Tag Archives: DC gallery

VONN SUMNER paints from life “Trash Fire III”

5 Aug

VONN SUMNER creates a remarkable painting titled “Trash Fire III”, 2019, 18″x14″, oil on linen from life. Check out this incredible video of SUMNER oil painting while viewing a burning trash can outside his studio window!

 

 

 

 

 

VONN SUMNER’s finished painting, “Trash Fire III”, 2019, 18″x14″, oil on linen.

 

Available artwork by VONN SUMNER.

 

Contact the gallery for more information:

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787

http://www.mortonfineart.com

mortonfineart@gmail.com

Video of artist OSI AUDU discussing his “Self Portrait” series

20 Jul

Nigerian artist OSI AUDU brilliantly discusses his graphite and pastel “Self Portrait” artworks delving into the Tangible Self and Intangible Essence of Self. Fascinating!

 

 

Available artwork by OSI AUDU

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787

mortonfineart@gmail.com

http://www.mortonfineart.com

VICTOR EKPUK’s “Eye See You” on view at Smithsonian Arts and Industry Building for We the People festival in DC

22 Jun

 

 

Please join artist VICTOR EKPUK in conversation while viewing his monumental installation piece Eye See You in Halcyon’s By the People festival in Washington, DC, curated by Jessica Stafford Davis.

Nearly scraping the ceiling of the Arts & Industries Building, Ekpuk’s 18-foot-high “Eye See You” is the most imposing piece he’s ever exhibited in the District. -Mark Jenkins. (The Washington Post)

Sunday June 23, 2019
2:00pm
Smithsonian Arts and Industry Building on the National Mall
Jefferson St, SW Washington DC  

JULIA MAE BANCROFT’s “Through Glass Lace”

9 May

We are pleased to share new mixed media artworks by JULIA MAE BANCROFT currently featured in her solo exhibition, “Through Glass Lace”, currently on view at the gallery until May 22, 2019.  Each artwork takes a minimum of 40-60 hours to create.

 

Jellyfish Heart, 2019, 29.5”x 17”, ink, gouache, and collage on paper

 

 

Violet’s Window, 2018, 20”x 20”, ink, gouache, pencil and oil pastel on paper

 

In my latest body of work Through Glass Lace I continue to evolve the idea of piecing together a fragmented narrative by way of layering medium and texture.  Imagining a glass lace screen through which we can blur the lines between  strength and fragility, imagination and reality, macro and micro.

I chose to focus on creating emotion within the atmospheric spaces, allowing the reflective figures to float across the layers.  In this series we are free to explore the boundlessness of intimacy and how our internal conversations parallel and reflect the spaces we trace.

-JULIA MAE BANCROFT, 2019

 

Thinking of Falling, 2019, 22”x 11.5”, ink, gouache, and collage on paper

 

Alone in My Backyard, 2018, 22”x 23”, ink, gouache, and collage on paper

 

Lace Moon, 2019, 22.5”x 12”, ink and gouache on hand textured paper

Bancroft intricately and thoughtfully applies layers of imagery onto paper using oil pastel, gouache, watercolor, various fibers and ink transfers. Many of the pieces also incorporate embroidery hand stitched directly into the altered surface, complementing the figurative drawings. The intentional absence of color allows the viewer to focus on the obscured perspectives and depth of texture throughout the narrative. Bancroft’s unique and intensive layering process produces developed artworks that take up to 40-60 hours to complete.

 

Murmur, 2019, 14”x 38” (triptych), ink and gouache on hand textured paper

 

Infinite Pools, 2018, 22.5”x 12”, ink, gouache, and collage on paper

 

After the Rabbit’s Bride, 2019, 22”x 33” (diptych) oil, ink, gouache, and collage on paper

A few images of “Through Glass Lace” on view at Morton Fine Art. Hours are Wednesday – Saturday 12pm-5pm and Sunday – Tuesday by appointment.

 

“Through Glass Lace” at Morton Fine Art

photo credit: Alex Mcnaughton

 

“Through Glass Lace”

photo credit: Alex Mcnaughton

 

Enjoy! Please be in touch with any inquiries or requests for pricing.

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787

mortonfineart@gmail.com

http://www.mortonfineart.com

Concurrent solos by KATHERINE TZU-LAN MANN and ASTRID KOHLER presented by Morton Fine Art & *a pop-up project at Gallery B

11 Apr

 

KATHERINE TZU-LAN MANN

Echoing Green

April 3 – April 27, 2019

 

ASTRID KOHLER

Conflux

April 3 – April 27, 2019

 

Opening Reception

Friday, April 5th from 6-8pm

 

EXHIBITION LOCATION

Morton Fine Art at Gallery B

7700 Wisconsin Ave, Ste E

Bethesda, MD 20814

 

HOURS

Wednesday – Saturday 12pm – 6pm

 

 

KATHERINE TZU-LAN MANN, Leaves into Birds, 2019, 60″x36″, acrylic and sumi ink on stretched paper over canvas

 

 

About Echoing Green

My work’s abstractions arise from the subjects I portray: ecological and geological cycles, processes of chemical corrosion and natural efflorescence. With roots in traditions of Chinese landscape painting, my monumentally sized paintings and installations evolve a fantastic, abstract vision of the natural world. My latest work confronts the challenge: the resuscitation of landscape painting in a world where “landscape” is represented and defined through an ever-widening field of digital, graphic, and visual forms. How can a painting capture flux, abundance, waste, fertility, and the collision and collusion of diverse forms? How can it respond to the pressure we place on our era’s fragile ecosystem? My paintings explore both questions by sustaining tension between what is artificial and what is natural, between what is chemical and what is biological, between organic and inorganic. The paper on which I paint is not only a recognition of a tradition of Chinese painting; it is also a medium of vulnerability and expansiveness, susceptible to crease and tear as well as to collage and collation. My own role in the creation of the paintings strikes a balance between the purposive and the protective. I trust to process, chance, and change, but I encourage, direct, and facilitate all of these. In my most recent work, I hope to live in the tradition of landscape painting, experiencing it for what it has always been: an occasion for radical experimentation and confrontation with the world, in the broadest sense of the term, that sustains us.

-KATHERINE TZU-LAN MANN, 2019

 

 

 

About KATHERINE TZU-LAN MANN

Katherine Tzu-Lan Mann received her BA from Brown University and MFA from the Maryland Institute College of Art. She is the recipient of a Fulbright grant to Taiwan, the AIR Gallery and Lower East Side Printshop Keyholder Fellowships in New York, NY, and the Individual Artist Grant, Arts and Humanities Grant, Mayor’s Award and Hamiltonian Fellowship in Washington, DC. She has attended residencies at Virginia Center for the Creative Arts, Blue Sky Dayton, Vermont Studio Center, Salzburg Kunstlerhauss, Triangle Workshop, Anderson Ranch Art Center, Bemis Center for the Arts, Djerassi Resident Artists Program, Facebook, and the Jaipur, India Carbon 12 Residency. Some of the venues where Mann has shown her work include the Walters Art Museum, Corcoran Gallery of Art, Rawls Museum, the US consulate in Dubai, UAE, and the US embassy in Yaounde, Cameroon. Mann is currently an instructor at the Maryland Institute College of Art. She is represented by Morton Fine Art in Washington, DC.

 

 

Available artwork by KATHERINE TZU-LAN MANN

 

 

 

 

ASTRID KOHLER, fucking Vogelkonig 2, 2018, 4.75″x4.75″, watercolor and acrylic on paper

 

 

 

About ASTRID KOHLER and Conflux

 

German painter ASTRID KOHLER combines old and new in her latest series Conflux. Artwork includes 19th century German portraits which have been over-painted with Kohler’s imaginative and playful images of perched birds and jumping baby ducks. Antique pastoral backgrounds have been layered with contemporary additions of leafy shoots of bamboo, and outlines of stylized, gold clouds.

 

Her still life paintings, some of which are layered with epoxy, are visually accentuated with dramatic pops of color, unexpected narrative elements and oftentimes contain animated wildlife. Her ten piece series “fucking Vogelkonig” features delicate birds masterly painted with a three-haired brush and then crowned with neon orange headdresses which juxtapose the artist’s incredible technical ability as a realist painter with fluid, gestural lines and attitude.

 

Kohler seeks new ways of arranging space and blending old and new to create tension for her creative inspiration. Conflux marks her first solo exhibition in the U.S. She is represented by Morton Fine Art in Washington, DC.

 

Available artwork by ASTRID KOHLER

 

 

About Morton Fine Art 

 

Founded in 2010 in Washington, DC, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that anyone can become an art collector or enthusiast, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice.

 

Want to view artwork in DC? Come by our permanent gallery space:

 

Morton Fine Art

52 O St NW #302

Washington, DC 20001

Hours: Wed – Sat 12pm-5pm and Sun-Tues by appointment

(202) 628-2787

mortonfineart@gmail.com

http://www.mortonfineart.com

 

 

About *a pop-up project

 

Redefining the traditional gallery model, Morton Fine Art (MFA) replaces a single gallery space with two locations: MFA’s permanent fine art gallery space and *a pop-up project, a temporary mobile art gallery of curated group shows. Morton Fine Art established it’s trademark, *a pop-up project, in 2010.