MAYA FREELON ASANTE interviewed by Magic & Musings

M & M

Interview: Maya Freelon Asante on Being an Artist, Family Inspirations, and Working Outdoors

12:00 pm

Past Tense Present, 2015, 8.5”x18″, tissue ink mono/photo print

*All images are courtesy of Morton Fine Art.*

Today’s interview is with the incredibly talented creator Maya Freelon Asante, who creates bright, colourful, and complex artworks, sometimes combining printwork with photography. She dedicates her artwork to her grandmother, which you’ll find out a little more about in our interview, and comes from a family with its roots in the African American Impressionist movement. I love the colourful nature of her art, my favourites being ‘Dark Matter’ and ‘Divided/Whole’. Please read on to find out more about her story. Thank you for Morton Fine Art for providing images of her spectacular work to share with you today!

—

Magic & Musings:
For any readers who don’t know your background, do you want to tell me a bit about yourself and where you are today?

Maya Freelon Asante:

I’m an artist, a creator, a risk taker, and entrepreneur. I’m a Black woman; I always reiterate those two facts because I’m proud of them.

Magic & Musings:

If you describe your art style in three words, what would they be?

Maya Freelon Asante:

Bright, brilliant, kinetic.

Magic & Musings:

When did you first get into art? What first drew you to the field? Did you study it formally or come across it as a hobby?

Maya Freelon Asante:

I’ve always loved art since I was a little kid. It’s something that brought me peace and I could sit and draw for hours starting at about age five.

In middle school I had a teacher who saw my talent and really encouraged me by offering assignments that were challenging. I attended North Carolina Governor’s School and started painting, drawing, and sculpture in high school. I also discovered the artistic roots of own my family in high school. My great grandfather was a African American Impressionist painter named Allan Freelon and he worked during the Harlem Renaissance. I also apprenticed with a Black female artist, Beverly McIver.

Beasts of the Southern Wild, 2013, 62″x30, tissue ink monoprint & collage

Magic & Musings:
Did you have to find yourself overcoming any hurdles regarding your confidence when you first started displaying your art?

Maya Freelon Asante:

When I first started exhibiting my art I applied to lots of different exhibitions and got lots of rejections. I also got a few acceptances, which always led to other projects. I went straight from undergrad at Lafayette College to graduate school at Tufts School of the Museum of Fine Arts. I had a fast paced, accelerated journey through schooling so by the time I finished and I went straight into teaching at the college level. It was like I never left school. After two years I decided I wanted to try to make art full-time. I found art residencies, art grants, and living in a city that supports the arts are crucial to surviving as an artist. The three places I’ve lived in the last decade are Durham, North Carolina which has a great State Arts Council, Baltimore, Maryland which has MICA, and public art funds, and Boston and Cambridge, Massachusetts offer really great opportunities for the emerging artist. I met Deborah Willis at Harvard, through the CCA conference. All of these opportunities helped build my artistic career.

Magic & Musings:

Of all of your work, what are you proudest of and why?

Maya Freelon Asante:

All of my artwork is dedicated to my grandmother, Queen Mother Frances J. Pierce and it’s either about living with her, remembering her as a child, using the tissue paper which I found tucked away in her basement, water damaged. She really had a huge impact in my creative life. And I’m proud of her life and legacy. Her sacrifices allowed me to be the artist I am today.

Handmade, 2013, 36″x37″, tissue ink monoprint

Magic & Musings:

This is a question I like to ask purely because of the variety of answers I get! I’m really interested in how people work and get things done. Do you have a particular place you work or find yourself most productive? Are there a particular set of things that need to be in place for things to get done, like a milky cup of tea or particular album of music you listen to?

Maya Freelon Asante:

I typically like to work outdoors, or in a place that can accept a lot of water because my creative process can get really wet. I also like to work in studio spaces that are outside of the home, but I recently moved into a place where my studio is in my home and I need a space that’s away from my living areas. I like to listen to Spotify and the station that I’m really feeling is Janelle Monae, Phony People and No Name and The Internet.

Magic & Musings:

What do you do if you find yourself stuck in a rut creatively?

Maya Freelon Asante:

Space to think and being quiet are super important when your are a creative person. That’s when I get my inspiration. If I’m stuck in a rut sometimes I write my journal or I’ll sit and meditate and be quiet and just let the creative process come through.

Inception, 2012, 90″x36″, tissue ink monoprint

Magic & Musings:

What are some things you like to do in your spare time when you aren’t working?

Maya Freelon Asante:

I love being outdoors, I love the water I like going on a nature walks and going to the ocean and going to the lake. I also love yoga and to go horseback riding.

Magic & Musings:
Have you ever explored working in another medium?

Maya Freelon Asante:

I started out doing drawing, painting, sculpture, and photography, and now merge all my media together. The two things that I’m still interested in learning are glassblowing and metal work.

Lost, 2015, 26.75”x17″, tissue ink monoprint

Magic & Musings:

What would you say your relationship is like between your business and the internet/social media? Would you say this has helped you greatly in your success, or not?

Maya Freelon Asante:

When I came up in college and graduate school, Facebook was just starting. So social media hadn’t popped off yet. I just started Instagram this year and it’s been interesting the amount of followers I’ve gotten in such a short amount of time.

Divided/Whole, 2015, 25.5”x19”, spinning tissue ink monoprint

Magic & Musings:

If there was one thing you could want to say to the world if you knew everyone was listening, what would it be and why?

Maya Freelon Asante:

The one thing I want to say to the world is there needs to be more love and peace for everybody. Be honest, forgive, and accept everybody for just where they are. I think we would have a much sweeter and loving place for everyone if we could do those things. Also we need to share our resources. There’s an abundance and just a few people are utilizing them. If we shared equally it would be a lot better for everybody.

Dark Matter,  2015, 55”x44”, spinning tissue ink monoprint

Magic & Musings:

What tools do you use to keep yourself organized?

Maya Freelon Asante:

Some may say I’m not organized at all, but I say there’s a method to my madness. What method you say? I’m not sure, I have to find it.

Magic & Musings:

What one thing do you wish someone told you when you were first starting out working in the field?

Maya Freelon Asante:

I wish somebody told me that I could do whatever I want if I just focus on my energy on it. That it’s going to take a lot of hard work and a lot of self-confidence. I started out teaching thinking that I needed to teach in order to be an artist and that’s not necessarily true. If you take your business skills, you take your creative skills, and then you take your entrepreneurial skills, and if you can merge all those three together you will have ability to be great at whatever you do.

Letter to my Great­ Great ­Grandmother, 2015, 8″x21″, tissue ink mono/photo print

Magic & Musings:

Onto a fun question! Can you recommend everyone read a book you have enjoyed recently, as well as a film and an album or song?

Maya Freelon Asante:

The books you should read are The Prophet by Kahlil Gibran and Love, Freedom and Aloneness by Osho. Those are totally personal books that have nothing to do with art. The art books you should read are anything by Deborah Willis, Ways of Seeing by John Berger, and A Natural History of the Senses. A film I would recommend is Beasts of the Southern Wild. An album I would recommend is Lauryn Hill’s Unplugged – I know that album is old, but every single time I listen to it I feel totally renewed in my life purpose.

Magic & Musings:

Is there anything else you would like to say before we finish? How can people find out more about you and your work?

Maya Freelon Asante:

I would say to all Black female artists who are wondering – should they do it? Could they do it? Just go for it! You don’t have to be the best artist, you don’t have to be the most well-known, you just have to speak with the voice that God gave you and let it come out in whatever form. Come share your gifts with the world because we are waiting!

See You Soon, 2015, 42″x30″, spinning tissue ink mono photo print

Share This Story

• Share on Facebook
• Share on Twitter
• Pin this Post

Click HERE to view available artwork by MAYA FREELON ASANTE.

Please contact Morton Fine Art, 1781 Florida Ave NW, Washington, DC 20009 for acquisition.

mortonfineart@gmail.com

(202) 628-2787

http://www.mortonfineart.com

An architect, three artists and a professor: the Freelon family by Maryam Mohamed

by Maryam Mohamed

The Freelon family has roots in the Triangle, but their talents have taken them to everywhere from an art installation in Madagascar to a mayoral campaign in Durham.

Philip Freelon is an architect responsible for designing historical centers across the country, such as the Smithsonian National Museum of African-American History and Culture in Washington, D.C., and the National Center for Civil and Human Rights in Atlanta, Ga.

Philip has received countless awards for his work, and was appointed by former President Barack Obama to the U.S. Commission of Fine Arts. He is currently working on the expansion of the Motown Museum in Detroit, Mich.

He said he went into architecture because it combined elements of mathematics and physics with craft and design.

---

Philip is married to jazz vocalist and six-time Grammy nominee, Nnenna Freelon. Their son, Pierce Freelon, is a Durham native who ran for mayor.

Pierce said his passion for Durham is what compelled him to run for office.

He said while Durham is quickly changing, he wants to make sure this change reflects equity and sustainability.

“I felt a strong sense of urgency and obligation, almost like a calling, to step up for my city and community to be that change,” Pierce said.

Like his mother, Pierce has a background in music. He specializes in hip-hop and rap music production. His family has always been supportive of his decision to pursue music.

“My parents always said do what you love and success will come, because success has nothing to do with money, but everything to do with being happy,” he said.

Pierce co-founded Beat Making Lab and taught a class at UNC where he showed students how to create beats and write songs. He traveled to countries such as Congo, Fiji, Senegal, Panama and Ethiopia to teach kids how to write beats and shoot music videos.

“I’ve always been very connected to community and Beat Making Lab is no different,” he said. “I wanted to make sure this resource was not only available to Carolina students but to kids in East Durham and around the world.”

He said he was inspired by the opportunities he was provided with in college and wanted to use his privilege to give back to those less fortunate.

“A lot of the countries we visited didn’t have access to these types of resources and privileged spaces,” Pierce said. “I was honored to be a cultural ambassador and teacher.”

Deen Freelon, Pierce’s brother, is an associate professor in the UNC School of Media and Journalism.

“I wanted a chance to work with some of the excellent students here at the Media and Journalism school,” Deen said. “It feels great to be able to teach in such an excellent academic unit.”

Deen’s professional work primarily focuses on political expression online. In 2011, he worked on a study that dealt with the influence of social media on the Arab Spring.

Deen said he admires Pierce for his relentlessly positive attitude and ability to immediately connect with others.

“We’re very different in our personalities but we always have fun when we get together,” he said. “He’s one of the most positive people I know.”

Deen said a standout memory he has of him and his family is them arguing over a plate.

“We had this yellow plastic plate that had everyone in the family’s name on it,” he said. “It was called the family plate, and every night we used to fight over who gets to eat on the family plate.”

Maya Freelon Asante — Pierce and Deen’s sister — is an award-winning artist who has showcased work in places like Paris, Jamaica, Italy and the US Embassy in Madagascar.

Asante uses a special kind of tissue called bleeding tissue paper that blends with other colors around it when it comes in contact with water. She developed a technique called tissue ink monoprint and utilizes this process to create artwork.

“I blend the improvisational side from my mom and the creative design side from my dad,” Asante said.

Asante said her artistic inspiration comes from her grandmother, who passed away in 2011. She said her artwork is about building community, and she feels a tremendous sense of joy when she sees her artistry on display.

“I also feel like I’m honoring my grandmother and all of our ancestors that came before us,” she said. “Because of their sacrifices, I’m able to be an artist.”

Philip and Nnenna said they are proud of the work their children are doing individually.

“I love my kids and am so proud that we’ve helped to raise good people,” Nnenna said. “It’s the gift you give to yourself and the world.”

city@dailytarheel.com

 

Click HERE to view available artwork by MAYA FREELON ASANTE.

Click HERE to read the article in full.

MAYA FREELON ASANTE partners with Google for launch of OnHub Makers

MAYA FREELON ASANTE partners with Google for the launch of OnHub Makers     Maya Freelon Asante with her OnHub sleeve design   Google‘s OnHub custom art sleeve by artist Maya FreelonAsante Morton Fine Art is excited to share that MAYA FREELON ASANTE is one of Google‘s partner artists for OnHub Makers – making home internet look a little more like home! Google invited her and a handful of other makers to create custom shell designs for the OnHub from TP-Link. See her design and others as well as download instructions to make your own! g.co/onhubmakers About OnHub by Google OnHub is a router from Google that provides fast Wi-Fi for all your devices. Routers work best when out in the open, so the OnHub from TP-LINK has interchangeable shells so you can better customize it to fit your space. In addition to the new shell designs that Google introduced, they shared the files with artists, designers, and makers from around the world to create their own OnHub shells. Now it’s your turn. See their designs and get inspired to make your own. Link to Google‘s OnHub Makers Gallery. Don’t miss the opportunity to congratulate MAYA FREELON ASANTE in person at the opening of her solo exhibition Impermanence this Saturday, December 12th from 2pm-6pm at Morton Fine Art!     Maya Freelon Asante, Divided/Whole, 2015, 25.5″x19″, spinning tissue ink monoprint Impermanence A solo exhibition of new artwork by MAYA FREELON ASANTE   Saturday, December 12th, 2015 – January 5th, 2016 OPENING DAY RECEPTION Saturday, December 12th 2pm-6pm   The artist will be in attendance. EXHIBITION LOCATION Morton Fine Art (MFA) 1781 Florida Ave NW (at 18th & U Sts) Washington, DC 20009 HOURS Tuesday – Saturday 11am – 6pm Sunday 12pm-5pm About Impermanence Impermance is Maya Freelon Asante‘s first solo exhibition following a deeply personal loss.  Deborah Willis, Ph.D. writes “Maya  FreelonAsante  explores  memory, memorial  and  family  in her  art  practice. She   also  examines  the social  and  artistic  space  within  the experience  of motherhood and   grieving.    Maya‘s  artwork  looks at the  fragility  of  life  and provides  the viewer  with  a   way  of retelling  a  story  about  life–joy and pain. Her current body of work draws on the temporal and is inspired by love of family specifically of her grandmother’s art practice as inspiration. “ About MAYA FREELON ASANTE‘S process & inspiration “In 2005 I discovered a beautiful accident; a stack of water damaged tissue paper tucked away in my grandmother’s basement was left with a brilliant and intricate stain. Since then I’ve submerged myself in the medium of bleeding tissue paper sculpture and tissue ink monoprints, which exist as simultaneously transient and steadfast. This dichotomy continues to intrigue and surprise me as I wrestle with sharing the unique beauty, fragility, and strength of my art with the world. Much like my grandmother, who never wasted a single grain of rice on her plate, I find a way to utilize tissue paper at every stage of creation – including the rich and colorful ink released when the paper is wet, the sculptural mounds formed when creating monoprints, and even the tiny ripped pieces no larger than a fingernail which are collected and wound into spiral sculptures. Improvisation and discovery play a big role in my creative process; by incorporating archival photographs I’m able to reappropriate images, bridging a gap between the past and future. My grandmother always said she “made a way out of no way” and her personal endurance opened a path for my own creative discovery. Art for me is about finding the message in the medium and honoring what fuels our desire to preserve and protect it. Bringing more peace, joy and light into the world is my primary objective, while simultaneously appreciating the beauty of now and creating everlasting memories.” –MAYA FREELON ASANTE About MAYA FREELON ASANTE Maya Freelon Asante is an award-winning artist whose artwork was described by poet Maya Angelou as “visualizing the truth about the vulnerability and power of the human being,” and her unique tissue paper work was also praised by the International Review of African American Art as a “vibrant, beating assemblage of color.” She was selected by Modern Luxury Magazine as Best of the City 2013, by the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”, and Cosmopolitan Magazine’s “Art Stars” as “the most badass female artists in the biz.” Maya has exhibited her work nationally and internationally including Paris, Ghana, and US Embassies in Madagascar, Italy, Jamaica and Swaziland. She has been a professor of art at Towson University and Morgan State University. Maya has attended numerous residencies including Skowhegan School of Painting and Sculpture, the Korobitey Institute and Brandywine Workshop. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston. She is currently represented by Morton Fine Art in Washington, DC.

 

MAYA FREELON ASANTE’s solo show “IMPERMANENCE” at Morton Fine Art

 

Impermanence
A solo exhibition of new artwork by MAYA FREELON ASANTE

Saturday, December 12th, 2015 – January 5th, 2016

---

About Impermanence

Impermance is Maya Freelon Asante’s first solo exhibition following a deeply personal loss.  Deborah Willis, Ph.D. writes “Maya  Freelon Asante  explores  memory, memorial  and  family  in her  art  practice. She   also  examines  the social  and  artistic  space  within  the experience  of motherhood and   grieving.    Maya’s  artwork  looks at the  fragility  of  life  and provides  the viewer  with  a   way  of retelling  a  story  about  life–joy and pain. Her current body of work draws on the temporal and is inspired by love of family specifically of her grandmother’s art practice as inspiration. ”

---

About MAYA FREELON ASANTE’S process & inspiration

“In 2005 I discovered a beautiful accident; a stack of water damaged tissue paper tucked away in my grandmother’s basement was left with a brilliant and intricate stain. Since then I’ve submerged myself in the medium of bleeding tissue paper sculpture and tissue ink monoprints, which exist as simultaneously transient and steadfast. This dichotomy continues to intrigue and surprise me as I wrestle with sharing the unique beauty, fragility, and strength of my art with the world.

Much like my grandmother, who never wasted a single grain of rice on her plate, I find a way to utilize tissue paper at every stage of creation – including the rich and colorful ink released when the paper is wet, the sculptural mounds formed when creating monoprints, and even the tiny ripped pieces no larger than a fingernail which are collected and wound into spiral sculptures. Improvisation and discovery play a big role in my creative process; by incorporating archival photographs I’m able to reappropriate images, bridging a gap between the past and future.

My grandmother always said she “made a way out of no way” and her personal endurance opened a path for my own creative discovery. Art for me is about finding the message in the medium and honoring what fuels our desire to preserve and protect it. Bringing more peace, joy and light into the world is my primary objective, while simultaneously appreciating the beauty of now and creating everlasting memories.”

-MAYA FREELON ASANTE

---

About MAYA FREELON ASANTE

Maya Freelon Asante is an award-winning artist whose artwork was described by poet Maya Angelou as “visualizing the truth about the vulnerability and power of the human being,” and her unique tissue paper work was also praised by the International Review of African American Art as a “vibrant, beating assemblage of color.” She was selected by Modern Luxury Magazine as Best of the City 2013, by the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”, and Cosmopolitan Magazine’s “Art Stars” as “the most badass female artists in the biz.”

Maya has exhibited her work nationally and internationally including Paris, Ghana, and US Embassies in Madagascar, Italy, Jamaica and Swaziland. She has been a professor of art at Towson University and Morgan State University. Maya has attended numerous residencies including Skowhegan School of Painting and Sculpture, the Korobitey Institute and Brandywine Workshop. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston. She is currently represented by Morton Fine Art in Washington, DC.

This slideshow requires JavaScript.

MAYA FREELON ASANTE in Scientific American

Maya Freelon Asante, Spectra, spinning tissue ink monoprint

“Spectra,” by Maya Freelon Asante

“I use ‘bleeding’ tissue paper, water and archival pulp substrate to capture the chaotic movement of water and color blending on a spinning surface. By mounting my project on a potter’s wheel, I’m able to stand above my work, and while in motion use the wet tissue like a brush. As the wheel turns at different velocities and intervals, the ink spreads and mixes with other colors while simultaneously the intricate stains are absorbed into the pulp substrate permanently. The distribution of ink undergoing circular motion evolves in such a way that the gradient of the paint density changes with time and regions such as attractors, islands or basins appear. The colors then escape to infinity forming chaos artwork.”—Maya Freelon Asante

Visit this link to read more: http://www.scientificamerican.com/slideshow.cfm?id=bridging-the-gap&photo_id=250D2402-E1DD-4B2E-7B73B38CD8074D33