Tag Archives: Trinidad and Tobego

GA GARDNER’s artwork featured in Moko – Caribbean Arts and Letters

28 Aug

Issue 6 – July 2015

Cover art by Lucien Downes

From April 29 to May 3, Moko had the pleasure of attending the Bocas Lit Fest in Port of Spain, Trinidad & Tobago. It was an excellent opportunity to come face to face with several of the writers we have been fortunate enough to feature, but it was also exciting to talk to many new writers who we hope to publish in the future. We sincerely believe that our mission is a necessary one given the few spaces that our region’s writers and artists can truly call their own. That belief was reinforced by the numerous submissions we received for our sixth issue, our largest presentation to date.

In Moko Issue 6, Cuban painter Carlos Estevez shares with us “Plenilunio,” an arresting series of works that call to mind both da Vinci’s sketches and the gnosticism of Jorge Luis Borges’s fictions. GA Gardner of Trinidad uses his most recent collages to reconcile the universal aims of abstraction with his interest in exploring cultural identity.

Moko veteran Loretta Collins Klobah shares with us two more poems that weave together themes of love, humor and resistance. Brad Walrond and Jon Euwema both reach for the narrative epic in their lengthy poems, touching on themes of family, migration, loss, politics, and history. Victoria Brown’s memorable vignette of a Trinidadian school-day is sharpened by her sense for character and setting. Puerto Rican writer Lizbette Ocasio-Russe’s story-telling is marked by a sense of fluidity despite its episodic nature, and is told with a similar multi-lingual dexterity.

We are also pleased to feature Sharif El Gammal-Ortiz’s review of the recent documentary Poetry is an Island, creative non-fiction by Danielle Bainbridge, and a brief interview with British Virgin Islands artist Aragorn Dick-Read, who shares both the philosophy behind his striking metalwork as well as some hints regarding his next major project.

And some great news! Moko Co-Founder Richard Georges had the honour of being a finalist for the Hollick Arvon Prize this year! We have been awestruck by the poetry of the other finalists – especially Elliot Bastien, Shivanee Ramlochan, and the very deserving winner Danielle Boodoo-Fortuné, who we had the privilege of publishing in our very first issue. For now, we will content ourselves with anticipating first books by all the finalists! Speaking of first books, the young and effervescent Vladimir Lucien and his debut Sounding Ground has been a revelation, and the OCM Bocas judges felt similarly. Congratulations to all.

This labour of love continues to reward us and we hope Moko continues to bring some joy to you all. We remain open for submissions, and are pleased to announce that we will be welcoming two special guest editors for our next issue. A call for submissions for Issue 7 with more details will be posted next month.

– Richard and David.

 

Visual Art

Paintings by Carlos Estevez

“The moon not only brings about an essential cycle in our existence, but it also illuminates the deep corners of our minds. I hope to share my illuminated vision of life during a recent, particularly prolific period of my career.”

Collages by GA Gardner

“The result is now an explosion of information that is woven together by cultural lines and tells a story about how a group of people are identified, ignored, or celebrated in the media.”

Textiles by Aurora Molina

“Aurora Molina’s works are concerned with the objectivity of woman, presenting women as icons.  Her current work explores the passing of time and aging, and the great deal of importance celebrities play in our everyday life.”

Paintings by Niarus Walker

“The more I work on the series, the more the pieces take on a spiritual connotation as I delve deeper in to the media and the possibilities of meaning. How can a rusty piece of machinery become a spiritual symbol?”

Exhibition Photos of GA GARDNER’s GETTHRU in Cologne Germany

23 Apr

GA GARDNER’s GETTHRU, Thru Contemporary Arts exhibition in Cologne, Germany

At the opening reception for “People Textures Environment” in Cologne Germany, the first exhibition by Thru Contemporary Arts.

www.getthru.org

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Get to know MFA artist GA GARDNER

20 Sep
GA Gardner, So You, 65"x42", mixed media on mylar

GA Gardner, So You, 65″x42″, mixed media on mylar

MFA is excited to introduce new mixed media on mylar artworks by GA GARDNER. In his work, the artist  integrates media content to explore intercultural experience through the lens of his Caribbean heritage.

About GA GARDNER’s Artwork:

We are often exposed to dazzling amounts of print media in our daily lives. Many of us are engulfed by this information, from which it is almost impossible to unplug or tune out. This continuous stream of media is alluring, powerful, and even seductive to most but often not inclusive of diverse cultures; placing popular news over more important issues.

Through the lens of his Caribbean heritage, GA Gardner’s work uses the media content to create an intimate viewpoint of his intercultural experience. He dissects, covers up, reveals, layers, and re-contextualizes the material in the print publications he uses, to construct pieces that specifically discuss issues of politics, race, culture, and identity.

The publications are a natural fit for Gardner, as they offer random vibrant color pallets, much like that of a typical Caribbean environment, and a great mixture of text and professionally photographed images. However the colors are universal and allow a conceptual approach to finding the common ground among all cultures. The artist combines these media depictions and information with natural paper and synthetic materials to aid in his message.  By deconstructing the images into strips, or bits of torn paper, and assigning new overlays of unifying colors to the materials, Gardner erodes the original content at various levels often reducing them to shades with traces of random colors. He also incorporates urban western grit, geometric African lines, contemporary images, and borrowed African and indigenous weaving techniques to create unified montage of textures.

The image that was once a bold headline new banner, or the newest eye catching product now struggles to be seen; muted, it now plays a secondary role to layers of paint and other mediums. The resulting serendipitous visual construction is an unsystematic reconfiguration and repurposing to discuss culture, heritage and the symbolism of color.

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Please contact Morton Fine Art for available artwork by this wonderful artist.

http://www.mortonfineart.com

mortonfineart@gmail.com

(202) 628-2787