Tag Archives: DC Art Gallery

Introducing virtual exhibition tours as Morton Fine Art and Gallery B suspend daily hours

13 Mar
Visit Morton Fine Art’s YouTube Channel for virtual tours of our solo exhibition of Kesha Bruce’s “We Can Birth Worlds” at Morton Fine Art in DC and our group exhibition at Gallery B in Bethesda. We are still conducting business, in a new way.
After much consideration, and out of concern for the health and welfare of all our community, Morton Fine Art has concluded that it is necessary to suspend daily open hours at both Morton Fine Art in DC and our group exhibition at Gallery B in Bethesda, effective immediately.
We instead encourage virtual tours from Morton Fine Art’s YouTube channel.
All works are available for acquisition and additional details can be requested by emailing the gallery at mortonfineart@gmail.com or calling or texting (202) 628-2787. We are still conducting business, in a new way.
We very much appreciate your patience and understanding as we all negotiate this unprecedented situation. Please continue to follow the guidance of the CDC and public health officials. We hope that our earnest actions will help contribute to a better health outcome for our entire community.
Best always,
Amy and Julia
Virtual Tour MFA Artist Kesha Bruce Solo Exhibition 'We Can Birth Worlds'
Virtual Tour of KESHA BRUCE’s solo exhibition “We Can Birth Worlds” at Morton Fine Art in DC
Contact the gallery for an accompanying price list and additional details.
Virtual Tour #1 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda, March 2020.
Virtual Tour #1 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda
Virtual Tour #2 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda, March 2020.
Virtual Tour #2 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda
Virtual Tour #3 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda, March 2020.
Virtual Tour #3 of Morton Fine Art & *a pop-up project at Gallery B in Bethesda
Contact the gallery for an accompanying artwork pricing and artist information.
About Morton Fine Art and *a pop-up project
Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.
Redefining the traditional gallery model, Morton Fine Art (MFA) enhances a single gallery space with two locations: MFA’s permanent fine art gallery space and *a pop-up project, a temporary mobile art gallery of curated group shows.
Morton Fine Art
52 O St NW #302
Washington, DC 20001
Updated hours to be determined.

Get to know MFA’s new artist MICHAEL A. BOOKER

3 Aug

 

Morton Fine Art is pleased to announce  we now represent the artwork of MICHAEL A. BOOKER. Please explore his video above which explores the inspiration and process of his incredible creations.

 

STATEMENT

My work is a creation of a parallel utopic, afro-futuristic community, told through a series of fineliner pen drawings.  As a form of escapism, this utopic world is crafted within and around the figures themselves by weaving natural environments into the people of this community.  Culturally significant hairstyles and clothing function as symbolic conduits; objects through which I begin to imagine and build this “afrotopia” as both a physical place and as an outer projection of an inner consciousness. – MICHAEL A. BOOKER, 2019

 

BIOGRAPHY

Michael Booker is a mixed media artist originally from Jackson, Mississippi that currently resides in Maryland. He received his BFA in Studio Art – Painting from Mississippi State University in 2008, and received his MFA in Studio Art from University of Maryland in 2012.  He has exhibited in various galleries across Mississippi, Alabama, North Carolina, Maine, Maryland, Virginia, and Washington DC. His work has been acquired by the David C. Driskell Center in College Park, MD.  Currently, he is an Assistant Professor of Art at Montgomery College Takoma Park/Silver Spring.  Booker is represented by Morton Fine Art in Washington, DC.

 

Available artwork by MICHAEL A. BOOKER

 

Contact Morton Fine Art for acquisition or additional information.

 

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787

http://www.mortonfineart.com

mortonfineart@gmail.com

 

LAUREL HAUSLER’s “Dogtown” reviewed in The Washington Post

29 Jun

 


Laurel Hausler. “Midnight in Dogtown,” 2019. (Laurel Hausler)

Sunday, June 30, 2019

By Mark Jenkins

Laurel Hausler

“Dogtown,” the namesake of Laurel Hausler’s show at Morton Fine Art, is a real place: an abandoned Massachusetts town that literally went to the dogs. But it’s also a state of mind, one that has much in common with the outlook of the Arlington artist’s previous exhibition, “Ghost Stories.”

Like the earlier pictures, these feature spectral presences, mixed-media contrasts and compositions dominated by darkness. So the most surprising of the newer works is “Midnight in Dogtown,” in which a sketchy rendering of a human figure is framed by upside-down black drips and dwarfed by fields of bright orange and red.

The selection includes a few small pieces that employ found objects and encaustic, a mix of wax and pigment. More common, though, are expressionist drawing-paintings that combine pencil marks with oil and gouache. These appear vehement, yet rough in places. It’s as if Hausler leaves openings in case any spirit might seek to enter.

Laurel Hausler: Dogtown Through Wednesday at Morton Fine Art, 52 O St. NW, No. 302.

 

Available Artwork by LAUREL HAUSLER

 

“Starshine and Clay” at Workhouse Arts Center featuring artwork of KESHA BRUCE, MAYA FREELON & AMBER ROBLES-GORDON

15 Feb

Starshine and Clay

February 13 – March 31

Starshine and Clay
On View February 13 – March 31, 2019
Exhibition Reception: March 9, 6:00-8:00pm
McGuireWoods Gallery

DOWNLOAD PRESS RELEASE 

Workhouse Arts Center and Morton Fine Art present the work of  Kesha Bruce, Maya Freelon and Amber Robles Gordon — three women artists exploring ideas of healing power through their lineage of storytelling.

Bruce’s spirit-based use of guardians, African-American folklore and a prophetic mix of abstracted figures and symbols serve as a reminder ‘to fight’ and to bring about change. Freelon’s visual vortex of potent tissue ink monoprints and quilt-like immersive installations welcome the contemplation of our standing ideas of strength and vulnerability. Robles-Gordon’s powerful narrative and the influence of African elemental and spiritual based practices activate bloodline connections and ancestral memories.

With substantive and varied approaches, Bruce, Freelon and Robles-Gordon chart the transcendence of gender, history and preservation, rooting themselves as important and impactful contributors to current social and cultural dialogues.

KESHA BRUCE, VICTOR EKPUK & AMBER ROBLES GORDON speak at James A Porter Colloquium on African American Art – 2018 Schedule

8 Mar

WASHINGTON DC | HOWARD UNIVERSITY APRIL 6 – 8, 2018

Kesha Bruce, I Am A Black Ocean. 2017.  48 x 36 in Mixed-Media on Canvas.

The 29th Annual James A. Porter Colloquium on African American Art and Art of the African Diaspora

The 2018 Porter Colloquium, titled “Abstraction: Form, Philosophy, & Innovation,” will explore topics related to the history of abstraction in art across the African diaspora. It will offer a platform for new scholarship and artistic perspectives on abstract art by African American and African diasporic artists.

This colloquium will trace the progression and aesthetic influence of African art to figurative and non-objective abstraction. Another significant goal of the event is to investigate how artists use abstraction in terms design, innovation, and the introduction of new epistemologies by way of visual culture.

Among other notable presenters, the 29th Porter Colloquium will showcase Chakaia Booker, Valerie Cassel Oliver, Mary Lovelace O’Neal and Fred Eversly.

2018 PROGRAM

 

April 6th Day 1

10:30 Opening Remarks

Day Moderator: Melani Douglass, Director of Public Programing, National Museum for Women in the Arts

11:00-11:50 Opening Lecture: “Freedom / Expression / Abstraction”

Nikki A. Greene, Assistant Professor of Art, Wellesley College

11:50-12:00 Q&A

12:00-12:50 LUNCH ON YOUR OWN

1:00-2:00 Collaboration from the Smithsonian’s American Art Journal: Washington Modernism and the Exhibition of Works by Negro Artists (1933)

“Toward a History of Washington Modernism: The 1933 Display of African American Art at the Smithsonian National Museum”

Charles Brock, National Gallery of Art – “Negro Artist exhibitions at the National Gallery, 1929-1933”

Michèle Gates Moresi, Smithsonian National Museum of African American History and Culture – “Herring, Porter, and Locke’s Perspectives on the 1933 exhibition”

Tobias Wofford, Virginia Commonwealth University – “How Children Became Modern: The Place of Students in the Exhibition of Works by Negro Artists and in Interwar Washington”

Seth Feman, Chrysler Museum of Art – “From Newspapers to Networks: Broadcasting Art of African Americans in the Nation’s Capital”

John A. Tyson, University of Massachusetts, Boston

Moderator: Tuliza Fleming, Smithsonian National Museum of African American History and Culture

Organizer: Robin Veder, Smithsonian American Art Museum

2:00-2:15 Q&A

2:15-2:35 New Photographic Histories Presentation

Romi Crawford, Ph.D., Associate Professor, Visual and Critical Studies, School of the Art Institute of Chicago

2:35-3:20 Curator’s Panel: Curating African American Abstract Art

 

  • Kevin Tervala, Associate Curator of African Art, Department Head, Arts of Africa, the Americas, Asia, and the Pacific Islands, Baltimore Museum of Art
  • George N’Namdi, Founder, N’Namdi Center for Contemporary Art
  • Evelyn Hankins, Senior Curator, Hirshhorn Museum

 

Panel Moderator: TBD

3:20-3:30 Q&A

3:30-4:00 New Art Histories of the African Diaspora Lecture

  • Freida High W. Tesfagiorgis, PhD, Evjue-Bascom Professor Emerita, Department of Afro-American Studies, University of Wisconsin, Madison

 

4:00-4:45 Concerning the Practice of Diaspora Artist Panel

  • Kesha Bruce
  • Victor Ekpuk
  • Representative from the editorial team of MFON: Women Photographers of the African Diaspora

Panel Moderator: Lanisa S. Kitchiner, Ph.D., Head of Education and Scholarly Initiatives, National Museum of African Art, Smithsonian Institution

4:45-5:00 Q&A

5:00 Floyd Coleman Lecture – Chakaia Booker 

“Back Ground Check”

6:30-8:30   Howard University Faculty Exhibition Reception, Howard University Blackburn Gallery

April 7th Day II

10:30 Opening Remarks

Day Moderator: Jessica Stafford Davis, Founder, The Agora Culture

11:00-11:15 New Media Artist Talk – Adrian Loving

11:15-12:15 New Art Histories Scholars Panel

  • Zoma Wallace, MFA, Curator, DC Commission on the Arts & Humanities
  • Melissa Messina, Independent Curator & The Mildred Thompson Legacy Project
  • LeRonn P. Brooks, Ph.D., Assistant Professor, Africana Studies, Lehman College, CUNY

Panel Moderator: TBD

12:15-12:30 Q&A

12:30-1:15 LUNCH ON YOUR OWN

1:30-1:40 The Impact of Edward Spriggs

  • Margo N. Crawford, Ph.D., Professor of English, Department of English, University of Pennsylvania

1:45-2:15 Recalling a Legacy of Innovation: Defining the Frontiers of American Abstraction Artist Reflection

  • Reflection by Mary Lovelace O’Neal
  • Fred Eversley

2:15-3:15 Artist Panel: Materiality and Space

  • James Maurelle
  • Amber Robles-Gordon
  • Gregory Coates

Panel Moderator:  Margo N. Crawford, Ph.D., Professor of English, Department of English, University of Pennsylvania

3:15-3:25 Q&A

3:30-4:15 James A. Porter Lecture

  • Valerie Cassel Oliver, Curator of Modern and Contemporary Art, Virginia Museum of Fine Arts

4:15-4:45 Trajectories Innovation Lecture – Torkwase Dyson

Closing Remarks

**Tentative Program open to minor adjustments.

Saturday Evening: GALA, Blackburn Ballroom

Gala Honorees

Lifetime Achievement Award

  • Two-Dimensional: Mary Lovelace O’Neal
  • Three-Dimensional: Fred Eversley

Humanitarian Award

  • Edward Spriggs

James A. Porter Book Award

  • Valerie Cassel Oliver
April 8th Day III

April 8 – Sunday

Studio Visit: Reginald Pointer, Associate Professor, Ceramics, Howard University