Massachusetts Ave NW, Washington, DC 20016

Tuesday – Sunday from 11am-4pm

Available artwork by ROSEMARY FEIT COVEY

 

 

Morton Fine Art celebrates 10 years of artist partnerships and placing artwork!

16 Jan

THANK YOU to all of our wonderful partner artists, colleagues and collectors who have shared in MFA and *a pop-up project’s journey over the last decade. It’s wonderful to celebrate 10 years together!

 

 

From our first *a pop-up project by Morton Fine Art on E St NW in Penn Quarter in 2010 – WE APPRECIATE YOU!

 

To nearly 9 years on Florida Ave NW in Adams Morgan, 2010-2018, WE APPRECIATE YOU!

 

 

 

 

To our current home at 52 O St NW in NoMA, 2018 onward – WE APPRECIATE YOU!

Cheers to many more years together at Morton Fine Art

_________________________________________________________________________________________

 

Celebrating 10 years of placing exceptional contemporary art in global private and public collections.

Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Morton Fine Art Location: 52 O St. NW #302, Washington, DC 20001

Hours: Weds-Sat: 12pm – 5pm; Sun – Tues: by appointment

Contact: (202) 628-2787, mortonfineart@gmail.com