Tag Archives: Narrative Art

LISA MYERS BULMASH “The Home Inside My Head” reviewed in The Washington Post

27 Dec

Congratulations to LISA MYERS BULMASH for the rich review of her solo exhibition “The Home Inside My Head” in today’s print edition of The Washington Post by Mark Jenkins. (Arts & Style Section 12/27/20)

Lisa Myers Bulmash

Also spurred by pandemic-era exile from everyday life, Lisa Myers Bulmash conceived a Morton Fine Art show “The Home Inside My Head”. The Seattle artist combines found and personal objects into 3-D collages that conjure both African American history and her family’s own story. The pieces juggle the antiquarian and the immediate to express what Bulmash’s statement calls “a Black and female viewpoint”.

One series, “Rare & Exquisite,” places oversize models of endangered butterflies atop maps of regions of the United States collaged from Colonial-era (and thus not entirely reliable) charts. The effect is to correlate the threatened species — affixed with heavy railroad spikes that evoke hard labor –with Black people whose place in this country has always been at risk.

Examples of another antique tool, the wooden washboard, serve as frames in the “Bought and Paid For” series. The washboards hold books and ovals made of twine, which enclose overlapping transparencies of family photos. The pictures depict various old structures, including houses, and children at play. Again, Bulmash contrasts rough materials with fragile beings.

It seems apt that another piece is based on a torn piece of old sheet music repaired by kintsugi, the Japanese technique of using gold to both accentuate and exalt the cracks in a broken vessel. Bulmash’s assemblages can be seen as a bid to mend history.

Click HERE to read the review in full.

On view by appointment at Morton Fine Art through January 6th, 2021. Located at 52 O St NW #302, Washington, DC 20001.

(202) 628-2787 (text or call)

info@mortonfineart.com

http://www.mortonfineart.com

Available Artwork by LISA MYERS BULMASH

Virtual exhibition and artist narration of LISA MYERS BULMASH’s solo exhibition “The Home Inside My Head” at Morton Fine Art

24 Nov

Virtual tour and artist narration of LISA MYERS BULMASH’s first east coast solo exhibition, “The Home Inside My Head” at Morton Fine Art in Washington, DC.

Video credit: Jarrett Hendrix

Contact the gallery for private viewing by appointment, price list and acquisition. (202) 628-2787 (text or call) info@mortonfineart.com http://www.mortonfineart.com

“For most of this year, we’ve had to make a home inside our heads — because a virus was blocking the way out to “normal” life. That was fine by me at first: home is my castle and retreat. But there’s no vacation from yourself, or the deepest fears for your children’s future. Even a rich interior life becomes over-stuffed with emotions, memories and uncomfortable truths. The works in “The Home Inside My Head” reflect this ambivalence. The “Bought and Paid For” series was born from the love and deep gratitude for my ancestors’ struggles to give me greater opportunities. But even during my sheltered childhood, I recognized not every house feels like home as I experienced it. Not every parent prepares their child for ugly realities like institutional racism. As a 21st century Black woman, I need to make work that explores my disillusionments as well as my hopes for America. Collages like “One Nation, Under Reconstruction” are my attempts to name these experiences as truthfully as I can. I center a Black and female viewpoint in my work, as examples of a specific story illuminating the general human condition. But there’s something else. We can’t continue to tell each other the same stories featuring the same old heroes. Those icons accomplished amazing things everywhere but at home. We need to imagine our next home before we can live in it: this is the place where we build new narratives.” – LISA MYERS BULMASH, 2020

AMBER ROBLES-GORDON’s series “Place of Breath and Birth” on view with TAFETA at 1-54

13 Sep

Video of AMBER ROBLES-GORDON’s latest series “Place of Breath and Birth

Amber Robles-Gordon

Amber’s artwork is based on her personal narrative and the intersections of womanhood, patriarchy, hybridism, and Americanism.

Her intention is to further contextualize her narrative and artwork within the political, socioeconomic, and environmental threads that define, control, alienate and/or mistreat Puerto Ricans and Afro-Puerto Ricans in particular.

Place of Breath and Birth

A foundational symbology of this body of work is the Fiscus Elastica commonly known as the Rubber Tree, Rubber Fig or Rubber Plant.

The second most important symbolic layer of the work are the depictions and interpretations of the transitions of day to night and night to day.

“Throughout some of the artworks, I am a figure, a witness to the beauty and complexity of the Puerto Rican landscape”

“Ultimately, I hope this narrative and artwork gives voice to others who walk in brownness—who breathe within a female form, and/or who do not quite fit the norms…yet are Bold and Proud.”

Amber Robles-Gordon’s artwork will be presented by TAFETA at the 1-54 Contemporary African Art Fair in October 2020.

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Introducing Morton Fine Art’s new artist LISA MYERS BULMASH

1 Sep

Get to know the wall mounted sculpture creations of MFA’s newest artist partner, Seattle based LISA MYERS BULMASH, and her “Bought and Paid For” series.

“This triptych of altered books is mounted on antique washboards, exploring the American Dream as filtered through a Black and female lens. The series centers on the heart of that complicated dream: owning a home of one’s own.

A repeating image in the center niche unites the three books: a family photo of the artist’s brother, running into their childhood home. This image is layered over other buildings significant in the African American experience. The first shows a slave auction “house”; the second shows the childhood home of the artist’s mother; the third depicts the artist’s first home in the Northwest.”

Featured here “Bought and Paid For 1 (triptych)”, 24″x40″, altered books mounted on antique washboards. Scroll for details. Contact Morton Fine Art for additional information on Lisa Myers Bulmash and her powerful sculptural creations.
Lisa Myers Bulmash, Bought and Paid For #1 (triptych), 2020, 24″x40″, altered books mounted on antique washboards
(Detail)
Sculpture 1 of 3
Sculpture 2 of 3
Sculpture 3 of 3
Contact the gallery for additional information about LISA MYERS BULMASH.
Morton Fine Art
52 O St NW #302
Washington, DC 20001
(202) 628-2787 (call or text)
mortonfineart@gmail.com

Michael Booker’s 360 interactive virtual tour and artist talk for his solo “Godspeed”

1 Jun

360 interactive virtual tour with artist talk for MICHAEL BOOKER’s long awaited solo exhibition, Godspeed. Launching on Morton Fine Art’s YouTube channel. Navigate around the video with your touchscreen, touch pad or mouse. Contact the gallery for price list and acquisition.

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MICHAEL BOOKER’s solo exhibition Godspeed and 8 minute artist talk at Morton Fine Art, Washington, DC. Navigate around the video with your touchscreen, touch pad or mouse.
Video credit: Jarrett Hendrix
Godspeed 
A solo exhibition of artwork by MICHAEL BOOKER
June 1st – June 24th, 2020
360 INTERACTIVE VIRTUAL TOUR
On Morton Fine Art’s YouTube Channel TODAY
Artist Talk included
Contact the gallery for price list, additional information and acquisition.
(202) 628-2787 (call or text)
mortonfineart@gmail.com (email)

Fruit of My Fruits, 2020, 40″x30″, fine liner pen, watercolor and collage on paper

About Godspeed
Influenced by quilts used during the Underground Railroad to send hidden messages to the traveling slaves, the drawings in Godspeed document a journey of escapism for travelers in search of a better life, for themselves and for generations to come. Quilts are used as sign markers, shields, portals, and gateways to help secure safe passage towards an “Afrotopia.” Hip Hop music, African wax fabrics, and the quilts of Gee’s Bend give form and guidance to the figures and patterns, encompassing African American history, culture, and mysticism.
– MICHAEL A. BOOKER, 2020

 

30 second video of MICHAEL BOOKER’s fine liner pen and watercolor artworks featured in his solo exhibition Godspeed

 

Installation image of Fruit of My Fruits and In Due Time

Photo credit: Jarrett Hendrix

About MICHAEL BOOKER

Michael Booker is a mixed media artist originally from Jackson, Mississippi who currently resides in Maryland. He received his BFA in Studio Art – Painting from Mississippi State University in 2008, and received his MFA in Studio Art from University of Maryland in 2012. He has exhibited in various galleries across Mississippi, Alabama, North Carolina, Maine, Maryland, Virginia, and Washington DC. His work has been acquired by the David C. Driskell Center in College Park, MD. Currently, he is an Assistant Professor of Art at Montgomery College Takoma Park/Silver Spring. Booker is represented by Morton Fine Art in Washington, DC.

Sunkissed Child, 2020, 14.25″x10.5″, fine liner pen, watercolor and marker on paper

 

About Morton Fine Art

Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Morton Fine Art
52 O St NW #302
Washington, DC 20001

COVID-19 protocol: Contact the gallery for supplementary artwork documentation such as detail images and short videos. Safe, no contact door to door delivery available. Shipping nationally and internationally. Upcoming: by appointment only. Mask required.