Tag Archives: Lisa Myers Bulmash

Artist x Artist Talk on Collage | Michael Andrew Booker, Lisa Myers Bulmash, GA Gardner and Amber Robles-Gordon

25 Jan

Video credit: Jarrett Hendrix

Morton Fine Art is pleased to announce Creating a New Whole, a group exhibition of collage artwork by Michael Andrew Booker, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Lisa Myers Bulmash, Amber Robles-Gordon and Prina Shah. Ranging in techniques, approaches and materials—from quilting, tapestry, fabric, paint and appropriated mass media—the artists in Creating a New Whole exemplify collage’s invitation to what Myers Bulmash has recognized as “a process of purposefully taking things out of context.” Constructing new contexts, forms and wholes, these artists’ practices are frequently as generative as much as they are reparative, seeking to draw connections to what was absent or ignored in their elements’ original context(s). Creating a New Whole, will be on view from January 4 to February 4, 2023 at Morton’s Washington, D.C. space (52 O St NW #302).

Continuing quilting techniques practiced by their respective ancestors, Booker, Chirrime, Gardner and Shah work with resonant materials that speak to the past while enabling the past to speak to the present. Kenya-based, Shah’s personally charged materials include paper, saree, bindis and block printing which she vividly combines using textures, colors and forms, the sum total creating new narratives and perspectives for her inner voice. DC-based Booker is influenced by the coded and colorful history of quilts, referencing them as sign markers, shields, portals and gateways to help secure safe passage to a parallel utopic, afro-futuristic community, what the artist has called  “Afrotopia.” Intensely layering marks of fineliner pen, color pencil, collage and fabric, Booker conjures complex, multidimensional figurative works, his figures and forms cohereing together out of countless small acts. 

Mozambican artist Chirrime sources scrap materials from her environment and immediate communities, using fabric, burlap, rope, paint, beads, leather and more to produce dynamic collages that speak to African womanhood, and more broadly, the human condition. Slicing and collaging Western printed media, Trinidad and Tobago-based Gardner appropriates both content and practice, “creating false images and out-of-context narratives” that ironically and seductively mirror the Western world’s misrepresentation of people of color. Likewise taking a critical, redemptive eye to Western mass media, Myers Bulmash’s “Not Geo” series, a cutting play on National Geographic’s nickname, seeks to rehabilitate and restore to dignity the publication’s now notorious rendering of Africans and other non-Western people. 

Overall, a sense of construction charges the works in Creating a New Whole, whether that be the notion of renovating the present and past or extending out of the frame into sculptural dimensions. The latter can be seen in the sculptural geometric-like works of Robles-Gordon (pieces the artist recognizes as “temples, places of spiritual practice” and which reference her larger textile installations) and Kuroo, inspired by the tradition of origami in his native Japan, whose thickly layered applications of paint and canvas exist on the boundary between painting and three-dimensional art. 

Abidingly constructive in spite of their rigorous interventions, the works in Creating a New Whole end up with more than they started with as a matter of process. 

http://www.mortonfineart.com

East City Art | Creating a New Whole | Group Collage Exhibition at Morton Fine Art

19 Jan

MORTON FINE ART PRESENTS CREATING A NEW WHOLE

By Editorial Team on January 9, 2023

Wed, 04 January 2023 – Sat, 04 February 2023

Prina Shah, Unlock and Awaken, 2022, 25″x25″, paper, saree, bindis, block printing and acrylic on canvas

Opening Reception: Saturday, January 14 from 2pm to 4pm

Morton Fine Art is pleased to announce Creating a New Whole, a group exhibition of collage artwork by Michael Andrew Booker, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Lisa Myers Bulmash, Amber Robles-Gordon and Prina Shah. Ranging in techniques, approaches and materials—from quilting, tapestry, fabric, paint and appropriated mass media—the artists in Creating a New Whole exemplify collage’s invitation to what Myers Bulmash has recognized as “a process of purposefully taking things out of context.” Constructing new contexts, forms and wholes, these artists’ practices are frequently as generative as much as they are reparative, seeking to draw connections to what was absent or ignored in their elements’ original context(s). Creating a New Whole, will be on view from January 4 to February 4, 2023 at Morton’s Washington, DC space (52 O St NW #302).

Collage Artwork by Michael Andrew Booker, Lisa Myers Bulmash, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Amber Robles-Gordon & Prina Shah

About Creating a New Whole

Continuing quilting techniques practiced by their respective ancestors, Booker, Chirrime, Gardner and Shah work with resonant materials that speak to the past while enabling the past to speak to the present. Kenya-based, Shah’s personally charged materials include paper, saree, bindis and block printing which she vividly combines using textures, colors and forms, the sum total creating new narratives and perspectives for her inner voice. DC-based Booker is influenced by the coded and colorful history of quilts, referencing them as sign markers, shields, portals and gateways to help secure safe passage to a parallel utopic, afro-futuristic community, what the artist has called “Afrotopia.” Intensely layering marks of fineliner pen, color pencil, collage and fabric, Booker conjures complex, multidimensional figurative works, his figures and forms cohereing together out of countless small acts.

Mozambican artist Chirrime sources scrap materials from her environment and immediate communities, using fabric, burlap, rope, paint, beads, leather and more to produce dynamic collages that speak to African womanhood, and more broadly, the human condition. Slicing and collaging Western printed media, Trinidad and Tobago-based Gardner appropriates both content and practice, “creating false images and out-of-context narratives” that ironically and seductively mirror the Western world’s misrepresentation of people of color. Likewise taking a critical, redemptive eye to Western mass media, Myers Bulmash’s “Not Geo” series, a cutting play on National Geographic’s nickname, seeks to rehabilitate and restore to dignity the publication’s now notorious rendering of Africans and other non-Western people.

Overall, a sense of construction charges the works in Creating a New Whole, whether that be the notion of renovating the present and past or extending out of the frame into sculptural dimensions. The latter can be seen in the sculptural geometric-like works of Robles-Gordon (pieces the artist recognizes as “temples, places of spiritual practice” and which reference her larger textile installations) and Kuroo, inspired by the tradition of origami in his native Japan, whose thickly layered applications of paint and canvas exist on the boundary between painting and three-dimensional art.

Abidingly constructive in spite of their rigorous interventions, the works in Creating a New Whole end up with more than they started with as a matter of process.

Available artwork in Creating a New Whole

About MICHAEL ANDREW BOOKER
Michael Andrew Booker (b. USA) is a mixed media artist originally from Jackson, Mississippi who currently resides in Maryland. He received his BFA in Studio Art – Painting from Mississippi State University in 2008, and received his MFA in Studio Art from University of Maryland in 2012. He has exhibited in various galleries across Mississippi, Alabama, North Carolina, Maine, Maryland, Virginia and Washington DC. His work has been acquired by the David C. Driskell Center in College Park, MD. Currently, he is an Assistant Professor of Art at Montgomery College Takoma Park/Silver Spring.

Booker has been represented by Morton Fine Art in Washington, DC since 2019.

Available artwork by Michael Andrew Booker

About LISA MYERS BULMASH
Lisa Myers Bulmash (b. USA) is a collage and book artist who works primarily in acrylics, paper and found objects. Informally trained, Myers Bulmash began her career making handmade cards. After her father’s death in 2006, the artist felt compelled to take more personal risks in her creative life. Questions of identity, trust and the imperfect memory now drive most of her work. The artist aims to nudge the viewer into recognizing our shared stories, especially those narratives that are usually experienced in isolation.

Myers Bulmash exhibits her work in group and solo shows throughout the Seattle metro area. She has been represented by Morton Fine Art since 2020.

Available artwork by Lisa Myers Bulmash

About LIZETTE CHIRRIME
Lizette Chirrime (b. Mozambique) creates intricate fabric collages on canvas that are at once celebratory and soul-stirring, as the artist flirts between figuration and abstraction to develop a unique—and distinctly African—visual language. Stitching together printed fabrics, beads, and other familiar objects in Southern Africa, Chirrime transforms simple materials into autobiographical and narrative tableaux freighted with deeply felt emotion and patterns of meaning. Many of her collages center maternal figures and stories of African motherhood, honoring their millennia-long legacy of strength and grace and positing their representation as a symbolic device.

After receiving a three-month residency at Greatmore Studios in Cape Town in 2005, Chirrime spent the next 16 years of her practice in South Africa. In 2021, she made a return to her home country of Mozambique, where she now lives and continues to create.

She has been represented by Morton Fine Art since 2021.

Available artwork by Lizette Chirrime

About GA Gardner
GA Gardner (b. Republic of Trinidad and Tobago) uses print media content to create an intimate viewpoint of his intercultural experience. Through the lens of his Caribbean heritage, he dissects, covers up, reveals, layers, and re-contextualizes the material in the print publications he uses, to construct pieces that specifically discuss issues of politics, race, culture, and identity.

The publications are a natural fit for Gardner, as they offer random vibrant color palettes, much like that of a typical Caribbean environment, and a great mixture of text and professionally photographed images. However the colors are universal and allow a conceptual approach to finding the common ground among all cultures. The artist combines these media depictions and information with natural paper and synthetic materials to aid in his message. By deconstructing the images into strips, or bits of torn paper, and assigning new overlays of unifying colors to the materials, Gardner erodes the original content at various levels often reducing them to shades with traces of random colors. The image that was once a bold headline new banner, or the newest eye catching product now struggles to be seen; muted, it now plays a secondary role to layers of paint and other mediums. The resulting serendipitous visual construction is an unsystematic reconfiguration and re-purposing to discuss culture, heritage and the symbolism of color.

He has been represented by Morton Fine Art since 2012.

Available artwork by GA Gardner

About HIROMITSU KUROO
Hiromitsu Kuroo (b. Japan) is a Japanese collage painter working in the tradition of origami. In his work, the canvas serves as the paper, and the gentle manipulation of its surface conveys intricate textural landscapes. The multiple layers of colors in his folded canvases are revealed by sanding the canvas surface. Interested in the juxtaposition and vitality of collaged pieces of canvas, he uses them to accentuate other emerging shapes in his compositions.

Kuroo earned both a BFA and MFA from Tohoku University of Art & Design and has had solo exhibitions at the New York based Tenri Cultural Institute, Gloria Kennedy Gallery, MIKIMOTO NY, Makari and Bronx Community College, as well as the Tokyo-based Gallery Yamaguchi and G-Art Gallery. He was awarded Pollock-Krasner Foundation Grants in 2010 and 2019, Adolph & Esther Gottlieb Foundation Grant in 2022 and the artist residency program for The Golden Foundation in 2019. In 2020, he was interviewed for Forbes Magazine. He has been represented by Morton Fine Art since 2022.

Available artwork by Hiromitsu Kuroo

About AMBER ROBLES-GORDON
Amber Robles-Gordon (b. Puerto Rico) completed her Masters of Fine Arts from Howard University in November 2011, where she has received annual awards and accolades for her artwork. Her exhibitions and artwork has been reviewed and/or featured in many esteemed publications including the Washington Post, the Miami Herald, Huffington Post and Callaloo Art & Culture in the African Diaspora.

Robles-Gordon was commissioned to create temporary and permanent public art installations for numerous art fairs and agencies such as the DC Commission on the Arts and Humanities, DCCAH; Northern Virginia Fine Arts Association (NVFAA); Humanities Council of Washington, D.C.; Howard University, James C. Porter Colloquium; Schomburg Center for Research in Black Culture; the Washington Projects for the Arts; Salisbury University; Martha’s Table; DC Department of General Services and Democracy Fund.

Additionally, she has been commissioned to teach workshops, give commentary and present about her artwork by the Smithsonian Anacostia Museum; Luther College; WETA Television; Al Jazeera; WPFW 89.3 fm; WAMU | American University Radio; The Kojo Nnamdi Show; Howard University, James A. Porter Colloquium; David C. Driskell Center; the Phillips Collection; the African American Museum in Philadelphia; McDaniel College; Salisbury University; Harvey B. Gantt Center; American University and National Museum of African American History and Culture. Her solo exhibition, Successions: Traversing US Colonialism, curated by Larry Ossei-Mensah, was hosted by the American University Museum at the Katzen Arts Center in 2021. She has been represented by Morton Fine Art since 2016.

Available artwork by Amber Robles-Gordon

About PRINA SHAH
Prina Shah (b. Kenya) is a contemporary artist currently living in Nairobi, Kenya. Born in Kenya to Indian parents, Shah also grew up partially in the U.K.; her artistic work embraces the indeterminacy of her national identity, including a fascination with the formation of selfhood as it relates to a specific cultural context. In a creative practice spanning mixed media—including sculpture, painting, glasswork and less traditional materials such as human hair—Shah’s art challenges the notions of individualized identity within a communal whole. Shah uses meditation as the impetus and foundation of her work, drawing the viewer into a personal narrative and inviting the participant to share in her visual journey of interconnection as she explores what it means to be one among many.

Shah’s work has been included in numerous national and international exhibitions and has been acquired by the permanent collections of Finland’s Poikilo Kouvola Art Museum and the I&M Bank Collective in Kenya, as well as numerous private collections. She has been represented by Morton Fine Art since 2022.

Available artwork by Prina Shah

About Morton Fine Art
Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Morton Fine Art founded the trademark *a pop-up project in 2010. *a pop-up project is MFA’s mobile gallery component which hosts temporary curated exhibitions nationally.

Gallery hours: By appointment only.

Morton Fine Art is located at 52 O St NW #302.

Art Daily | Creating a New Whole | Group Collage Exhibition at Morton Fine Art

19 Jan
Collage art that constructs the present & repairs the past at Morton Fine Art
GA Gardner. So You, 2014. 42 x 65 in. Mixed media on mylar.

WASHINGTON, DC.- Morton Fine Art is presenting Creating a New Whole, a group exhibition of collage artwork by Michael Andrew Booker, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Lisa Myers Bulmash, Amber Robles-Gordon and Prina Shah. Ranging in techniques, approaches and materials—from quilting, tapestry, fabric, paint and appropriated mass media—the artists in Creating a New Whole exemplify collage’s invitation to what Myers Bulmash has recognized as “a process of purposefully taking things out of context.” Constructing new contexts, forms and wholes, these artists’ practices are frequently as generative as much as they are reparative, seeking to draw connections to what was absent or ignored in their elements’ original context(s). Creating a New Whole, will be on view until February 4, 2023 at Morton’s Washington, D.C. space (52 O St NW #302).

Continuing quilting techniques practiced by their respective ancestors, Booker, Chirrime, Gardner and Shah work with resonant materials that speak to the past while enabling the past to speak to the present. Kenya-based, Shah’s personally charged materials include paper, saree, bindis and block printing which she vividly combines using textures, colors and forms, the sum total creating new narratives and perspectives for her inner voice. DC-based Booker is influenced by the coded and colorful history of quilts, referencing them as sign markers, shields, portals and gateways to help secure safe passage to a parallel utopic, afro-futuristic community, what the artist has called “Afrotopia.” Intensely layering marks of fineliner pen, color pencil, collage and fabric, Booker conjures complex, multidimensional figurative works, his figures and forms cohereing together out of countless small acts.

Mozambican artist Chirrime sources scrap materials from her environment and immediate communities, using fabric, burlap, rope, paint, beads, leather and more to produce dynamic collages that speak to African womanhood, and more broadly, the human condition. Slicing and collaging Western printed media, Trinidad and Tobago-based Gardner appropriates both content and practice, “creating false images and out-of-context narratives” that ironically and seductively mirror the Western world’s misrepresentation of people of color. Likewise taking a critical, redemptive eye to Western mass media, Myers Bulmash’s “Not Geo” series, a cutting play on National Geographic’s nickname, seeks to rehabilitate and restore to dignity the publication’s now notorious rendering of Africans and other non-Western people.

Overall, a sense of construction charges the works in Creating a New Whole, whether that be the notion of renovating the present and past or extending out of the frame into sculptural dimensions. The latter can be seen in the sculptural geometric-like works of Robles-Gordon (pieces the artist recognizes as “temples, places of spiritual practice” and which reference her larger textile installations) and Kuroo, inspired by the tradition of origami in his native Japan, whose thickly layered applications of paint and canvas exist on the boundary between painting and three-dimensional art.

Abidingly constructive in spite of their rigorous interventions, the works in Creating a New Whole end up with more than they started with as a matter of process.

Michael Andrew Booker (b. USA) is a mixed media artist originally from Jackson, Mississippi who currently resides in Maryland. He received his BFA in Studio Art – Painting from Mississippi State University in 2008, and received his MFA in Studio Art from University of Maryland in 2012. He has exhibited in various galleries across Mississippi, Alabama, North Carolina, Maine, Maryland, Virginia and Washington DC. His work has been acquired by the David C. Driskell Center in College Park, MD. Currently, he is an Assistant Professor of Art at Montgomery College Takoma Park/Silver Spring.Booker has been represented by Morton Fine Art in Washington, DC since 2019.

Lisa Myers Bulmash (b. USA) is a collage and book artist who works primarily in acrylics, paper and found objects. Informally trained, Myers Bulmash began her career making handmade cards. After her father’s death in 2006, the artist felt compelled to take more personal risks in her creative life. Questions of identity, trust and the imperfect memory now drive most of her work. The artist aims to nudge the viewer into recognizing our shared stories, especially those narratives that are usually experienced in isolation.Myers Bulmash exhibits her work in group and solo shows throughout the Seattle metro area. On the East Coast, Myers Bulmash has been represented by Morton Fine Art Gallery in Washington, DC since 2020.

Lizette Chirrime (b. Mozambique) creates intricate fabric collages on canvas that are at once celebratory and soul-stirring, as the artist flirts between figuration and abstraction to develop a unique—and distinctly African—visual language. Stitching together printed fabrics, beads, and other familiar objects in Southern Africa, Chirrime transforms simple materials into autobiographical and narrative tableaux freighted with deeply felt emotion and patterns of meaning. Many of her collages center maternal figures and stories of African motherhood, honoring their millennia-long legacy of strength and grace and positing their representation as a symbolic device.After receiving a three-month residency at Greatmore Studios in Cape Town in 2005, Chirrime spent the next 16 years of her practice in South Africa. In 2021, she made a return to her home country of Mozambique, where she now lives and continues to create.She has been represented by Morton Fine Art since 2021.

GA Gardner (b. 1969, Republic of Trinidad and Tobago) uses print media content to create an intimate viewpoint of his intercultural experience. Through the lens of his Caribbean heritage, he dissects, covers up, reveals, layers, and re-contextualizes the material in the print publications he uses, to construct pieces that specifically discuss issues of politics, race, culture, and identity.The publications are a natural fit for Gardner, as they offer random vibrant color palettes, much like that of a typical Caribbean environment, and a great mixture of text and professionally photographed images. However the colors are universal and allow a conceptual approach to finding the common ground among all cultures. The artist combines these media depictions and information with natural paper and synthetic materials to aid in his message. By deconstructing the images into strips, or bits of torn paper, and assigning new overlays of unifying colors to the materials, Gardner erodes the original content at various levels often reducing them to shades with traces of random colors. The image that was once a bold headline new banner, or the newest eye catching product now struggles to be seen; muted, it now plays a secondary role to layers of paint and other mediums. The resulting serendipitous visual construction is an unsystematic reconfiguration and re-purposing to discuss culture, heritage and the symbolism of color.He has been represented by Morton Fine Art since 2012.

Hiromitsu Kuroo (b. Japan) is a Japanese collage painter working in the tradition of origami. In his work, the canvas serves as the paper, and the gentle manipulation of its surface conveys intricate textural landscapes. The multiple layers of colors in his folded canvases are revealed by sanding the canvas surface. Interested in the juxtaposition and vitality of collaged pieces of canvas, he uses them to accentuate other emerging shapes in his compositions.Kuroo earned both a BFA and MFA from Tohoku University of Art & Design and has had solo exhibitions at the New York based Tenri Cultural Institute, Gloria Kennedy Gallery, MIKIMOTO NY, Makari and Bronx Community College, as well as the Tokyo-based Gallery Yamaguchi and G-Art Gallery. He was awarded Pollock-Krasner Foundation Grants in 2010 and 2019, Adolph & Esther Gottlieb Foundation Grant in 2022 and the artist residency program for The Golden Foundation in 2019. In 2020, he was interviewed for Forbes Magazine. He has been represented by Morton Fine Art since 2022.

Amber Robles-Gordon (b. Puerto Rico) completed her Masters of Fine Arts from Howard University in November 2011, where she has received annual awards and accolades for her artwork. Her exhibitions and artwork has been reviewed and/or featured in many esteemed publications including the Washington Post, the Miami Herald, Huffington Post and Callaloo Art & Culture in the African Diaspora.Robles-Gordon was commissioned to create temporary and permanent public art installations for numerous art fairs and agencies such as the DC Commission on the Arts and Humanities, DCCAH; Northern Virginia Fine Arts Association (NVFAA); Humanities Council of Washington, D.C.; Howard University, James C. Porter Colloquium; Schomburg Center for Research in Black Culture; the Washington Projects for the Arts; Salisbury University; Martha’s Table; DC Department of General Services and Democracy Fund.Additionally, she has been commissioned to teach workshops, give commentary and present about her artwork by the Smithsonian Anacostia Museum; Luther College; WETA Television; Al Jazeera; WPFW 89.3 fm; WAMU | American University Radio; The Kojo Nnamdi Show; Howard University, James A. Porter Colloquium; David C. Driskell Center; the Phillips Collection; the African American Museum in Philadelphia; McDaniel College; Salisbury University; Harvey B. Gantt Center; American University and National Museum of African American History and Culture. Her solo exhibition, Successions: Traversing US Colonialism, curated by Larry Ossei-Mensah, was hosted by the American University Museum at the Katzen Arts Center in 2021. She has been represented by Morton Fine Art since 2016.

Prina Shah (b. 1973, Kenya) is a contemporary artist currently living in Nairobi, Kenya. Born in Kenya to Indian parents, Shah also grew up partially in the U.K.; her artistic work embraces the indeterminacy of her national identity, including a fascination with the formation of selfhood as it relates to a specific cultural context. In a creative practice spanning mixed media—including sculpture, painting, glasswork and less traditional materials such as human hair—Shah’s art challenges the notions of individualized identity within a communal whole. Shah uses meditation as the impetus and foundation of her work, drawing the viewer into a personal narrative and inviting the participant to share in her visual journey of interconnection as she explores what it means to be one among many.Shah’s work has been included in numerous national and international exhibitions and has been acquired by the permanent collections of Finland’s Poikilo Kouvola Art Museum and the I&M Bank Collective in Kenya, as well as numerous private collections. She has been represented by Morton Fine Art since 2022.

Art Plugged | Creating a New Whole | Collage Exhibition at Morton Fine Art

15 Jan

Creating A New Whole: A Group Exhibition of Collage Artwork

GA Gardner - Long Painful Way, 2020

Creating A New Whole: A Group Exhibition of Collage Artwork
Featuring 
Michael Andrew Booker, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Lisa Myers Bulmash, Amber Robles-Gordon and Prina Shah.
Morton Fine Art
January 4 to February 4, 2023
Morton’s Washington D.C. space
(52 O St NW #302)

Morton Fine Art is pleased to announce Creating a New Whole, a group exhibition of collage artwork by Michael Andrew BookerLizette ChirrimeGA Gardner, Hiromitsu KurooLisa Myers BulmashAmber Robles-Gordon and Prina Shah. Ranging in techniques, approaches and materials—from quilting, tapestry, fabric, paint and appropriated mass media—the artists in Creating a New Whole exemplify collage’s invitation to what Myers Bulmash has recognized as “a process of purposefully taking things out of context.”

Constructing new contexts, forms and wholes, these artists’ practices are frequently as generative as much as they are reparative, seeking to draw connections to what was absent or ignored in their elements’ original context(s). Creating a New Whole, will be on view from January 4 to February 4, 2023 at Morton’s Washington, D.C. space (52 O St NW #302).

Creating A New Whole: A Group Exhibition of Collage Artwork - Prina-Shah
Prina Shah
Untitled, 2022 25 x 25 in.Paper,
sarees, bindis, block printing and acrylic on canvas

Continuing quilting techniques practiced by their respective ancestors, Booker, Chirrime, Gardner and Shah work with resonant materials that speak to the past while enabling the past to speak to the present. Kenya-based, Shah’s personally charged materials include paper, saree, bindis and block printing which she vividly combines using textures, colors and forms, the sum total creating new narratives and perspectives for her inner voice.

DC-based Booker is influenced by the coded and colorful history of quilts, referencing them as sign markers, shields, portals and gateways to help secure safe passage to a parallel utopic, afro-futuristic community, what the artist has called “Afrotopia.” Intensely layering marks of fineliner pen, color pencil, collage and fabric, Booker conjures complex, multidimensional figurative works, his figures and forms cohereing together out of countless small acts.

Mozambican artist Chirrime sources scrap materials from her environment and immediate communities, using fabric, burlap, rope, paint, beads, leather and more to produce dynamic collages that speak to African womanhood, and more broadly, the human condition.

Slicing and collaging Western printed media, Trinidad and Tobago-based Gardner appropriates both content and practice, “creating false images and out-of-context narratives” that ironically and seductively mirror the Western world’s misrepresentation of people of color. Likewise taking a critical, redemptive eye to Western mass media, Myers Bulmash’s “Not Geo” series, a cutting play on National Geographic’s nickname, seeks to rehabilitate and restore to dignity the publication’s
now notorious rendering of Africans and other non-Western people.

Lizette Chirrime
The Boy Who Stopped the Snake, 2014
58 x 50 in. Fabric collage

Overall, a sense of construction charges the works in Creating a New Whole, whether that be the notion of renovating the present and past or extending out of the frame into sculptural dimensions. The latter can be seen in the sculptural geometric-like works of Robles-Gordon (pieces the artist recognizes as “temples, places of spiritual practice” and which reference her larger textile installations) and Kuroo, inspired by the tradition of origami in his native Japan, whose thickly layered applications of paint and canvas exist on the boundary between painting and three-dimensional art.

Abidingly constructive in spite of their rigorous interventions, the works in Creating a New Whole end up with more than they started with as a matter of process.

Learn more

©2023 Morton Fine Art

Bmore Art | Creating a New Whole | Group Collage Exhibition at Morton Fine Art

13 Jan


BACK TO CALENDAR

Creating a New Whole

Saturday, January 14
Opening Reception 2-4pm

Exhibition opening : Saturday, January 14, 2023 from 2-4pm. Several artists will be in attendance. RSVP to info@mortonfineart.com 

Morton Fine Art is pleased to announce Creating a New Whole, a group exhibition of collage artwork by Michael Andrew Booker, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Lisa Myers Bulmash, Amber Robles-Gordon and Prina Shah. Ranging in techniques, approaches and materials—from quilting, tapestry, fabric, paint and appropriated mass media—the artists in Creating a New Whole exemplify collage’s invitation to what Myers Bulmash has recognized as “a process of purposefully taking things out of context.” Constructing new contexts, forms and wholes, these artists’ practices are frequently as generative as much as they are reparative, seeking to draw connections to what was absent or ignored in their elements’ original context(s). Creating a New Whole, will be on view from January 4 to February 4, 2023 at Morton’s Washington, D.C. space (52 O St NW #302).

Continuing quilting techniques practiced by their respective ancestors, Booker, Chirrime, Gardner and Shah work with resonant materials that speak to the past while enabling the past to speak to the present. Kenya-based, Shah’s personally charged materials include paper, saree, bindis and block printing which she vividly combines using textures, colors and forms, the sum total creating new narratives and perspectives for her inner voice. DC-based Booker is influenced by the coded and colorful history of quilts, referencing them as sign markers, shields, portals and gateways to help secure safe passage to a parallel utopic, afro-futuristic community, what the artist has called  “Afrotopia.” Intensely layering marks of fineliner pen, color pencil, collage and fabric, Booker conjures complex, multidimensional figurative works, his figures and forms cohereing together out of countless small acts.

Mozambican artist Chirrime sources scrap materials from her environment and immediate communities, using fabric, burlap, rope, paint, beads, leather and more to produce dynamic collages that speak to African womanhood, and more broadly, the human condition. Slicing and collaging Western printed media, Trinidad and Tobago-based Gardner appropriates both content and practice, “creating false images and out-of-context narratives” that ironically and seductively mirror the Western world’s misrepresentation of people of color. Likewise taking a critical, redemptive eye to Western mass media, Myers Bulmash’s “Not Geo” series, a cutting play on National Geographic’s nickname, seeks to rehabilitate and restore to dignity the publication’s now notorious rendering of Africans and other non-Western people.

Overall, a sense of construction charges the works in Creating a New Whole, whether that be the notion of renovating the present and past or extending out of the frame into sculptural dimensions. The latter can be seen in the sculptural geometric-like works of Robles-Gordon (pieces the artist recognizes as “temples, places of spiritual practice” and which reference her larger textile installations) and Kuroo, inspired by the tradition of origami in his native Japan, whose thickly layered applications of paint and canvas exist on the boundary between painting and three-dimensional art.

Abidingly constructive in spite of their rigorous interventions, the works in Creating a New Whole end up with more than they started with as a matter of process.LEARN MORE

Morton Fine Art | Creating a New Whole | Group Collage Exhibition | Martin Cid Magazine

11 Jan

Michael Andrew Booker, Support System, 2022 14 x 11 in. Fineliner pen and collage on paper

ART

Out of Context and Into New Forms: Morton Fine Arts Presents Creating a New Whole

A Group Exhibition of Collage Artwork by Michael Andrew Booker, Lisa Myers Bulmash, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Amber Robles-Gordon and Prina Shah

BY ART MARTIN CID MAGAZINE

JANUARY 8, 2023

Washington, D.C. – Morton Fine Art is pleased to announce Creating a New Whole, a group exhibition of collage artwork by Michael Andrew BookerLizette ChirrimeGA GardnerHiromitsu KurooLisa Myers BulmashAmber Robles-Gordon and Prina Shah. Ranging in techniques, approaches and materials—from quilting, tapestry, fabric, paint and appropriated mass media—the artists in Creating a New Whole exemplify collage’s invitation to what Myers Bulmash has recognized as “a process of purposefully taking things out of context.” Constructing new contexts, forms and wholes, these artists’ practices are frequently as generative as much as they are reparative, seeking to draw connections to what was absent or ignored in their elements’ original context(s). Creating a New Whole, will be on view from January 4 to February 4, 2023 at Morton’s Washington, D.C. space (52 O St NW #302).

Amber Robles-Gordon , The Temples of My Familiars: Identity Totem, 2019 23 x 17 in. Mixed media collage and found objects on canvas

Continuing quilting techniques practiced by their respective ancestors, BookerChirrimeGardner and Shah work with resonant materials that speak to the past while enabling the past to speak to the present. Kenya-based, Shah’s personally charged materials include paper, saree, bindis and block printing which she vividly combines using textures, colors and forms, the sum total creating new narratives and perspectives for her inner voice. DC-based Booker is influenced by the coded and colorful history of quilts, referencing them as sign markers, shields, portals and gateways to help secure safe passage to a parallel utopic, afro-futuristic community, what the artist has called “Afrotopia.” Intensely layering marks of fineliner pen, color pencil, collage and fabric, Booker conjures complex, multidimensional figurative works, his figures and forms cohereing together out of countless small acts.

Mozambican artist Chirrime sources scrap materials from her environment and immediate communities, using fabric, burlap, rope, paint, beads, leather and more to produce dynamic collages that speak to African womanhood, and more broadly, the human condition. Slicing and collaging Western printed media, Trinidad and Tobago-based Gardner appropriates both content and practice, “creating false images and out-of-context narratives” that ironically and seductively mirror the Western world’s misrepresentation of people of color. Likewise taking a critical, redemptive eye to Western mass media, Myers Bulmash’s “Not Geo” series, a cutting play on National Geographic’s nickname, seeks to rehabilitate and restore to dignity the publication’s now notorious rendering of Africans and other non-Western people.

Lisa Myers Bulmash, Not Geo – Sitting Man, 2021 12 x 9 in. Ink, hand-marbled and rice paper collage on watercolor paper

Overall, a sense of construction charges the works in Creating a New Whole, whether that be the notion of renovating the present and past or extending out of the frame into sculptural dimensions. The latter can be seen in the sculptural geometric-like works of Robles-Gordon

(pieces the artist recognizes as “temples, places of spiritual practice” and which reference her larger textile installations) and Kuroo, inspired by the tradition of origami in his native Japan, whose thickly layered applications of paint and canvas exist on the boundary between painting and three-dimensional art.

Abidingly constructive in spite of their rigorous interventions, the works in Creating a New Whole end up with more than they started with as a matter of process.

Lizette Chirrime, Synchronization in the Blood, 2022 38.50 x 60.50 in. Fabric and mixed media stitched on canvas

Morton Fine Art

Founded in 2010 in Washington D.C. by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.

Michael Andrew Booker (b. USA) is a mixed media artist originally from Jackson, Mississippi who currently resides in Maryland. He received his BFA in Studio Art – Painting from Mississippi State University in 2008, and received his MFA in Studio Art from University of Maryland in 2012. He has exhibited in various galleries across Mississippi, Alabama, North Carolina, Maine, Maryland, Virginia and Washington DC. His work has been acquired by the David C. Driskell Center in College Park, MD. Currently, he is an Assistant Professor of Art at Montgomery College Takoma Park/Silver Spring.

Booker has been represented by Morton Fine Art in Washington, DC since 2019.

Lisa Myers Bulmash (b. USA) is a collage and book artist who works primarily in acrylics, paper and found objects. Informally trained, Myers Bulmash began her career making handmade cards. After her father’s death in 2006, the artist felt compelled to take more personal risks in her creative life. Questions of identity, trust and the imperfect memory now drive most of her work.

The artist aims to nudge the viewer into recognizing our shared stories, especially those narratives that are usually experienced in isolation.

Myers Bulmash exhibits her work in group and solo shows throughout the Seattle metro area. On the East Coast, Myers Bulmash has been represented by Morton Fine Art Gallery in Washington, DC since 2020.

Lizette Chirrime (b. Mozambique) creates intricate fabric collages on canvas that are at once celebratory and soul-stirring, as the artist flirts between figuration and abstraction to develop a

unique—and distinctly African—visual language. Stitching together printed fabrics, beads, and other familiar objects in Southern Africa, Chirrime transforms simple materials into autobiographical and narrative tableaux freighted with deeply felt emotion and patterns of meaning. Many of her collages center maternal figures and stories of African motherhood, honoring their millennia-long legacy of strength and grace and positing their representation as a symbolic device.

After receiving a three-month residency at Greatmore Studios in Cape Town in 2005, Chirrime spent the next 16 years of her practice in South Africa. In 2021, she made a return to her home country of Mozambique, where she now lives and continues to create.

She has been represented by Morton Fine Art since 2021.

GA Gardner (b. 1969, Republic of Trinidad and Tobago) uses print media content to create an intimate viewpoint of his intercultural experience. Through the lens of his Caribbean heritage, he dissects, covers up, reveals, layers, and re-contextualizes the material in the print publications he uses, to construct pieces that specifically discuss issues of politics, race, culture, and identity.

The publications are a natural fit for Gardner, as they offer random vibrant color palettes, much like that of a typical Caribbean environment, and a great mixture of text and professionally photographed images. However the colors are universal and allow a conceptual approach to finding the common ground among all cultures. The artist combines these media depictions and information with natural paper and synthetic materials to aid in his message. By deconstructing the images into strips, or bits of torn paper, and assigning new overlays of unifying colors to the materials, Gardner erodes the original content at various levels often reducing them to shades with traces of random colors. The image that was once a bold headline new banner, or the newest eye catching product now struggles to be seen; muted, it now plays a secondary role to layers of paint and other mediums. The resulting serendipitous visual construction is an unsystematic reconfiguration and re-purposing to discuss culture, heritage and the symbolism of color.

He has been represented by Morton Fine Art since 2012.

Hiromitsu Kuroo (b. Japan) is a Japanese collage painter working in the tradition of origami. In his work, the canvas serves as the paper, and the gentle manipulation of its surface conveys intricate textural landscapes. The multiple layers of colors in his folded canvases are revealed by sanding the canvas surface. Interested in the juxtaposition and vitality of collaged pieces of canvas, he uses them to accentuate other emerging shapes in his compositions.

Kuroo earned both a BFA and MFA from Tohoku University of Art & Design and has had solo exhibitions at the New York based Tenri Cultural Institute, Gloria Kennedy Gallery, MIKIMOTO NY, Makari and Bronx Community College, as well as the Tokyo-based Gallery Yamaguchi and G-Art

Gallery. He was awarded Pollock-Krasner Foundation Grants in 2010 and 2019, Adolph & Esther Gottlieb Foundation Grant in 2022 and the artist residency program for The Golden Foundation in 2019. In 2020, he was interviewed for Forbes Magazine. He has been represented by Morton Fine Art since 2022.

Amber Robles-Gordon (b. Puerto Rico) completed her Masters of Fine Arts from Howard University in November 2011, where she has received annual awards and accolades for her artwork. Her exhibitions and artwork has been reviewed and/or featured in many esteemed publications including the Washington Post, the Miami Herald, Huffington Post and Callaloo Art & Culture in the African Diaspora.

Robles-Gordon was commissioned to create temporary and permanent public art installations for numerous art fairs and agencies such as the DC Commission on the Arts and Humanities, DCCAH; Northern Virginia Fine Arts Association (NVFAA); Humanities Council of Washington, D.C.; Howard University, James C. Porter Colloquium; Schomburg Center for Research in Black Culture; the Washington Projects for the Arts; Salisbury University; Martha’s Table; DC Department of General Services and Democracy Fund.

Additionally, she has been commissioned to teach workshops, give commentary and present about her artwork by the Smithsonian Anacostia Museum; Luther College; WETA Television; Al Jazeera; WPFW 89.3 fm; WAMU | American University Radio; The Kojo Nnamdi Show; Howard University, James A. Porter Colloquium; David C. Driskell Center; the Phillips Collection; the African American Museum in Philadelphia; McDaniel College; Salisbury University; Harvey B. Gantt Center; American University and National Museum of African American History and Culture. Her solo exhibition, Successions: Traversing US Colonialism, curated by Larry Ossei-Mensah, was hosted by the American University Museum at the Katzen Arts Center in 2021. She has been represented by Morton Fine Art since 2016.

Prina Shah (b. 1973, Kenya) is a contemporary artist currently living in Nairobi, Kenya. Born in Kenya to Indian parents, Shah also grew up partially in the U.K.; her artistic work embraces the indeterminacy of her national identity, including a fascination with the formation of selhood as it relates to a specific cultural context. In a creative practice spanning mixed media—including sculpture, painting, glasswork and less traditional materials such as human hair—Shah’s art challenges the notions of individualized identity within a communal whole. Shah uses meditation as the impetus and foundation of her work, drawing the viewer into a personal narrative and inviting the participant to share in her visual journey of interconnection as she explores what it means to be one among many.

Shah’s work has been included in numerous national and international exhibitions and has been acquired by the permanent collections of Finland’s Poikilo Kouvola Art Museum and the I&M Bank Collective in Kenya, as well as numerous private collections. She has been represented by Morton Fine Art since 2022.

Michael Andrew Booker. Sonder Gardens, 2022. 18 x 13 in. Fineliner pen, color pencil, fabric and collage on paper

Available Artwork by MICHAEL ANDREW BOOKER, LISA MYERS BULMASH, LIZETTE CHIRRIME, GA GARDNER, HIROMITSU KUROO, AMBER ROBLES-GORDON, and PRINA SHAH.

Creating a New Whole | Group Collage Exhibition | Michael Andrew Booker, Lisa Myers Bulmash, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Amber Robles-Gordon and Prina Shah at Morton Fine Art in DC

4 Jan

Morton Fine Art is pleased to announce Creating a New Whole, a group exhibition of collage artwork by Michael Andrew Booker, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Lisa Myers Bulmash, Amber Robles-Gordon and Prina Shah. Ranging in techniques, approaches and materials—from quilting, tapestry, fabric, paint and appropriated mass media—the artists in Creating a New Whole exemplify collage’s invitation to what Myers Bulmash has recognized as “a process of purposefully taking things out of context.” Constructing new contexts, forms and wholes, these artists’ practices are frequently as generative as much as they are reparative, seeking to draw connections to what was absent or ignored in their elements’ original context(s). Creating a New Whole, will be on view from January 4 to February 4, 2023 at Morton’s Washington, D.C. space (52 O St NW #302).
Visit our Website
Creating a New Whole
Collage Artwork by Michael Andrew Booker, Lisa Myers Bulmash, Lizette Chirrime, GA Gardner, Hiromitsu Kuroo, Amber Robles-Gordon & Prina Shah
January 4th – February 4th, 2023

Opening reception 2-4pm on Saturday, January 14th, 2023.Several artists will be in attendance. Please RSVP to info@mortonfineart.com .

Contact the gallery for viewing by appointment, price list, additional information and acquisition.
(202) 628-2787 (call or text)
info@mortonfineart.com

Available Artwork in Creating a New Whole
PRINA SHAH, Unlock and Awaken, 2022, 25″x25″, paper, saree, bindis, block printing and acrylic on canvas
About Creating a New Whole
Continuing quilting techniques practiced by their respective ancestors, Booker, Chirrime, Gardner and Shah work with resonant materials that speak to the past while enabling the past to speak to the present. Kenya-based, Shah’s personally charged materials include paper, saree, bindis and block printing which she vividly combines using textures, colors and forms, the sum total creating new narratives and perspectives for her inner voice. DC-based Booker is influenced by the coded and colorful history of quilts, referencing them as sign markers, shields, portals and gateways to help secure safe passage to a parallel utopic, afro-futuristic community, what the artist has called “Afrotopia.” Intensely layering marks of fineliner pen, color pencil, collage and fabric, Booker conjures complex, multidimensional figurative works, his figures and forms cohereing together out of countless small acts.
MICHAEL ANDREW BOOKER, Sonder Gardens, 2022, 18″x13″, fineliner pen, color pencil, fabric and collage on paper
Mozambican artist Chirrime sources scrap materials from her environment and immediate communities, using fabric, burlap, rope, paint, beads, leather and more to produce dynamic collages that speak to African womanhood, and more broadly, the human condition. Slicing and collaging Western printed media, Trinidad and Tobago-based Gardner appropriates both content and practice, “creating false images and out-of-context narratives” that ironically and seductively mirror the Western world’s misrepresentation of people of color. Likewise taking a critical, redemptive eye to Western mass media, Myers Bulmash’s “Not Geo” series, a cutting play on National Geographic’s nickname, seeks to rehabilitate and restore to dignity the publication’s now notorious rendering of Africans and other non-Western people.
LIZETTE CHIRRIME, Synchronization in the Blood, 2022, 38.5″x60.5″, fabric collage and mixed media stitched on canvas

GA GARDNER, Nothing is Out of Bounds, 2019, 24″”x36″, mixed media collage on paper

LISA MYERS BULMASH, Not Geo – Sitting Man, 2022, 12″x9″, ink, hand-marbled and rice paper collage on watercolor paper
Overall, a sense of construction charges the works in Creating a New Whole, whether that be the notion of renovating the present and past or extending out of the frame into sculptural dimensions. The latter can be seen in the sculptural geometric-like works of Robles-Gordon (pieces the artist recognizes as “temples, places of spiritual practice” and which reference her larger textile installations) and Kuroo, inspired by the tradition of origami in his native Japan, whose thickly layered applications of paint and canvas exist on the boundary between painting and three-dimensional art. 

AMBER ROBLES-GORDON, The Temples of My Familiars: Lace, Marbles and Sacred Places Within, 2019, 24″X18″, mixed media collage on canvas


HIROMITSU KUROO, Pink & Ivory, 2021, 17″x14″, bleach, acrylic and textile collage on canvas
Abidingly constructive in spite of their rigorous interventions, the works in Creating a New Whole end up with more than they started with as a matter of process.
Available artwork in Creating a New Whole

Michael Andrew Booker (b. USA) is a mixed media artist originally from Jackson, Mississippi who currently resides in Maryland. He received his BFA in Studio Art – Painting from Mississippi State University in 2008, and received his MFA in Studio Art from University of Maryland in 2012. He has exhibited in various galleries across Mississippi, Alabama, North Carolina, Maine, Maryland, Virginia and Washington DC. His work has been acquired by the David C. Driskell Center in College Park, MD. Currently, he is an Assistant Professor of Art at Montgomery College Takoma Park/Silver Spring.  Booker has been represented by Morton Fine Art in Washington, DC since 2019.

Available artwork by Michael Andrew Booker


Lisa Myers Bulmash (b. USA) is a collage and book artist who works primarily in acrylics, paper and found objects. Informally trained, Myers Bulmash began her career making handmade cards. After her father’s death in 2006, the artist felt compelled to take more personal risks in her creative life. Questions of identity, trust and the imperfect memory now drive most of her work. The artist aims to nudge the viewer into recognizing our shared stories, especially those narratives that are usually experienced in isolation.
Myers Bulmash exhibits her work in group and solo shows throughout the Seattle metro area. She has been represented by Morton Fine Art since 2020.

Available artwork by Lisa Myers Bulmash



Lizette Chirrime (b. Mozambique) creates intricate fabric collages on canvas that are at once celebratory and soul-stirring, as the artist flirts between figuration and abstraction to develop a unique—and distinctly African—visual language. Stitching together printed fabrics, beads, and other familiar objects in Southern Africa, Chirrime transforms simple materials into autobiographical and narrative tableaux freighted with deeply felt emotion and patterns of meaning. Many of her collages center maternal figures and stories of African motherhood, honoring their millennia-long legacy of strength and grace and positing their representation as a symbolic device.  After receiving a three-month residency at Greatmore Studios in Cape Town in 2005, Chirrime spent the next 16 years of her practice in South Africa. In 2021, she made a return to her home country of Mozambique, where she now lives and continues to create. 

She has been represented by Morton Fine Art since 2021.

Available artwork by Lizette Chirrime


GA Gardner (b. Republic of Trinidad and Tobago) uses print media content to create an intimate viewpoint of his intercultural experience. Through the lens of his Caribbean heritage, he dissects, covers up, reveals, layers, and re-contextualizes the material in the print publications he uses, to construct pieces that specifically discuss issues of politics, race, culture, and identity. The publications are a natural fit for Gardner, as they offer random vibrant color palettes, much like that of a typical Caribbean environment, and a great mixture of text and professionally photographed images. However the colors are universal and allow a conceptual approach to finding the common ground among all cultures. The artist combines these media depictions and information with natural paper and synthetic materials to aid in his message. By deconstructing the images into strips, or bits of torn paper, and assigning new overlays of unifying colors to the materials, Gardner erodes the original content at various levels often reducing them to shades with traces of random colors. The image that was once a bold headline new banner, or the newest eye catching product now struggles to be seen; muted, it now plays a secondary role to layers of paint and other mediums. The resulting serendipitous visual construction is an unsystematic reconfiguration and re-purposing to discuss culture, heritage and the symbolism of color.

He has been represented by Morton Fine Art since 2012.

Available artwork by GA Gardner


Hiromitsu Kuroo (b. Japan) is a Japanese collage painter working in the tradition of origami. In his work, the canvas serves as the paper, and the gentle manipulation of its surface conveys intricate textural landscapes. The multiple layers of colors in his folded canvases are revealed by sanding the canvas surface. Interested in the juxtaposition and vitality of collaged pieces of canvas, he uses them to accentuate other emerging shapes in his compositions. Kuroo earned both a BFA and MFA from Tohoku University of Art & Design and has had solo exhibitions at the New York based Tenri Cultural Institute, Gloria Kennedy Gallery, MIKIMOTO NY, Makari and Bronx Community College, as well as the Tokyo-based Gallery Yamaguchi and G-Art Gallery. He was awarded Pollock-Krasner Foundation Grants in 2010 and 2019, Adolph & Esther Gottlieb Foundation Grant in 2022 and the artist residency program for The Golden Foundation in 2019. In 2020, he was interviewed for Forbes Magazine. He has been represented by Morton Fine Art since 2022.

Available artwork by Hiromitsu Kuroo



Amber Robles-Gordon (b. Puerto Rico) completed her Masters of Fine Arts from Howard University in November 2011, where she has received annual awards and accolades for her artwork. Her exhibitions and artwork has been reviewed and/or featured in many esteemed publications including the Washington Post, the Miami Herald, Huffington Post and Callaloo Art & Culture in the African Diaspora.

Robles-Gordon was commissioned to create temporary and permanent public art installations for numerous art fairs and agencies such as the DC Commission on the Arts and Humanities, DCCAH; Northern Virginia Fine Arts Association (NVFAA); Humanities Council of Washington, D.C.; Howard University, James C. Porter Colloquium; Schomburg Center for Research in Black Culture; the Washington Projects for the Arts; Salisbury University; Martha’s Table; DC Department of General Services and Democracy Fund.

Additionally, she has been commissioned to teach workshops, give commentary and present about her artwork by the Smithsonian Anacostia Museum; Luther College; WETA Television; Al Jazeera; WPFW 89.3 fm; WAMU | American University Radio; The Kojo Nnamdi Show; Howard University, James A. Porter Colloquium; David C. Driskell Center; the Phillips Collection; the African American Museum in Philadelphia; McDaniel College; Salisbury University; Harvey B. Gantt Center; American University and National Museum of African American History and Culture. Her solo exhibition, 
Successions: Traversing US Colonialism, curated by Larry Ossei-Mensah, was hosted by the American University Museum at the Katzen Arts Center in 2021. She has been represented by Morton Fine Art since 2016.

Available artwork by Amber Robles-Gordon




Prina Shah (b. Kenya) is a contemporary artist currently living in Nairobi, Kenya. Born in Kenya to Indian parents, Shah also grew up partially in the U.K.; her artistic work embraces the indeterminacy of her national identity, including a fascination with the formation of selfhood as it relates to a specific cultural context. In a creative practice spanning mixed media—including sculpture, painting, glasswork and less traditional materials such as human hair—Shah’s art challenges the notions of individualized identity within a communal whole. Shah uses meditation as the impetus and foundation of her work, drawing the viewer into a personal narrative and inviting the participant to share in her visual journey of interconnection as she explores what it means to be one among many. Shah’s work has been included in numerous national and international exhibitions and has been acquired by the permanent collections of Finland’s Poikilo Kouvola Art Museum and the I&M Bank Collective in Kenya, as well as numerous private collections. She has been represented by Morton Fine Art since 2022.

Available artwork by Prina Shah
About Morton Fine Art
Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African and Global Diaspora.

Morton Fine Art founded the trademark *a pop-up project in 2010. *a pop-up project is MFA’s mobile gallery component which hosts temporary curated exhibitions nationally.
Gallery hours: By appointment only.

Morton Fine Art
52 O St NW #302
Washington, DC 20001
(202) 628-2787
info@mortonfineart.com
www.mortonfineart.com

New “Not Geo” Collages by LISA MYERS BULMASH

23 Mar
LISA MYERS BULMASH, Not Geo : Woman, 2022, 12″x9″, ink, hand-marbled and rice paper collage on watercolor paper

Seattle-based artist LISA MYERS BULMASH writes on her new series “Not Geo”:

Sifting through vintage images of Black people can be hazardous to your mental health – if
you’re not prepared for what you might see. Even well-executed illustrations carry racist
baggage. The cover story, if you will, was that scientists were studying anthropological “types” in
the same way Charles Darwin might have drawn animal fossils. This kind of reasoning
continued well into the 20 th century. That’s how National Geographic magazine justified
publishing nude photos of people of color, for more than 100 years.

LISA MYERS BULMASH, Not Geo : Braiding, 12″x9″, ink, hand-marbled and rice paper collage on watercolor paper
LISA MYERS BULMASH, Not Geo : Sitting Man, 2022, 12″x9″, ink, hand-marbled and rice paper collage on watercolor paper

The “Not Geo” series of collages is a play on National Geographic’s nickname, Nat Geo. Rather
than perpetuating stereotypes, however, I’ve decided to rehab them with contemporary collage
elements. Each person’s image is highlighted with marbled paper, elevating their presence
much like actual marble does for classical sculpture. Delicate rice paper fragments and
watercolors add a contrasting softness. My hope is that a touch of irony and humor will help
restore some dignity to people once reduced to specimens. – LISA MYERS BULMASH

LISA MYERS BULMASH, Not Geo : Girl, 2022, 12″x9″, ink, hand-marbled and rice paper collage on watercolor paper
LISA MYERS BULMASH, Not Geo : Crossed Arms, 2022, 12″x9″, ink, hand-marbled and rice paper collage on watercolor paper

Available artwork by LISA MYERS BULMASH

Tune in to LISA MYERS BULMASH’s Visiting Artist Lecture at The North Seattle College of Art on Monday 10/25 from 12-1pm PDT or 3-4pm EST

15 Oct

LISA MYERS BULMASH, The Ingratitude of the Girl, 2021, 36″x48″, mixed media collage on panel
Detail of LISA MYERS BULMASH, The Ingratitude of the Girl, 2021, 36″x48″, mixed media collage on panel

Available Artwork by LISA MYERS BULMASH

LISA MYERS BULMASH, Erica Armstrong Dunbar, Ona “Oney” Judge and Mount Vernon

29 Jun

Inspired by historian Erica Armstrong Dunbar’s book “Never Caught: The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge”, Seattle-based artist LISA MYERS BULMASH created her collage series “Manticore and the Mermaid” centering on the self-liberation of Ona Judge in 1796, an enslaved woman who escaped from George and Martha Washington and was never caught.

Scanned by Bellevue Fine Art Reproduction, LLC.

LISA MYERS BULMASH, The Ingratitude of the Girl, 2021, 36″x48″, mixed media collage on panel

Scanned by Bellevue Fine Art Reproduction, LLC.

LISA MYERS BULMASH, Tell Her Things Will Be Different, 2021, 36″x48″, mixed media collage on paper

Congratulations to Dr. Dunbar and the fifth graders at Laurel Ridge Elementary School in Fairfax, VA who nominated Ona Judge to be honored with a historical marker near Mount Vernon in Alexandria, Virginia. The marker was recently unveiled on Juneteenth, Saturday, June 19, 2021. Ona Judge’s historical marker is the first historical marker in Fairfax County about a Black man or Black woman, and the third about women at all.

Ona “Oney” Judge’s Historical Marker outside of Mount Vernon in Alexandria, VA. Unveiled Juneteenth, June 19, 2021

Available Artwork by LISA MYERS BULMASH

Morton Fine Art, 52 O St NW #302, Washington, DC 20001

(202) 628-2787 (call or text)

info@mortonfineart.com

http://www.mortonfineart.com