Tag Archives: New York

Morton Fine Art congratulates artist OSI AUDU as recipient of a prestigious and highly competitive grant from The Pollock-Krasner Foundation

28 Aug

For over a decade now, through highly acclaimed exhibitions of his work, OSI AUDU has maintained a strong professional presence in the United States, Great Britain, Korea, Japan, Italy, Germany, Austria and Africa.
His work has been exhibited at, and collected by public institutions including the Smithsonian Institution’s National Museum of African Art in Washington DC, The Newark Museum in Newark, New Jersey, USA, The British Museum and the Horniman Museum both in London, and the Wellcome Trust Gallery in Euston London. His work has also been exhibited at the Tobu Museum and Setagaya Museum both in Japan, the Liverpool Museum in Great Britain, The Science Museum London; and acquired for corporate collections including Sony Classical New York, and the Schmidt Bank in Germany.
He received a B.A. (Fine Art) degree with First Class Honors from the University of Ife in Nigeria, and an M.F.A. degree in Painting and Drawing from the University of Georgia, Athens, Georgia, USA.
He now lives and works in New York.
The Pollock-Krasner Foundation, Inc. was established in 1985 for the sole purpose of providing financial assistance to individual working visual artists of established ability through the generosity of the late Lee Krasner, one of the leading abstract expressionist painters and the widow of Jackson Pollock.
The Foundation is pleased to report that since its inception in 1985, it has awarded over 4,400 grants totaling over 71 million dollars to artists in 77 countries.

MARIO ANDRES ROBINSON’s exhibition at Pratt Institute in NYC

13 Oct
MARIO ANDRES ROBINSON, Peach Tree and Pine, 18″x24″, watercolor on paper

 

Tuesday, Sep 12, 2017 -Friday, Oct 06, 2017
Location
School of Continuing and Professional Studies Gallery, Pratt Manhattan Center, 2nd floor, 144 West 14th Street, New York, NY
Restoration. A solo exhibition of work by Pratt alumnus, Mario Andres Robinson
You are cordially invited to view an exhibition of recent work by Mario Andres Robinson at the School of Continuing and Professional Studies Gallery, Pratt Manhattan Center, New York City.
The exhibition showcases recent work never exhibited in New York before, bringing together portraits, and landscapes focused on architecture.
Robinson’s work fits squarely within the tradition of American painting. His finished works bear a close affinity to the masters of the realist tradition, Andrew Wyeth and Thomas Eakins.
Containing few references to modern life, Robinson’s work has a timeless and universal quality, and exhibits a distinct turn-of-the-century stylistic aesthetic. The images he chooses, which refer to a bygone era where solitude and reflection were abundant, also provoke frequent allusions to the paintings of Winslow Homer and Edward Hopper.
Join Mario Andres Robinson’s course with SCPS this fall:
Painting the Figure in Watercolor
XFA-458

MARIO ANDRES ROBINSON, Transition, 22″x16″, watercolor on paper

 

New Works by ANDREI PETROV

13 Jan
Based in New York City, ANDREI PETROV explores memory in his organic abstract paintings. His paintings probe the distortion, incompleteness and rare moments of clarity in the shadows of memory. Each piece portrays the intrinsic struggle and selective inclusion or exclusion of details in the process of recollection. At times, sharpness occurs in the rear of the picture plane while the out of focus, obscured areas, exist in a larger scale toward the foreground and make reference to the inscrutable nature of long and short term memory.
exodus-web
ANDREI PETROV, Exodus, 2017, 25″x40″, oil on canvas
untitled-1-web
ANDREI PETROV, Untitled 1, 20″x30″, oil on canvas

ANDREI PETROV’s solo exhibition “Global Migration” opens 4/8/16 at Morton Fine Art

31 Mar
Global Migration
Abstract Oil Paintings by ANDREI PETROV
Friday, April 8th – April 27th, 2016

OPENING DAY RECEPTION 
Friday, April 8th, 6pm-8pm
The artist will be in attendance.
Great Escape 30x48 web
ANDREI PETROV, Great Escape, 2016, 30″x48″, oil on canvas
EXHIBITION LOCATION

Morton Fine Art (MFA)
1781 Florida Ave NW (at 18th & U Sts)
Washington, DC 20009

(202) 628-2787
mortonfineart@gmail.com
HOURS

Tuesday – Saturday 11am – 6pm

Sunday 12pm-5pm

Far from Home 36x55 diptych web
ANDREI PETROV, Far from Home (diptych), 2016, 36″x55″, oil on canvas
About ANDREI PETROV & Global Migration

“The forced displacement of millions of people from war torn homelands and border crossings into unwelcome arms has inspired these painted reactions.
In this series the vast color fields show the paths of these voyages through streams or patches of creamy impasto. Within unpredictable atmospheres, traces of movement crawl across, around and through layers of opalescent layers of transparent color. The contrast in scale between the rivers of thick color and the expansive land that surrounds them symbolizes how small the masses are in respect to the immense distances traversed.” -ANDREI PETROV, 2016

Based in New York City, ANDREI PETROV explores memory in his organic abstract paintings. His paintings probe the distortion, incompleteness and rare moments of clarity in the shadows of memory. Each piece portrays the intrinsic struggle and selective inclusion or exclusion of details in the process of recollection. At times, sharpness occurs in the rear of the picture plane while the out of focus, obscured areas, exist in a larger scale toward the foreground and make reference to the inscrutable nature of long and short term memory.Petrov’s paintings have been exhibited nationally and internationally in prestigious collections and can be viewed at The Four Seasons Hotel in both Washington, DC and Punta Mita, Mexico, The Fairmont Hotel in Chicago and The Conrad Hotel, Miami. His paintings have also had cameos in the following films, The Royal Tenenbaums, Autumn in New York, Kate and Leopold, The Business of Strangers and Words and Lyrics. He is the featured visual artist 2016 for Music@Menlo.

Global Migration marks ANDREI PETROV’s forth consecutive solo exhibition at Morton Fine Art.

About Morton Fine Art
Founded in 2010 in Washington, DC, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that anyone can become an art collector or enthusiast, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice.

OSI AUDU in the Village Voice

17 Mar

village voice.png

Tuesday, February 16, 2016

Osi Audu was born in Nigeria in 1956, and his shape-shifting drawings derive partly from the Yoruba concept that the human head encompasses a duality of spirit and matter, mind and body. Combining layered graphite and fathomless black pastel edged with sleek white lines, each of Audu’s renderings oscillates between a depiction of an empty and oddly shaped container — imagine a hatbox with tendrils — and a space-warping geometric abstraction. The graphite planes shimmer like sheet metal, seemingly enclosing dark expanses rimmed with light.

Osi Audu, Self Portait No. 42, 15"x22.5", graphite on pastel on paper

Osi Audu, Self Portait No. 42, 15″x22.5″, graphite on pastel on paper

Segueing between three-dimensional representation and vivid graphic design, Audu’s work encourages mind games that summon unexpected allusions. With its cartoonish curves, Self-Portrait No. 57 (2015) recalls the line drawing Alfred Hitchcock made of himself for his television show, which, during the opening titles, would be filled with the director’s own shadow. Audu delivers a similar sense of disembodied animation, flummoxing the brain as his velvety surfaces dazzle the eye. Some future production of Hamlet could up the metaphysical ante by using one of these drawings as a stand-in for Yorick’s skull.

Click HERE to view the full article.

Click HERE to view available drawings by OSI AUDU.

Contact Morton Fine Art with acquisition inquiries.

Morton Fine Art, 1781 Florida Ave NW, Washington, DC 20009

(202) 628-2787, mortonfineart@gmail.com, http://www.mortonfineart.com

ANDREI PETROV’s “BC/AD” opens at Morton Fine Art Friday 3/27/15

19 Mar
B.C. / A. D.
Nature-based Abstract Oil Paintings by ANDREI PETROV
Friday, March 27th – April 16th, 2015

OPENING DAY RECEPTION 
Friday, March 27th, 6pm-8pm
Artist will be in attendance.
About ANDREI PETROV:

In his exhibition “B.C./A.D”, NYC-based artist ANDREI PETROV roots his latest series of paintings in memories of a journey to Europe made nearly 2 decades ago. He emphasizes the importance and immediacy of naked observation which resonated through his senses first-hand and created a strong memory of place.  He challenges viewers to recall ways of seeing which favor the live experience rather than an instant snapshot, juxtaposing a time 20 years ago which was “before cellphones” and the distraction caused by “another digital set of eyes”.

“The production of a painting begins with a pencil or ink drawing on paper which I extrapolate from and edit as I work the canvas. First with pencil or charcoal and then with color washes done with acrylic or ink, I map the raw canvas and allow it to be ingrained with the materials. Once satisfied with the composition and balance, the surface is sealed with a clear acrylic so as to allow the use of oil based pigments. Handmade tools are used to drag, apply, scrape and blend the paint across the canvas plane. Sandpaper and rags also propel the evolution of the work. The addition and subtraction of paint are meant to act as a metaphor for the intentions and motives for which the paintings are based.” – Andrei Petrov

Contact Morton Fine Art for artwork availability. http://www.mortonfineart.com, (202) 628-2787, mortonfineart@gmail.com

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NNENNA OKORE in the Wall Street Journal

20 Jan
 wall street journal logo

Paintings of a Caricaturist, Plus Two Sculptors

David Levine, Nnenna Okore and Juan Muñoz in Fine Art

Nnenna Okore: Twist and Turns

David Krut Projects

526 W. 26th St., (212) 255-3094

Through Jan. 17

‘Transitions’ (2013) by Nnenna Okore.
‘Transitions’ (2013) by Nnenna Okore. NNENNA OKORE/DAVID KRUT PROJECTS, NEW YORK

To Western art-world eyes, a lot of work made by contemporary artists with non-Western backgrounds is technically impressive but aesthetically a little suspicious. That is, we sense it looks good mostly because considerable labor and careful craft have gone into it. Because it often contains exotic or folkish materials, it has a kind of guaranteed visual floor under it. Whatever else happens, it won’t look outrightly bad.

In the hurly-burly of today’s big-city gallery scenes (especially New York’s), this can be a disadvantage. But it is one that the Nigerian-American sculptor, Nnenna Okore (b. 1975) overcomes. Not that Ms. Okore—who is an art professor in Chicago—avoids the problem; she actually doubles down on it.

Having spent an apprentice year under the internationally successful Ghanaian artist El Anatsui (whose fabriclike wall pieces, made of bits of refuse metal in his studio in Nigeria, grace a plethora of modern art museums), Ms. Okore has worked with sewing, dyeing, weaving and other unconventional processes.

For this exhibition, the artist has pared down the materials in her complex, weblike relief sculptures. The three-part, 10-foot-wide “Transitions” (2013), for example, consists of newspaper stiffened and colored with acrylic paint. Ms. Okore’s palette tends toward muted, organic greens and reds and, in some works, black. Although her art’s initial impact is that of the easy good looks that come with craft and applied African traditions, the emotional intensity in this exhibition lifts Ms. Okore’s work to a higher level.