Tag Archives: Maliza Kiasuwa

MALIZA KIASUWA featured in See Great Art

9 Jun

ART IN THE NORTHEASTBLACK ARTISTSFEMALE ARTISTS

Maliza Kiasuwa at Morton Fine Art

BY CHADD SCOTT

POSTED ON 

Maliza Kiasuwa, A Little Red, 2021 Collage, thread and Washi paper 18 x 14 in Courtesy of the artist and Morton Fine Art

Morton Fine Art (52 O Street NW #302, Washington, D.C.) presents a solo exhibition of new mixed-media works by Kenya-based visual artist Maliza Kiasuwa. Featuring twenty-one works by the artist, “Pride of Origins” recreates the precarious and ever-evolving equilibrium between the handmade and the manufactured through the juxtaposition of material.

Underscoring the cultural and commercial exchange between continents, Kiasuwa’s technically masterful works explore the ironies of post-colonial politics and invent new futures through imbrication, embroidery, and the combination of heterogenous objects. “Pride of Origins” will be on view through June 30, 2021.

Kiasuwa’s constructions are deeply rooted in the cultural, social, and political context of Kenya, but more generally, of Africa and the world. Combining handmade materials from Japan with found objects from around her farm on Lake Naivasha, in the heart of Kenya’s Great Rift Valley, Kiasuwa embraces her chosen material’s earlier character and vocabulary, but transfigures their context by sewing, stitching and mending to produce unexpected narratives and representations of society, events, and global issues.

As a visual artist of European and African descent, Kiasuwa brings a panoptic perspective to her border-crossing work, which regards the coexistence of two worlds as an endless source of inspiration, and a potential space for reconciliation.

“My sculptures and collages are made of bits and pieces that I collect during my daily expeditions: cotton threads, handmade ropes made of straw or rubber, plastic bags stranded on the lakeshore,” Kiasuwa said. “These materials are representative of culture and history in the context of the global flow of goods, especially in terms of how their utility values shift over time. Sometimes I combine local materials with handmade fabrics such as Japanese Washi paper. I like to blend materials which don’t belong together.”

Presenting all new work from 2021, “Pride of Origins” unveils recent developments in Kiasuwa’s practice, which is an ongoing examination of her identity as a woman of both African and European descent, scrutinizing the meaning of duality and otherness. The very distinct, but sometimes rival, traditions of local culture and the Church similarly ungird the artist’s exploration of a “double belonging.”

“Pride of Origin” honors the raw, natural beauty of the artist’s environment, while also challenging assumptions of value in material culture to highlight the interconnectedness of the post-colonial landscape and its inheritance of consumer society.

ABOUT MALIZA KIASUWA

Maliza Kiasuwa, born in 1975, lives and works in Kenya. She creates works with stimulating and eclectic elements celebrating Africa’s mystic power of nature by using raw materials and traditional symbols of energy that flow through the veins of the continent. She transforms everyday articles by combining reductive methods of shredding and twisting with constructive processes of tying, weaving, stitching and dyeing. The process is fluid, focused and becomes a meditation.

Maliza Kiasuwa has exhibited in Kenya, Switzerland, Italy, England and the United States. She has been represented by Morton Fine Art since 2021.

ABOUT MORTON FINE ART

Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice.

Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Hours: By Appointment Only. Mask Required.

MALIZA KIASUWA featured in Metal Magazine

8 Jun

Maliza Kiasuwa – Bound by historyWords by Emma Smit

MALIZA KIASUWA BOUND BY HISTORY

Morton Fine Art in Washington D.C. is featuring twenty-one works for the exhibit titled, Pride and Origins, by Kenyan-based artist Maliza Kiasuwa. This display is on view until June 30, 2021, and it showcases Kiasuwa’s investigations about the ongoing disproportionate exchanges between Africa and the Western world. Her pictorial symphonies are deeply rooted in Kenya’s cultural, social, and political context, but more generally of Africa and the modern world.

As a visual artist of European and African origin, Kiasuwa’s art transforms an isolated piece of unearthed material into an arrangement of personal narratives that tell the tales of her panoptic perspective and her own experience of the expression ‘double belonging,’ and of being othered. She blends handcrafted materials from Japan with found objects from around her farm on Lake Naivasha.

From mesh detailing, delicate embroidery and a foray of varied kinds of paper, she highlights the interconnectedness of the post-colonial landscape and its consumerist society. Transfiguring their meaning as separate beings, they lay in harmony as potential space for reconciliation once positioned together.
Maliza Kiasuwa’s exhibition Pride and Origins is now on view at Morton Fine Art in Washington D.C. until June 30.Common History 2, 2021Incomplete 1, 2021Imperfections, 2021Common History 4, 2021Common History 3, 2021Common History 1, 2021

Words
Emma Smit
Images Courtesy of the artist and Morton Fine Art

Available Artwork by MALIZA KIASUWA

“The Pride of Origins” – A solo exhibition of collage and fiber art by Kenya-based MALIZA KIASUWA

7 Jun

The Pride of Origins

A solo exhibition of collage and fiber art by MALIZA KIASUWA

June 2 – June 30, 2021

Video by Jarrett Hendrix

Contact the gallery for private viewing appointment, price list, additional information and acquisition.

(202) 628-2787 (call or text)

info@mortonfineart.com

Featuring twenty-one works by the artist, The Pride of Origins recreates the precarious and ever-evolving equilibrium between the handmade and the manufactured through the juxtaposition of material. Underscoring the cultural and commercial exchange between continents, Kiasuwa’s technically masterful works explore the ironies of post-colonial politics and invent new futures through imbrication, embroidery, and the combination of heterogenous objects. Pride of Origins will be on view from June 2 – June 30, 2021.

Kiasuwa’s constructions are deeply rooted in the cultural, social, and political context of Kenya, but more generally of Africa and the world. Combining handmade materials from Japan with found objects from around her farm on Lake Naivasha, in the heart of Kenya’s Great Rift Valley, Kiasuwa embraces her chosen material’s earlier character and vocabulary, but transfigures their context by sewing, stitching and mending to produce unexpected narratives and representations of society, events, and global issues. As a visual artist of European and African descent, Kiasuwa brings a panoptic perspective to her border-crossing work, which regards the coexistence of two worlds as an endless source of inspiration, and a potential space for reconciliation.

“My sculptures and collages are made of bits and pieces that I collect during my daily expeditions: cotton threads, handmade ropes made of straw or rubber, plastic bags stranded on the lake shore,” said visual artist Maliza Kiasuwa. “These materials are representative of culture and history in the context of the global flow of goods, especially in terms of how their utility values shift over time. Sometimes I combine local materials with handmade fabrics such as Japanese Washi paper. I like to blend materials which don’t belong together.”

Presenting all new work from 2021, Pride of Origins unveils recent developments in Kiasuwa’s practice, which is an ongoing examination of her identity as a woman of both African and European descent, scrutinizing the meaning of duality and otherness. The very distinct, but sometimes rival, traditions of local culture and the Church similarly ungird the artist’s exploration of a “double belonging.” Pride of Origin honors the raw, natural beauty of the artist’s environment, while also challenging assumptions of value in material culture to highlight the interconnectedness of the post-colonial landscape and its inheritance of consumer society.

About MALIZA KIASUWA:

Maliza Kiasuwa, born in 1975, is a visual artist of European and African descent. She lives and works in Kenya. She creates works with stimulating and eclectic elements celebrating Africa’s mystic power of nature by using raw materials and traditional symbols of energy that flow through the veins of the continent. She transforms everyday articles by combining reductive methods of shredding and twisting with constructive processes of tying, weaving, stitching and dyeing. The process is fluid, focused and becomes a meditation. Maliza Kiasuwa has exhibited in Kenya, Switzerland, Italy, England and the United States. She has been represented by Morton Fine Art since 2021.

About MORTON FINE ART:

Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Morton Fine Art

52 O St NW #302

Washington, DC 20001

COVID-19 protocol: By appointment. Mask required. Contact the gallery for supplementary artwork documentation such as detail images and short videos. Safe, no contact door to door delivery available. Shipping nationally and internationally.

Available Artwork by MALIZA KIASUWA

MALIZA KIASUWA featured in Business Daily

3 Jun
ART

Artist’s wall hanging get space in UK, US galleries

FRIDAY MAY 28 2021

By MARGARETTA WA GACHERU

Coincidentally, Maliza Kiasuwa has two solo exhibitions going on simultaneously, one in London, the other in Washington DC. Meanwhile, she still has her art at Circle Art Gallery in Nairobi where the curator of Morton Fine Art Gallery, Amy Morton is giving the Belgian-Congolese artist her first Washington DC solo show from June 2 to 22.

“Amy found my work first on Instagram, which led her to Circle Art,” recalls Maliza who has had shows at Circle gallery and Alliance Francaise since she first came to Kenya with her family in early 2013.

Speaking from her farm in Naivasha where she has been fortunate to live through the Covid-19 lockdown amidst the quiet of nature, Maliza says she has pondered many things this past year, everything from the virus, racism, to pandemic fears.

The result has been a rich outpouring of artworks, 16 of which are in London at her Ancestry exhibition at the Sulger-Buel Gallery, and 21 in the Morton Gallery in DC.

“Both are entitled ‘The Pride of Origin’ but the London show focuses more on our ‘Ancestry’, while the DC exhibition is slightly more abstract,” says the artist.

The shows have a great deal in common. Both use materials that are either recycled, organic, or handmade like the Washi paper from Japan and the homemade paper that she has made herself.

And both reflect the issue of identity in ways that compel us to consider how clashing cultures, customs, convictions, and even colours can be reconciled.

“Coming from a mixed background myself, I want my children to be proud of their ancestry, their identity,” says Maliza who admits she does not classify herself as either/or European or African, since she is both.

Seeing herself as essentially an embodiment of reconciliation, she hopes that by stitching, weaving, and blending contrasting elements, her art can reveal the beauty of merger.

Yet her two exhibitions are quite different despite their shared theme, use of mixed media and mutual forms are given that most of the works are collages.

Nonetheless, she also has several three-dimensional pieces in Washington. They include her kimono-like wall-hanging entitled ‘Imperfections’, made with Washi and handmade papers, gold threads, and assorted stitched fabrics.

I found the London show both ironic and amusing while her Washington DC one is more cerebral, organic, and abstract. What is marvellous about many of the pieces up at Sulger-Buel until mid-June is the self-mockery of works like ‘The Proud of Origins Collection I and III.’

Both pieces feature engraved portraits of her Swiss spouse’s distant relations that she found in a family attic and brought back to Africa like other ‘found objects’ she picks up during her walks around Lake Naivasha and then employs in her art.

Maliza Kiasuwa’s ‘Imperfections’ artwork at the Morton Art Gallery in Washington DC, on June 2, 2021. PHOTO | POOL

It was on top of these 18th Century images that Maliza superimposes West African masks. It is as if she is making good fun not just with her people but with European colonial culture that she feels has to embrace or at least accept the reality of African culture, whether they like it or not.

The other evidence that Maliza intends for her art to make a power statement about the equal footing that African and European cultures share is contained in her two self-portraits, one in either show.

Both blend black and white fabrics, although in London she weaves in more tweed while in Washington DC she uses more hessian.

But both use the same photograph, the artist’s mug shot, looking quite stern. The big difference is the crown worn by this dreadlocked lady on which is her regal logo, Z, short for Zaire, her original African homeland.

One might have expected the artist to be at the London exhibition. But after placing African masks (the kind Picasso and Matisse adored) over those European faces, the sensibility of her show might have shifted from being ironic and witty to abusive and easily misunderstood.

The London show has several self-portraits of Maliza although they are understated with Africanised ‘crowns’ made of animal skin or plastic fishnet mesh mixed with organic fabrics.

The handmade and the manufactured stand side-by-side in Maliza’s art. Be it black and white, realistic and abstract, dynastic and libertarian; or even bourgeois and peasant, in Maliza’s world, the time for reconciliation has come, not through wars but art.

Available Artwork by MALIZA KIASUWA