Tag Archives: Katherine Mann

KATHERINE TZU-LAN MANN participates in Artist Mother Studio Residency – WAMU coverage

20 Nov

 

The once-white walls of the Washington Project for the Arts in D.C.’s Shaw neighborhood are covered with crayon, paint and little fingerprints. Office furniture and supplies have been pushed aside to make room for bean bags, blankets, children’s books and a little wooden table and chair set.

But that’s just one side of the office space. On the other side, behind a dividing curtain, three mothers are hard at work creating art.

This is Artist Mother Studio, a nine-week-long experimental artists’ residency that comes to an end on Nov. 17. The program provided three women artists with a remarkable string of benefits, including studio space, childcare and a sense of community in the heart of D.C.

Anne Smith holds her daughter, Kiko, in the company of fellow artist Leah Lewis.Tyrone Turner / WAMU

“We’re interested in changing the way society functions, if that doesn’t sound too grandiose,” said Amy Hughes Braden, the program’s creator and curator. “Women get asked, ‘Oh, well, what are you going to do now that you have kids?’ Nobody asks men these questions.”

Braden modeled the program off of a similar residency in Amsterdam, Mother in Arts, that took place last year. In the first iteration of the D.C. project this past spring, she and two other women artists would drop off their kids at a daycare provider’s house each day and then work out of studio space at Rhizome in Takoma Park, D.C.

Then, with about $20,000 of funding from the DC Commission on the Arts and Humanities, the Washington Project for the Arts and individuals donors, she started a second iteration this fall.

Anne Smith works with charcoal and pencils in her studio. The charcoal dust wouldn’t be healthy for her infant daughter, she says.Mikaela Lefrak / WAMU

The half-dozen Washington Project for the Arts staff members agreed to work at a communal table for the length of the program so that their office and gallery space could serve three artists and their combined four children.

A daycare provider, Dani Simms, takes care of the children from 11:30 a.m. to 2:30 p.m. each day. That’s a huge plus for any artist, but particularly ones in the District. According to Child Care Aware of America, center-based care for a single child in D.C. can cost more than $23,000 a year — one of the highest rates in the country. That amounts to about 35 percent of a median D.C. family’s income.

All three of the artists in the program — Anne SmithLeah Lewis, and Katherine Mann — said that while they each have supportive and involved partners, they’re the ones who typically handle the bulk of childcare.

Lewis’s fiance is also an artist, and because he brings in more money than she does, she ends up spending more time caring for their three-year-old son, Biko. She makes art in her living room or kitchen whenever she finds the time.

After a few hours in the studio, artist Katherine Mann crossed the curtain divide to play with her son and daughter.Mikaela Lefrak / WAMU

“I was kind of cloistered in my little bubble that did not include any mom artists,” Lewis said. “It was the perfect time to get this [residency], because I could hang out with other artists who are moms. You don’t feel like you’re alone.”

Mann used to rent her own studio space, but gave it up once she had her second child.

“Until this, it was just me with the kids, and I was making my work during nap time or in the middle of the night,” she said. At Artist Mother Studio, her children Calvin, 3, and Mae, 1, can easily come into her studio if they need her. Even so, Mann said, she has “the most freedom and space that I’ve had for a really, really long time.”

Smith is a new mom, and her four-month-old daughter Kiko still breastfeeds. Smith rents studio space in Mount Rainer, Maryland, but she doesn’t like the baby to be too close to some of her materials, like charcoal dust.

The setup in Shaw allows her to be close to Kiko throughout the day while still having enough space to do her work.

Mann and her daughter share a quiet moment in the studio.Tyrone Turner / WAMU

While the program has been a success from the perspective of the artists, it’s time-intensive for Braden and space-intensive for the Washington Project for the Arts, which sees itself as just a temporary incubator for ideas like Braden’s. Braden plans to take the next few months to create a shareable template for the program and brainstorm how to scale it.

She isn’t aware of any other programs like this in D.C. or in the rest of the country. But she thinks the demand is out there.

“Everybody has a struggle to get to the studio,” she said. “And the only way that I’ve been able to be a parent myself — I have a two-year-old — is with community.”

 

Click HERE to view available artwork by KATHERINE TZU-LAN MANN.

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KATHERINE TZU-LAN MANN featured in House Beautiful Magazine

12 Oct

Living Room
“Lush and not prissy,” says Gridley about the living room’s facing sofas, which are covered in an Old World Weavers blue linen velvet. The vintage coffee table is by Tomasso Barbi. An artwork by Katherine Tzu-Lan Mann hangs over an Outpost Original hide bench that “is pulled into action,” Gridley says, for extra seating during parties. – Maura McEvoy

New Arrivals by KATHERINE TZU-LAN MANN

6 Sep

Private Domain, 52″x53″, acrylic and sumi ink on stretched paper

 

Nursery II, 60″x36″, acrylic and sumi ink on stretched paper

 

The Fall, 45″x85″, acrylic and sumi ink on stretched paper

 

Blue Black Water, 60″x90″, acrylic and ink on canvas

 

About KATHERINE TZU-LAN MANN:
“My work’s abstractions arise from the subjects I portray: ecological and geological cycles, processes of chemical corrosion and natural efflorescence. With roots in traditions of Chinese landscape painting, my monumentally sized paintings and installations evolve a fantastic, abstract vision of the natural world.

The paper on which I paint is not only a recognition of a tradition of Chinese painting; it is also a medium of vulnerability and expansiveness, susceptible to crease and tear as well as to collage and collation.
In my most recent work, I hope to live in the tradition of landscape painting, experiencing it for what it has always been: an occasion for radical experimentation and confrontation with the world, in the broadest sense of the term that sustains us.” – KATHERINE MANN, 2017

MFA Welcomes Artist KATHERINE TZU-LAN MANN

25 Jul
Morton Fine Art is thrilled to introduce artist KATHERINE TZU-LAN MANN to our roster.
“My work’s abstractions arise from the subjects I portray: ecological and geological cycles, processes of chemical corrosion and natural efflorescence. With roots in traditions of Chinese landscape painting, my monumentally sized paintings and installations evolve a fantastic, abstract vision of the natural world.
The paper on which I paint is not only a recognition of a tradition of Chinese painting; it is also a medium of vulnerability and expansiveness, susceptible to crease and tear as well as to collage and collation.
In my most recent work, I hope to live in the tradition of landscape painting, experiencing it for what it has always been: an occasion for radical experimentation and confrontation with the world, in the broadest sense of the term that sustains us.”
– KATHERINE MANN, 2017
Beard2 web
Beard, acrylic, sumi ink, wood cut and silkscreen on paper, 60″x 61″
Shade web
Shade, acrylic and sumi ink on stretched paper, 60″x 40″
Untitled web
Untitled, acrylic, sumi ink, wood cut and silkscreen on paper, 59″x 55″
Window web
Window, acrylic and ink on paper, 72″ x 72″
If you would like to learn more about Katherine Mann or would like to see her work, please contact the gallery to set up an appointment. We look forward to your visit.