Tag Archives: DC Artists

NATE LEWIS in Art in Embassies Exhibition/Catalog

18 Feb

We are pleased to announce that two pieces by artist NATE LEWIS have been included in an Art in Embassies exhibition in Addis Ababa, Ethiopia. There is a catalog with the exhibition that features images and a write up about the work, which you can see below.

If you would like a PDF of the the introduction and Nate’s work, please contact the gallery.

 

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ROSEMARY FEIT COVEY Featured in the James Renwick Alliance Craft Quarterly, Winter 2018!

6 Feb

Artist ROSEMARY FEIT COVEY is featured in the upcoming print and online editions of the Winter 2018 issue of the James Renwick Alliance Craft Quarterly. You can get a sneak peek below. To see available work by Rosemary, please visit our website or stop in and see us at the gallery!

Rosemary Renwick 1 web

Rosemary Renwick 2 web

Rosemary Renwick 3 web

Rosemary Renwick 4 web

NATALIE CHEUNG and NATE LEWIS Reviewed in The Washington Post

25 Apr

WASHINGTON POST ~ In the galleries ~ April 21, 2017

 Natalie Cheung: Increments in Time and Nate Lewis: Tensions in Tapestries On view through April 26 at Morton Fine Art, 1781 Florida Ave. NW. 202-628-2787. mortonfineart.com.

Natalie Cheung’s “31 Hours,” cyanotype on paper, on view through April 26 at Morton Fine Art. (Natalie Cheung/Courtesy of Morton Fine Art)

To judge by their titles, change must be the subject of Natalie Cheung’s cyanotypes. Each picture in her Morton Fine Art show, “Increments in Time,” is named after a period of as little as one and as many as 76 hours. This is how long it took water to evaporate from the photographic paper, yielding studies in blue, black and white.  The D.C. artist has turned the process, once used for architectural blueprints, into something abstract and unpredictable. Her pictures may resemble Rorschach tests and microscopic views, but all they truly illustrate is the process by which they were made. Their poetry is an accident of chemicals and duration.


Nate Lewis’s “Signals II,” hand-sculpted paper photo print, at Morton Fine Art. (Nate Lewis/Courtesy of Morton Fine Art)

To Nate Lewis, whose “Tensions in Tapestries” also is at Morton, the African American body is a landscape to be transformed. He cuts and scrapes black-and-white photographic portraits, removing pigment while adding patterns and flocked textures. The effect recalls African weaving and skin embellishment, but also reflects the influence of the D.C. artist’s job as an intensive-care nurse, seeking to heal the most damaged. In pieces such as “Funk and Spine,” the surface of a woman’s body is almost entirely remade, yet sinew, bone and essence endure.

– Mark Jenkins

Natalie Cheung: Increments in Time and Nate Lewis: Tensions in Tapestries On view through April 26 at Morton Fine Art, 1781 Florida Ave. NW. 202-628-2787. mortonfineart.com.

THE GUARDIANS, a solo exhibition of new work by artist KESHA BRUCE. December 14th, 2013-January 8th, 2014.

19 Dec

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About the Guardians:

In the winter of 2011, Kesha Bruce awoke in the early morning hours to see a figure hovering silently at the foot of her bed. This brief moment of fascination, terror, and eventually wonder, has beenthe obsessive focus of her work for nearly three years. To date, Bruce has completed nearly 200 works based on The Guardians – a group of solemn, mysterious figures who act as watchers, keepers, and protectors.
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About Kesha Bruce:
Sidestepping the weight and implications of formalized religion forthe better part of her career, Bruce’s work has explored the fertile territory of memory, mythology, African-American folklore, and magical-spiritual belief. With The Guardians her work makes a shift towards questioning not only the place of spiritual practice in contemporary culture, but also the place of genuine spiritual experience in contemporary art making.

THE GUARDIANS Opening Reception and Artist Talk

18 Dec

This slideshow requires JavaScript.

About the Guardians:

In the winter of 2011, Kesha Bruce awoke in the early morning hours to see a figure hovering silently at the foot of her bed. This brief moment of fascination, terror, and eventually wonder, has beenthe obsessive focus of her work for nearly three years. To date, Bruce has completed nearly 200 works based on The Guardians – a group of solemn, mysterious figures who act as watchers, keepers, and protectors.
Sidestepping the weight and implications of formalized religion forthe better part of her career, Bruce’s work has explored the fertile territory of memory, mythology, African-American folklore, and magical-spiritual belief. With The Guardians her work makes a shift towards questioning not only the place of spiritual practice in contemporary culture, but also the place of genuine spiritual experience in contemporary art making.
The show will run through January 8th, 2014

Scattered to the Wind by MAYA FREELON ASANTE

16 May

A one-of-a-kind kinetic art performance by artist MAYA FREELON ASANTE which boasts free-falling art for all.

Accompanied by the natural environment of Baltimore City, ‘Scattered to the Wind’ took place on Saturday, April 27th, 2013 at the Bromo Selzter Arts Tower in Baltimore, MD.

Let go with me
Make room for Joy!
The weightlessness
of forgiveness
Seeks peace
With love

– Maya Freelon Asante