Tag Archives: Performance Art

American Lifestyle Magazine features artist MAYA FREELON ASANTE

17 Jan

‘Bleeding Art’ an interview with Maya Freelon Asante written by Shelley Rose featured in American Lifestyle Magazine Issue 87, 2018.

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‘Visionary and artist Maya Freelon Asante discovered her preferred medium by happenstance.   While living with her grandmother during art school, she found water-damaged tissue paper in the basement and became fascinated by the bleeding of the color.  This fortuitous accident became her muse, and she has been using tissue paper to create her art ever since.’

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“When I create the large tissue quilts, I always ask the community to help in the creation process.  [To me], community means, ‘I am because we are’ Ubuntu.”   ~Maya Freelon Asante

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Please contact us here at the gallery by emailing mortonfineart@gmail.com for a PDF readable version of this article as well as additional information and images.  Available artwork by MAYA FREELON ASANTE can be viewed here on our website.

Nathaniel Donnett Performance Piece at Contemporary Art Museum Houston

28 Oct

Nathaniel Donnett’s performance of In Memory Of… at the Contemporary Arts Museum Houston was held in conjunction with his exhibition Nothing to See Hear. The performance explored the trauma, emotion, and social effects of police brutality and violence on the community at large. Among the performance collaborators who took part in Donnett’s piece were independent candidate for US Congress Maurice Duhon, spoken word and performance artist Angela Olivia Guillory, dancer Chinelo Ikejimba, rapper The Niyat, and DJ Flash Gordon Parks.

You can see a recording of the video here:

Nathaniel Donnett’s exhibition Nothing to See Hear looks at how spaces of thought and memory can be created by utilizing sound and light. Donnett has created an immersive environment that integrates light, sound, sculpture, and works on paper that give visibility to the contemporary portrayals of resistance, protest, loss and mourning. Donnett pays homage to the numerous men and women who have died while placing themselves on the front line for justice. His installation functions as a visual eulogy to their sacrifice as well as a conscious and thought provoking call toward social awareness.

Hear his own words about the exhibition below.

Donnett will have another performance piece entitled The Universe Revolves Around Rhythm; So Give The Drummer Some. The piece, which will feature The Fana Drummers, a multi-African drum ensemble, will explore the different usages of drums (as musical instruments, devices for language and communication, protests against oppression, etc).

For available works by Nathaniel Donnett, please go HERE.

MAYA FREELON ASANTE in the International Review of African American Art

11 Jun

Scattered to the Wind

Maya Freelon-Asante Ventures into Performance Art

by Schwanda Rountree

Maya Freelon Asante collaborated with the bay breeze sweeping through the busy, commercial district of Baltimore as she presented a debut piece called Scattered to the Wind.   The kinetic art performance at the Bromo Seltzer Arts Tower rained, colorful free-falling art down on all below.

View of Maya Freelon Asante's Scattered to the Wind performance. Photo credit: Chris Metzger.

View of Maya Freelon Asante’s Scattered to the Wind performance. Photo credit: Chris Metzger.

Those who had come to participate in the performance were led by the artist through an interactive experience highlighting both the fragility and strength of art.  She urged them to surrender to the act of letting go and to the beauty of now — the now of that sunny, April 27, 2014 afternoon.

Poet Maya Angelou’s description of her namesake Maya Freelon Asante as “visualizing the truth about the vulnerability and power of the human being” was on vivid display that day.

View of Maya Freelon Asante's Scattered to the wind performance. Photo credit: Chris Metzger.

View of Maya Freelon Asante’s Scattered to the wind performance. Photo credit: Chris Metzger.

What made the Scattered to the Wind additionally captivating to the participants who have followed her career was that it was her first performance. “I had to call my extraordinarily talented art buddy Holly Bass, just to make sure what I envisioned was technically an ‘art performance,’” Freelon Asante says.   Artist Holly Bass’ endurance, seven-hour performance last year at the Corcoran merged legacies of the Hottentot Venus, the godfather of soul and much more.

Freelon Asante has previously  collaborated with choreographers “but this was very different,” she says.  “I know tissue paper lends itself to movement and I’ve played with that in the gallery and theater setting, but being outside and orchestrating the whole process was different.  I’d say it was a collaboration between myself and the Baltimore city that day, which was amazing!

“I wanted to push the boundaries of how and where we view art. Challenging what fuels our desire to preserve or protect something. My vision was beautiful art raining down on Baltimore city’s knowing spectators, Lexington Market cruisers, liquor store locals, lost tourists and orioles fans. The Bromo Seltzer Arts Tower − I’ve had a studio there for the last 3 years − is at the intersection of so many different types of folk. I wanted them all to witness and experience this letting go as a gift.  Free falling art for all.

“And each tissue piece I dropped was special a momento of my history and process, it could have been from my grandmother’s basement, during a residency at Skowhegan, from my installation in Madagascar… I was in a sense giving away a piece of myself. I even handed out special tissue bits to people who didn’t catch one. That part reminded me of communion, which I guess it was!”

Freelon Asante’s current major project, the Clothesline Muse, incorporates  dance, live music, spoken word, interview text, video and interactive art.  The cast will include six dancers, a percussionist, and Freelon Asante’s mother, Nnenna Freelon, the well-known jazz singer as “The Muse.”   Her daughter’s colorful tissue paper art will hang on the clothesline like laundry drying in the sun.  These sun-and-wind dried, tissue-paper “clothes” will be a vibrant resonance of the Scattered to the Wind performance in Baltimore.

Let go with me
Make room for joy!
The weightlessness
of forgiveness
Seeks peace
With love

—poem by Maya Freelon Asante

See the Scattered to the Wind performance here: https://vimeo.com/66331082

Schwanda Rountree is an attorney, art collector and principal of Rountree Art Consulting.

 

 

Scattered to the Wind by MAYA FREELON ASANTE

16 May

A one-of-a-kind kinetic art performance by artist MAYA FREELON ASANTE which boasts free-falling art for all.

Accompanied by the natural environment of Baltimore City, ‘Scattered to the Wind’ took place on Saturday, April 27th, 2013 at the Bromo Selzter Arts Tower in Baltimore, MD.

Let go with me
Make room for Joy!
The weightlessness
of forgiveness
Seeks peace
With love

– Maya Freelon Asante

Scattered to the Wind – kinetic art performance by MAYA FREELON ASANTE in Baltimore 4/27/13 at 1pm

18 Apr
Scattered to the Wind
A one-of-a-kind kinetic art performance by MAYA FREELON ASANTE
 
PERFORMANCE
Saturday, April 27th at 1pm sharp
Bromo Seltzer Arts Tower
21 S. Eutaw St.
Baltimore, MD 21201
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   maya scattered representational image web
MAYA FREELON ASANTE, accompanied by the natural environment of Baltimore City, presents Scattered to the Wind on Saturday, April 27th, 2013 at 1:00pm. A one-of-a-kind kinetic art performance which boasts free-falling art for all, at Bromo Selzter Arts Tower, located at 21 S. Eutaw Street, Baltimore, MD 21201.

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Come and witness the act of letting go and the beauty of now, as MAYA FREELON ASANTE leads us through an interactive experience that highlights both the fragility and strength of art. The performance will take place outdoors from approximately 1:00pm-1:30pm.
Let go with me
Make room for Joy!
The weightlessness
of forgiveness
Seeks peace
With love
– Maya Freelon Asante
About MAYA FREELON ASANTE:
MAYA FREELON ASANTE is an award-winning artist whose artwork was described by poet Maya Angelou as “visualizing the truth about the vulnerability and power of the human being.” Her unique tissue paper art has been described by the International Review of African American Art as a “vibrant, beating assemblage of color” and she was selected by Modern Luxury Magazine as Best of D.C. 2013 and by the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”.
She has exhibited her work nationally and internationally including Paris, Ghana, and US Embassies in Madagascar, Italy, Jamaica, and Swaziland. She has been a professor of art at Towson University and has attended numerous residencies including Skowhegan School of Painting and Sculpture, the Korobitey Institute and Brandywine Workshop. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston.