Tag Archives: washington dc galleries

MFA Welcomes Artist KATHERINE TZU-LAN MANN

25 Jul
Morton Fine Art is thrilled to introduce artist KATHERINE TZU-LAN MANN to our roster.
“My work’s abstractions arise from the subjects I portray: ecological and geological cycles, processes of chemical corrosion and natural efflorescence. With roots in traditions of Chinese landscape painting, my monumentally sized paintings and installations evolve a fantastic, abstract vision of the natural world.
The paper on which I paint is not only a recognition of a tradition of Chinese painting; it is also a medium of vulnerability and expansiveness, susceptible to crease and tear as well as to collage and collation.
In my most recent work, I hope to live in the tradition of landscape painting, experiencing it for what it has always been: an occasion for radical experimentation and confrontation with the world, in the broadest sense of the term that sustains us.”
– KATHERINE MANN, 2017
Beard2 web
Beard, acrylic, sumi ink, wood cut and silkscreen on paper, 60″x 61″
Shade web
Shade, acrylic and sumi ink on stretched paper, 60″x 40″
Untitled web
Untitled, acrylic, sumi ink, wood cut and silkscreen on paper, 59″x 55″
Window web
Window, acrylic and ink on paper, 72″ x 72″
If you would like to learn more about Katherine Mann or would like to see her work, please contact the gallery to set up an appointment. We look forward to your visit.
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A sneak peek preview of JASON SHO GREEN’s robotic installation!

20 Feb

Don’t miss the OPENING RECEPTION of “Reveries” this Friday, February 21st from 6-8pm!

The exhibit will feature robotic installations & drawings by JASON SHO GREEN and ceramic installations & wall mounted sculptures by VICTORIA SHAHEEN

February 21st, 2014 – March 18th, 2014

LAUREL HAUSLER featured in DC Luxury Magazine’s ARTS & POWER’ issue

1 Dec

DC Luxury Magazine’s Arts & Power issue (December 2012)

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“It’s not an exaggeration to say that in certain circumstances, art saves you,” says collector Karen Conwell Smith. While in the midst of a heart-breaking divorce, the Federation of American Hospitals lobbyist attended an opening at Morton Fine Art and was captivated by a painting of an injured WWII-era nurse. “She’s a woman of texture on canvas: a caregiver in her depleted feminine state, gorgeous in her emptiness- I saw her and I wasn’t alone,” says Smith. When she confided in the artist, Laurel Hausler, the two discovered a shared understanding of the emotions captured in the aptly titled piece, “First Aid,” which now hangs in Smith’s bedroom. Every piece Smith owns evokes a memory from her past, a theme echoed by Charlottesville-based Hausler’s work.

Filled with ghostly characters rendered more sad than scary, her paintings are permeated by everyday emotions in a conscious effort to better understand things broken and unknown. “I try to see the beauty in torment,” says 34-year-old Hausler, a Virginia native who began pursuing art after a stint in New Orleans, where she cultivated a love of folk art. “It was liberating to realize I didn’t have to have a fine-art degree to make beautiful things,” she explains. The layers of paint on her canvases feature lines, scratches and rips- a symbol of the intense process that goes into each piece. Hausler credits Smith’s patronage with validating her work. “It’s a blessing to feel like your work is appreciated, loved and getting a good home.” (pp 98-99)

Read the article here: http://digital.modernluxury.com/publication/?i=135819&p=100