Tag Archives: hand sculpted

NATE LEWIS in Art in Embassies Exhibition/Catalog

18 Feb

We are pleased to announce that two pieces by artist NATE LEWIS have been included in an Art in Embassies exhibition in Addis Ababa, Ethiopia. There is a catalog with the exhibition that features images and a write up about the work, which you can see below.

If you would like a PDF of the the introduction and Nate’s work, please contact the gallery.

 

Advertisements

NATE LEWIS featured in Lancaster Online

2 Nov

November 2, 2017
Mosaic Project artist Nate Lewis uses his experience as a nurse in his art

man

Most artists know from the time they are little kids that they will become artists.

Nate Lewis, one of this year’s mosaic artists at Pennsylvania College of Art & Design, knew from the time he was a child that he wanted to be a nurse, like his dad.

He had no idea that his nursing career would become the foundation of his art career.

I was planning to be a nurse since sixth grade,” says Lewis, who grew up in Beaver Falls in western Pennsylvania. “I got good grades, and I played lots of basketball. I didn’t grow up making art at all.”

Lewis will talk about his nontraditional journey as an artist Friday at 2 p.m. And from 6 to 7 p.m., the public can meet Lewis during a First Friday event.

And his exhibit will be on display through Dec. 8, along with one by fellow mosaic artist Amber Robles Gordon.

Music was the first foray into art for Lewis.

“Coming out of college and into my mid-20s was a time where I listened to everything,” he says. “The music spoke to me so much in so many different ways.”

He started playing violin, taking about 8 or 9 lessons and then teaching himself.

“I played two or three hours a day,” Lewis says. “The way I am, when I really like something, I dive in.”

+2 

Selfie

He moved to Virginia and started working in the intensive care unit of a hospital. Required to take some classes, he started doodling when class got too dull.

This wasn’t actually a breakthrough for him. It was just doodling.

But then his sister, who is a visual artist, saw something in those doodles and for Christmas 2010, she bought him some art supplies and a book about drawing.

“My sister told me to draw what was in front of me, but I found it boring. I knew that I wanted to draw organs and instruments, red blood cells, images from an electronic microscope. That was my world.”

He drew lungs coming out of a trumpet, red blood cells coming out of a pipe.

“I loved it. This is exactly what I wanted to draw.”

His sister loved the images, too, and suggested they make T-shirts.

While he spent his spare time working on the T-shirts, he missed drawing his unique images. So he quit the T-shirt business and began working on his drawings. Two cross-sections of brains that looked like headphones. A bagpipe sitting on top of a stomach.

He was still working in the hospital, where he moved from neuroscience-surgical intensive care to medical-surgical intensive care and to a stroke unit, where he was involved in rehab.

+2 

nate lewis

And his work evolved from the basics of anatomy to a deeper, more intense kind of work.

He began exploring and working with layers of paper, specifically paper from MRIs and CAT scans.

“I was thinking of the rhythms and records of people’s lives. I thought about vulnerability, empathy and care. You’ve got such an intimate relationship with patients and family members. I don’t think I will have a more intimate relationship. These are vulnerable and tragic times for people.”

As art took over his life, Lewis stopped working as a nurse and now devotes himself to exploring new ideas and expanding on older ideas.

“I wanted to add life to my work, not just the hospital,” Lewis says, noting that he has been influenced by his brother-in-law, who is also a visual artist.

Lewis is now thinking about history and African-American figures and narratives.

“I’ve started using African-American figures and thinking about empathy and what is empathy outside of the hospital. Empathy is not a passive thing. It is very active. So I am educating myself on unknown histories, with things I have been unaware of.

“I’m adding life to movement and then I am thinking about textures in bodies. Tensions past, present and future.”

He will keep evolving.

“As time goes on, I try to understand more and more by using empathy, understanding and caring,” Lewis says. “My work was physically taking care of people, and I see everybody with this lens.”¶

 

NATALIE CHEUNG and NATE LEWIS Reviewed in The Washington Post

25 Apr

WASHINGTON POST ~ In the galleries ~ April 21, 2017

 Natalie Cheung: Increments in Time and Nate Lewis: Tensions in Tapestries On view through April 26 at Morton Fine Art, 1781 Florida Ave. NW. 202-628-2787. mortonfineart.com.

Natalie Cheung’s “31 Hours,” cyanotype on paper, on view through April 26 at Morton Fine Art. (Natalie Cheung/Courtesy of Morton Fine Art)

To judge by their titles, change must be the subject of Natalie Cheung’s cyanotypes. Each picture in her Morton Fine Art show, “Increments in Time,” is named after a period of as little as one and as many as 76 hours. This is how long it took water to evaporate from the photographic paper, yielding studies in blue, black and white.  The D.C. artist has turned the process, once used for architectural blueprints, into something abstract and unpredictable. Her pictures may resemble Rorschach tests and microscopic views, but all they truly illustrate is the process by which they were made. Their poetry is an accident of chemicals and duration.


Nate Lewis’s “Signals II,” hand-sculpted paper photo print, at Morton Fine Art. (Nate Lewis/Courtesy of Morton Fine Art)

To Nate Lewis, whose “Tensions in Tapestries” also is at Morton, the African American body is a landscape to be transformed. He cuts and scrapes black-and-white photographic portraits, removing pigment while adding patterns and flocked textures. The effect recalls African weaving and skin embellishment, but also reflects the influence of the D.C. artist’s job as an intensive-care nurse, seeking to heal the most damaged. In pieces such as “Funk and Spine,” the surface of a woman’s body is almost entirely remade, yet sinew, bone and essence endure.

– Mark Jenkins

Natalie Cheung: Increments in Time and Nate Lewis: Tensions in Tapestries On view through April 26 at Morton Fine Art, 1781 Florida Ave. NW. 202-628-2787. mortonfineart.com.

New Works by NATE LEWIS

11 Apr
Mobile, hand sculpted paper photo print, 40″ x 26″​
We are excited to announce new works by Washington, DC based artist NATE LEWIS. They are from his latest series Tensions in Tapestries
 
We all have a lens through which we see. Our lens is distilled by our patterns of seeing and thinking which continually refines our lens. The lens we come to form becomes our filter.
Using figurative and portrait style images I hand-sculpt patterns and textures on to single sheets of paper that reveal unseen tensions on and within bodies representative of the past, present, and future – the physical and the spiritual, the tangible and intangible. 
Internal, as well as external influences come to refine our patterns of thinking, seeing, interacting and loving. Through the use of presence and absence, textures and distortion, I aim to challenge the filters we hold that dictate our views and our actions.
Through an attentive, intentional process of sculpting patterns and terrains of texture on bodies, I seek for this work to mirror the intentionality and consistency it can take in ones patterns of thinking and seeing to hold an empathetic lens.
-NATE LEWIS, 2017
 
Nathaniel Lewis grew up in Beaver Falls, near Pittsburgh, Pa. Born 1985, Nate benefited from the cultural mix of his Trinidad-born father who was raised in Brooklyn and his white American-born mother, raised in Philadelphia. He graduated from VCU with his BSN and has been a practicing critical care nurse for the past five years as well as professional fine artist. Tensions in Tapestries is Nate’s second solo exhibition at Morton Fine Art.
 
Please find images of the new works below. You can see more of Nate’s available works HERE.

Thrice, hand sculpted paper photo print, 26″ x 40″

Cloaked but Absent III, hand sculpted paper photo print, 40″ x 26″

Funk and Spine, hand sculpted paper photo print​, 40″ x 26″

Archaic Pages, hand sculpted paper photo print, 18″ x 22″

Clenched, ​hand sculpted paper photo print, 14″ x 18″

Conductor, hand sculpted paper photo print, 20″ x 22″

Dignity II, hand sculpted paper photo print, 22″ x 20″

Signals II, ​hand sculpted paper photo print, 24″ x 26″

Unbalanced and Clear, hand sculpted paper photo print, 24″ x 26″

April 2017 solo exhibitions at MFA – NATALIE CHEUNG & NATE LEWIS

31 Mar
Increments in Time
Cyanotypes by NATALIE CHEUNG
Tensions in Tapestries
Hand-sculpted paper photo prints by NATE LEWIS
Friday, April 7 – April 26th, 2015

OPENING DAY RECEPTION 
Friday, April 7th, 6pm-8pm
Both artists will be in attendance.

NATALIE CHEUNG, 53 Hours, 2017, 30″x44″, cyanotype on paper

NATE LEWIS, Mobile, 2017, 40″x26″, hand sculpted paper photo print
EXHIBITION LOCATION

Morton Fine Art (MFA)
1781 Florida Ave NW (at 18th & U Sts)
Washington, DC 20009

HOURS

Tuesday – Saturday 11am – 6pm
Sunday 12pm-5pm

About NATALIE CHEUNG and Increments in Time:
Increments in Time features Cheung’s cyanotype mappings of evaporation. Cheung’s cyanotypes are reduced to the essential elements of capturing and recording light;

light, paper, chemical reaction and chance which hearken back to the scientific roots of the medium. The prints record the transition from liquid to blueprint. The title of each work indicates the hours in which it took water to evaporate completely from the paper. What remains is the aftermath of an event, a map. This work examines the way in which nature perpetually creates patterns, seemingly random and chaotic yet with regularity and repetition.

NATALIE CHEUNG, 40 & 31 Hours, 2017, 30″x44″, cyanotype on paper

Natalie was born in Falls Church, Virginia. She received her MFA in Photography from Tyler School of Art in Philadelphia and her BFA in Photography from the Corcoran College of Art + Design in Washington, DC. Her work has been exhibited nationally and internationally; she has been profiled in Washington Spaces Magazine and has her work is represented in numerous collections including the Museum of Fine Art Houston and the DC Commission on the Arts and Humanities. Cheung has taught at the George Washington University as well as the Corcoran College of Art + Design and Temple University, Tyler School of Art. This marks her second solo exhibition at Morton Fine Art.

About NATE LEWIS and Tensions in Tapestries:

We all have a lens through which we see. Our lens is distilled by our patterns of seeing and thinking which continually refines our lens. The lens we come to form becomes our filter. 
Using figurative and portrait style images I hand-sculpt  patterns and textures on to single sheets of paper that reveal unseen tensions on and within bodies representative of the past, present, and future – the physical and the spiritual, the tangible and intangible. 
Internal, as well as external influences come to refine our patterns of thinking, seeing, interacting and loving. Through the use of presence and absence, textures and distortion, I aim to challenge the filters we hold that dictate our views and our actions.
Through an attentive, intentional process of sculpting patterns and terrains of texture on  bodies, I seek for this work to mirror the intentionality and consistency it can take in ones patterns of thinking and seeing to hold an empathetic lens.
-NATE LEWIS, 2017

NATE LEWIS, Thrice, 2017, 26″x40″, hand sculpted paper photo print

Nathaniel Lewis grew up in Beaver Falls, near Pittsburgh, Pa. Born 1985, Nate benefited from the cultural mix of his Trinidad-born father who was raised in Brooklyn and his white American-born mother, raised in Philadelphia. He graduated from VCU with his BSN and has been a practicing critical care nurse for the past five years as well as professional fine artist.  Tensions in Tapestries is Nate’s second solo exhibition at Morton Fine Art.

About Morton Fine Art:

Founded in 2010 in Washington, DC, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that anyone can become an art collector or enthusiast, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice.