Tag Archives: Nigerian Artist

OSI AUDU’s solo exhibition “A Sense of Self” reviewed in The Washington Post

11 Jan
Osi Audu’s “Self-Portrait with a Yoruba Hairstyle” in the exhibit “A Sense of Self.” (Osi Audu/Morton Fine Art)

Osi Audu

By Mark Jenkins

January 7, 2022 at 6:00 a.m. EST

Especially when rendered with gleaming graphite, Osi Audu’s hard-edge geometric abstractions evoke high-tech machines. But “A Sense of Self,” the title of the Nigeria-born New Yorker’s show at Morton Fine Art, suggests he has something else in mind. Nearly all the pictures are designated as self-portraits, and often streamline the shapes of West African masks. Audu’s inspiration is the Yoruba idea of “outer and inner head,” according to the gallery’s statement.

The show is divided primarily between monochromatic drawings, executed in gray graphite and black pastel, and brightly colorful paintings, mostly in two contrasting acrylic pigments. Audu distills the forms of masks, headdresses and hairstyles to planes, angles and curves, and positions them on white backdrops that emphasize the images’ seeming three-dimensionality. It would make sense for the artist to translate such pictures into sculpture, and in fact this show is set to include two painted-steel pieces that seem to be closely related to the paintings. (The sculptures didn’t arrive in time to be seen for this review.)

The colors and shapes are usually presented as stark dualities, but not always. “Self-Portrait After Dogon Bird Mask” features four hues rather than two, and the graphite areas in the black-and-gray drawings are made of free, densely overlapping strokes. While inner and outer are elsewhere tidily juxtaposed, the graphite’s intricate textures are intriguingly in-between.

Osi Audu: A Sense of Self Through Jan. 15 at Morton Fine Art, 52 O St. NW, No. 302. Open by appointment.

Available artwork by OSI AUDU

Short Video / Artist Talk by OSI AUDU on his solo exhibition “A Sense of Self” at Morton Fine Art

18 Dec

“A Sense of Self” A solo exhibition of new drawings, paintings and sculpture by OSI AUDU

December 8th, 2021 – January 15th, 2022

Contact the gallery for viewing by appointment, price list, additional information and acquisition.

Complimentary catalogs available upon request.

(202) 628-2787 (call or text)

info@mortonfineart.com

About “A Sense of Self”

Morton Fine Art is proud to present A Sense of Self, a solo exhibition of new works by Nigerian multimedia artist Osi Audu; on view from December 8, 2021 – January 15, 2022.

Working across drawing, painting and sculpture, Audu considers notions of internal and external dualities, most distinctively, the Yoruba sense of “outer and inner head.” The works–geometric abstractions made alive with vibrant shades of blue, red, green, yellow and black, reflect Audu’s celebration of color as a manifestation of interior human essence. Each of the pieces in A Sense of Self are presented as self-portraits, which Audu articulates to be “the portraits of the intangible self.”

In conversation with classical African aesthetics, Audu’s works examine the human head as an axis of material and subliminal consciousness. In this sense, the artist captures what exists prior to and beyond embodiment, the self outside of matter. Though many of his pieces are rich in color, at their core, each one is a rumination on blackness—that which is imperceivable by the human eye. In works reminiscent of scientific illustrations, Audu gives image to internal expressions of the self, investigating the mechanisms and shapes of the human spirit.

As studies of visceral perception, Audu’s portraits ask questions such as, what might the intangible self look like after donning a Dogon bird mask; or after wearing an Efik headdress? His answer to the former is: four sharp rectangular shapes, with a free-form waved appendage; to the latter: a gently coiled form, with two flat surfaces. To Audu, these questions are neither anomalous nor incidental. Instead, they are essential vehicles for investigating what is nestled between the layers of the mind, body and personal identity that we each understand ourselves to have. A Sense of Self provides a deeply personal visual language for examining the complex structures of being. At once dynamic and uncomplicated, these works leave the audience with questions about themselves.

OSI AUDU received a B.A. in Fine Art with First Class Honors from the University of Ife, Ile-Ife, Nigeria, and an M.F.A. in Painting and Drawing from the University of Georgia, Athens, Georgia, USA. He has been exhibited at, and collected by, public Institutions including the Smithsonian Institution’s National Museum of African Art in Washington, D.C., The Newark Museum in Newark, New Jersey, USA, The British Museum and the Horniman Museum, both in London, and the Wellcome Trust Gallery in London. Audu’s work has also been exhibited at the Tobu Museum and Setagaya Museum, both in Japan, the Liverpool Museum in England, the Science Museum in London; and acquired for corporate collections including Microsoft Art Collection, Sony Classical New York and the Schmidt Bank in Germany. Audu has been represented by Morton Fine Art in Washington, D.C. since 2012.

Available artwork by OSI AUDU

OSI AUDU’s solo exhibition “A Sense of Self”

13 Dec
Osi Audu’s latest exhibition investigates notions of the self beyond  the materiality that defines our existence
Visit our Website
Self Portrait after Dogon Bird Mask, 2017-2021, 54″x72″, pastel and graphite on paper mounted on canvas

A Sense of Self
A solo exhibition of new drawings, paintings and sculpture by OSI AUDU
December 8th, 2021 – January 5th, 2022


Contact the gallery for viewing by appointment, price list, additional information and acquisition. Complimentary catalogs available upon request.

(202) 628-2787 (call or text) info@mortonfineart.com

Available Artwork by OSI AUDU
Self-Portrait after Head of Pangwe Figure, 2018, 22″x31″, acrylic on canvas
About A Sense of Self
Morton Fine Art is proud to present A Sense of Self, a solo exhibition of new works by Nigerian multimedia artist Osi Audu; on view from December 8, 2021 – January 5, 2022.
Working across drawing, painting and sculpture, Audu considers notions of internal and external dualities, most distinctively, the Yoruba sense of “outer and inner head.” The works–geometric abstractions made alive with vibrant shades of blue, red, green, yellow and black, reflect Audu’s celebration of color as a manifestation of interior human essence. Each of the pieces in A Sense of Self are presented as self-portraits, which Audu articulates to be “the portraits of the intangible self.”
Self Portrait II, 2021, 22″x31″, pastel and graphite on paper mounted on canvas
In conversation with classical African aesthetics, Audu’s works examine the human head as an axis of material and subliminal consciousness. In this sense, the artist captures what exists prior to and beyond embodiment, the self outside of matter. Though many of his pieces are rich in color, at their core, each one is a rumination on blackness—that which is imperceivable by the human eye. In works reminiscent of scientific illustrations, Audu gives image to internal expressions of the self, investigating the mechanisms and shapes of the human spirit.
Self Portrait after Head of a Benin Queen Mother, 2021, 26″x14″x10.5″, painted steel
As studies of visceral perception, Audu’s portraits ask questions such as, what might the intangible self look like after donning a Dogon bird mask; or after wearing an Efik headdress? His answer to the former is: four sharp rectangular shapes, with a free-form waved appendage; to the latter: a gently coiled form, with two flat surfaces. To Audu, these questions are neither anomalous nor incidental. Instead, they are essential vehicles for investigating what is nestled between the layers of the mind, body and personal identity that we each understand ourselves to have.  A Sense of Self provides a deeply personal visual language for examining the complex structures of being. At once dynamic and uncomplicated, these works leave the audience with questions about themselves.
Self Portrait after an Efik Headdress, 2021, 22″x31″, pastel and graphite on paper mounted on canvas
Self Portrait with Yoruba Hairstyle, 2021, 22″x31″, pastel and graphite on paper mounted on canvas
Available artwork by OSI AUDU
About OSI AUDU
OSI AUDU received a B.A. in Fine Art with First Class Honors from the University of Ife, Ile-Ife, Nigeria, and an M.F.A. in Painting and Drawing from the University of Georgia, Athens, Georgia, USA. He has been exhibited at, and collected by, public Institutions including the Smithsonian Institution’s National Museum of African Art in Washington, D.C., The Newark Museum in Newark, New Jersey, USA, The British Museum and the Horniman Museum, both in London, and the Wellcome Trust Gallery in London. Audu’s work has also been exhibited at the Tobu Museum and Setagaya Museum, both in Japan, the Liverpool Museum in England, the Science Museum in London; and acquired for corporate collections including Microsoft Art Collection, Sony Classical New York and the Schmidt Bank in Germany.
Audu has been represented by Morton Fine Art in Washington, D.C. since 2012.
About Morton Fine Art
Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.
Morton Fine Art founded the trademark *a pop-up project in 2010. *a pop-up project is MFA’s mobile gallery component which hosts temporary curated exhibitions nationally.
Gallery hours: By appointment only. Mask required.

Morton Fine Art
52 O St NW #302
Washington, DC 20001
(202) 628-2787
info@mortonfineart.com
www.mortonfineart.com

3 Questions Digital Series with OSI AUDU – U.S. Department of State / Art in Embassies

27 Mar

I explore the light sheen of graphite, the matte, light absorbing quality of black pastel, the white of paper and canvas, as well as the visually affecting interactions of colors to investigate form and its evocative potential to suggest or hint at something about the shape of the head. I am interested in the dualism of form and void, and the ontological relation between the tangible and intangible, something and nothing, light and dark, body and mind, the dual nature of being – the self in portraits.

The construction of a sense of self is a very complex process, perhaps even more so in our increasingly global age, in which the boundaries between race, nationality, gender and sexuality are getting more and more blurred. I am interested in issues of self identity, and in concepts of the self rooted in my cultural experiences growing up in Nigeria, as well as global metaphysical, scientific, and social concepts of the self. There is a Yoruba thought that consciousness, referred to as the “head”, has both a physical dimension called the “outer head” and a non-physical one: “the inner head”. It is the visual implications of concepts like this that I find intriguing. The title, Self-Portrait, in my work, is more about the portrait of the intangible self, rather than a literal portrait of the artist. – OSI AUDU

For over five decades, Art in Embassies (AIE) has played a leading role in U.S. public diplomacy through a focused mission of vital cross-cultural dialogue and understanding through the visual arts and dynamic artist exchange. The Museum of Modern Art first envisioned this global visual arts program in 1953, and President John F. Kennedy formalized it at the U.S. Department of State in 1963. Today, Art in Embassies is an official visual arts office within the U.S. Department of State, engaging over 20,000 participants globally, including artists, museums, galleries, universities, and private collectors. It encompasses over 200 venues in 189 countries. Professional curators and registrars create and ship about 60 exhibitions per year, and since 2000, over 70 permanent collections have been installed in the Department’s diplomatic facilities throughout the world. Art in Embassies fosters U.S. relations within local communities world-wide – in the last decade, more than 100 artists have traveled to countries participating in AIE’s exchange programs and collaborated with local artists to produce works now on display in embassies and consulates. Going forward, AIE will continue to engage, educate, and inspire global audiences, showing how art can transcend national borders and build connections among peoples.

3 Questions Digital Series with Victor Ekpuk – U.S. Department of State, Art in Embassies

19 Mar

Victor Ekpuk is a Nigerian-born contemporary artist based in Washington, DC. His art, which began as an exploration of nsibidi “traditional” graphics and writing systems in Nigeria, has evolved to embrace a wider spectrum of meaning that is rooted in African and global contemporary art discourses. His art is inspired by nsibidi, a sacred means of communication among male secret societies in southeastern Nigeria. Evolving out of the graphic and writing systems of nsibidi, Ekpuk’s art embraces a wider spectrum of meaning to communicate universal themes. “The subject matter of my work deals with the human condition explained through themes that are both universal and specific: family, gender, politics, culture and identity.”

For over five decades, Art in Embassies (AIE) has played a leading role in U.S. public diplomacy through a focused mission of vital cross-cultural dialogue and understanding through the visual arts and dynamic artist exchange. The Museum of Modern Art first envisioned this global visual arts program in 1953, and President John F. Kennedy formalized it at the U.S. Department of State in 1963. Today, Art in Embassies is an official visual arts office within the U.S. Department of State, engaging over 20,000 participants globally, including artists, museums, galleries, universities, and private collectors. It encompasses over 200 venues in 189 countries.

Professional curators and registrars create and ship about 60 exhibitions per year, and since 2000, over 70 permanent collections have been installed in the Department’s diplomatic facilities throughout the world. Art in Embassies fosters U.S. relations within local communities world-wide – in the last decade, more than 100 artists have traveled to countries participating in AIE’s exchange programs and collaborated with local artists to produce works now on display in embassies and consulates. Going forward, AIE will continue to engage, educate, and inspire global audiences, showing how art can transcend national borders and build connections among peoples.

https://art.state.gov/

Available artwork by VICTOR EKPUK at Morton Fine Art

Wallpaper Magazine, Victor Ekpuk and Prizm Art Fair 2020

4 Dec

ART | 1 DAY AGO | BY HARRIET LLOYD-SMITH

Prizm Art Fair gives a platform to African Diasporic perspectives

Coinciding with Miami Art Week, Prizm Art Fair is championing and examining the intersections of African cinema traditions and visual art

Sthenjwa Luthuli, Reaching For Stars (2020)

In spite of widespread coronavirus-related hurdles, 2020 has offered glimmers of hope for the art world, particularly in the steps taken to highlight, and rectify the lack of diversity across the industry.

One art fair, Prizm, has been spotlighting diverse voices in contemporary visual art since 2013, with a core mission to widen the scope of international contemporary art from Africa and the African Diaspora.

By carving out a space for cross-cultural exchange in Miami and beyond, the fair seeks to address socio-political and cultural issues pertinent to people of African descent, while educating and nurturing the city’s inhabitants.

Victor Ekpuk, Mother Series #1 (2019) as seen at Prizm Art Fair. Image courtesy of Morton Fine Art

‘African Diasporic communities have attempted repeatedly to blanket themselves from a host of incessant obstacles – systemic injustice, racism, economic disparity, gender inequality – while the goal post of progress stretched farther away with each giant leap made towards it,’ says Mikhaile Solomon, founder and director of Prizm.

For its eighth edition, coinciding with an unsurprisingly scaled-down Miami Art Week, the fair’s online programme will feature 47 artists in ‘Noir, Noir: Meditations on African Cinema and its Influence on Visual Art’, an exhibition curated and organised by Solomon and interdisciplinary artist William Cordova. Noir, Noir references the African avant-garde film tradition and encourages a deeper understanding of global African identities through the intersection of cinema and contemporary visual art. Elsewhere, highlights include a programme of film screenings and talks led by leaders in Diasporic Visual arts.

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John Baloyi, Lititha 4 (2020). Courtesy of Dyman Gallery

Participating galleries hail from eleven countries including the United States, Caribbean and the African continent including Barbados, Ethiopia, Haiti, Jamaica, Martinique, Saint Maarten, South Africa and Trinidad. Featured artists include Victor Ekpuk, Yanira Collado, Sthenjwa Luthuli, Alicia Piller, Justice Mukheli, Versia Harris and Milena Carranza Valcárcel. Prizm will also spotlight emerging Miami-based artists who engage in socio-political issues pertinent to people of African descent, and in the city’s growth as a cultural hub. 

 

Prizm Art Fair will be accessible online until 21 December 2020. prizmartfair.com

Link to Wallpaper* Article

Available Artwork by VICTOR EKPUK

VICTOR EKPUK- featured solo in Morton Fine Art’s booth at Prizm Art Fair 2020

5 Nov

NOIR, NOIR:
MEDITATIONS ON AFRICAN
CINEMA AND ITS INFLUENCE
ON VISUAL ART
PRIZM 2020 – dedicated to exhibiting international artists from the African Diaspora – returns with its eighth edition, taking place from December 1 to 21, 2020. A VIP preview week will take place from November 24 to 30, 2020. PRIZM Art Fair 2020 will be available for online viewing through the PRIZM website and Artsy.net. Film screenings and PRIZM’s panel talks program will be available through the fair’s website.For its eighth edition, PRIZM will present a curated exhibition entitled Noir, Noir: Meditations on African Cinema and Its Influence On Visual Art curated and organized by William Cordova, and Mikhaile Solomon. The special section will include 45 artists from various global locales including, Congo, Haiti, Jamaica, Barbados, Nigeria, Trinidad and Tobago, Saint Maarten, Ethiopia, Sierra Leone, South Africa, and the United States. 

Noir Noir…” revisits and contemplates the layered rendering of complex communal histories through the lens of African/Diasporic filmmakers past and present, seeking a deeper understanding of global African identity through an evaluation of its intersections with contemporary visual art. Noir, Noir will examine how these films have functioned as harbingers of global African/Diasporic liberation movements and expound on the intersections between contemporary art practice and the spectrum of African/Diasporic film traditions. Noir, Noir references the African avant-garde film tradition as well as contemporary African/Diasporic filmmakers to explore how visual artists have created bodies of work inspired by narratives, aesthetics, cultural notes, and social commentaries poetically rendered in the various cinematic modalities.

Register HERE

 

Victor Ekpuk is a Nigerian-American artist based in Washington, DC. 

His art, which began as an exploration of nsibidi “traditional” graphics and writing systems in Nigeria, has evolved to embrace a wider spectrum of meaning that is rooted in African and global contemporary art discourses. 

Guided by the aesthetic philosophy nsibidi, where sign systems are used to convey ideas, Ekpuk re-imagines graphic symbols from diverse cultures to form a personal style of mark making that results in the interplay of art and writing. 

Ekpuk’s art reflects his experiences as a global artist – “The subject matter of my work deals with the human condition explained through themes that are both universal and specific: family, gender, politics, culture and Identity”.

Mr. EKPUK’s artwork can be found the permanent collection of the following museums and institutions:

Smithsonian National Museum of African American History & Culture, Washington, DC

Smithsonian Museum of African Art, Washington DC, USA

Krannert Art Museum, USA

Hood Museum, USA

Brooks Museum, USA

Arkansas Art Center, USA

Newark Museum, New Jersey, USA

The World Bank, Washington DC, USA

University of Maryland University College Art Collection, USA 

The U.S. Department of State

He has been represented by Morton Fine Art in Washington, DC since 2012.

CLICK HERE TO VIEW AVAILABLE ARTWORK BY VICTOR EKPUK

Morton Fine Art, 52 O St NW #302, Washington, DC 20001

(202) 628-2787, info@mortonfineart.com, http://www.mortonfineart.com

 

VICTOR EKPUK’s “The Face” unveiled in Bahrain for Bank ABC

12 Dec

 

Bahrain’s Bank ABC unveils Victor Ekpuk-designed 5.4m-tall ‘The Face’

Sculpture is a visual centrepiece of the façade of the bank’s revamped HQ building and is made of painted stainless steel

The Face is a tribute to Bahrain’s rich heritage.

Bahrain ABC
The Face is a tribute to Bahrain’s rich heritage.

Bahrain Bourse-listed Bahrain ABC has revealed a permanent piece of architecture 5.4m-tall ‘The Face’, which designed by Nigerian-American contemporary artist, Victor Ekpuk, as a tribute to Bahrain’s rich heritage, multi-cultural fabric, and hospitable business environment.

According to Bahrain ABC, the sculpture that is made of painted stainless steel is a visual centrepiece of the façade of its recently renovated twin-tower headquarter building in the kingdom.

Commenting on the sculpture, group chief executive officer of Bank ABC, Dr. Khaled Kawan, said: “After reflecting on our 40-year journey as the Bahrain banking industry celebrates its 100 years this month, and to commemorate the renovation of our HQ building, we commissioned Victor to create this unique and majestic art piece that cleverly connects our heritage and future aspirations.

The Nigerian-American contemporary artist, Victor Ekpuk [image: Bahrain ABC]

“‘The Face’ will outlive business cycles and peoples’ tastes and remain an eternal tribute to Bahrain and its people.”

“How do you capture the essence of a people whose history is long and culture layered in centuries of civilizations? You look to their beautiful faces hoping to catch the essence of their memory,” Ekpuk said.

The Nigerian-American artist counts Smithsonian National museum of African Art, Smithsonian National museum of African American Culture & History, Brooks Museum, The World Bank, Newark Museum, Hood Museum, Krannert Art Museum, and United States Art in Embassies Art Collection among his works.

Click to read article in full.

 

Available artwork by VICTOR EKPUK.

 

Morton Fine Art, 52 O St NW #302, Washington, DC 20001

+001 202 628 2787

mortonfineart@gmail.com

http://www.mortonfineart.com

VICTOR EKPUK’s recently created “Mother Series”

18 Sep

We are very excited to announce the arrival of three new mixed media on paper creations by internationally renowned artist, VICTOR EKPUK. The three new works are from his “Mother Series” which were created this year during his time in the US.

 

VICTOR EKPUK, Mother Series 1, 2019, 25.5″x20″, acrylic, graphite and collage on paper, Contact for price.

 

 

VICTOR EKPUK, Mother Series 2, 2019, 25.5″x20″, acrylic and collage on paper, Contact for price.

 

 

VICTOR EKPUK, Mother Series 3, 2019,25.5″x20″, acrylic, graphite and collage on paper, Contact for price.

 

About VICTOR EKPUK

Victor Ekpuk is a Nigerian-American artist based in Washington, DC.

His art, which began as an exploration of nsibidi “traditional” graphics and writing systems in Nigeria, has evolved to embrace a wider spectrum of meaning that is rooted in African and global contemporary art discourses.

Guided by the aesthetic philosophy nsibidi, where sign systems are used to convey ideas, Ekpuk re-imagines graphic symbols from diverse cultures to form a personal style of mark making that results in the interplay of art and writing.

Ekpuk’s art reflects his experiences as a global artist – “The subject matter of my work deals with the human condition explained through themes that are both universal and specific: family, gender, politics, culture and Identity”.

 

Mr. EKPUK’s artwork can be found the permanent collection of the following museums and institutions:

Smithsonian National Museum of African American History & Culture, Washington, DC, USA

Smithsonian Museum of African Art, Washington DC, USA

Krannert Art Museum, USA

Hood Museum, USA

Brooks Museum, USA

Arkansas Art Center, USA

Newark Museum, New Jersey, USA

The World Bank, Washington DC, USA

University of Maryland University College Art Collection, USA

The U.S. Department of State

 

Link to available artwork by VICTOR EKPUK

 

Morton Fine Art

52 O St NW #302

Washington, DC 20001

+ 001 (202) 628-2787

mortonfineart@gmail.com

http://www.mortonfineart.com

Video of artist OSI AUDU discussing his “Self Portrait” series

20 Jul

Nigerian artist OSI AUDU brilliantly discusses his graphite and pastel “Self Portrait” artworks delving into the Tangible Self and Intangible Essence of Self. Fascinating!

 

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Available artwork by OSI AUDU

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787

mortonfineart@gmail.com

http://www.mortonfineart.com