Tag Archives: The Washington Post

LISA MYERS BULMASH “The Home Inside My Head” reviewed in The Washington Post

27 Dec

Congratulations to LISA MYERS BULMASH for the rich review of her solo exhibition “The Home Inside My Head” in today’s print edition of The Washington Post by Mark Jenkins. (Arts & Style Section 12/27/20)

Lisa Myers Bulmash

Also spurred by pandemic-era exile from everyday life, Lisa Myers Bulmash conceived a Morton Fine Art show “The Home Inside My Head”. The Seattle artist combines found and personal objects into 3-D collages that conjure both African American history and her family’s own story. The pieces juggle the antiquarian and the immediate to express what Bulmash’s statement calls “a Black and female viewpoint”.

One series, “Rare & Exquisite,” places oversize models of endangered butterflies atop maps of regions of the United States collaged from Colonial-era (and thus not entirely reliable) charts. The effect is to correlate the threatened species — affixed with heavy railroad spikes that evoke hard labor –with Black people whose place in this country has always been at risk.

Examples of another antique tool, the wooden washboard, serve as frames in the “Bought and Paid For” series. The washboards hold books and ovals made of twine, which enclose overlapping transparencies of family photos. The pictures depict various old structures, including houses, and children at play. Again, Bulmash contrasts rough materials with fragile beings.

It seems apt that another piece is based on a torn piece of old sheet music repaired by kintsugi, the Japanese technique of using gold to both accentuate and exalt the cracks in a broken vessel. Bulmash’s assemblages can be seen as a bid to mend history.

Click HERE to read the review in full.

On view by appointment at Morton Fine Art through January 6th, 2021. Located at 52 O St NW #302, Washington, DC 20001.

(202) 628-2787 (text or call)

info@mortonfineart.com

http://www.mortonfineart.com

Available Artwork by LISA MYERS BULMASH

NATALIE CHEUNG’s “Facsimile” and ANDREI PETROV’s “B.C./A.D” reviewed in the Washington Post

10 Apr

the washington post logo

 

 

“Cappadocian Field Trip” and other abstract oil paintings by Andrei Petrov evoke erosion. (Andrei Petrov/Courtesy of Morton Fine Art)

“Cappadocian Field Trip” and other abstract oil paintings by Andrei Petrov evoke erosion. (Andrei Petrov/Courtesy of Morton Fine Art)

 

April 10, 2015

NATALIE CHEUNG’s “Facsimile” and ANDREI PETROV’s “B.C./A.D.” reviewed in the Washington Post

Natalie Cheung & Andrei Petrov

Photograms and chemigrams are both forms of camera-less photography yet have a very different feel. Natalie Cheung illustrates the contrast with “Facsimile,” at Morton Fine Art. The smaller photograms, created by placing objects on photo paper and then exposing it, are hard-edged, black-and-white and essentially tidy. The chemigrams, painted with chemicals on photo paper, are larger and looser. The billowing black and red-brown forms suggest ink painting but also, at their most ominous, blood-
spatter patterns. One piece resembles a razor blade, dripping with black plasma. Even if it may not be what the Washington artist intended, these pictures are beguilingly dark, fluid and strange.

The abstract oils of Andrei Petrov’s “B.C./A.D.,” also at Morton, evoke glaciation, erosion and water seeping through rock. Such associations fit the Washington-born New York artist’s method: He both builds and subtracts from his paintings, scraping and sanding to achieve a hard-worked surface and compositions that feature seeming cracks and crevices. The colors include some bright blues but are mostly shades that suggest minerals. Although “Swiss Bliss” somewhat resembles a landscape, most of the works lack that picture’s sense of distance. Whatever it is that Petrov depicts, he puts the viewer very close to its center.

Facsimile: Alternative Process Photographs by Natalie Cheung and B.C./A.D.: Nature-Based Abstract Oil Paintings by Andrei Petrov On view through April 16 at Morton Fine Art, 1781 Florida Ave. NW. 202-628-2787. http://www.mortonfineart.com