Tag Archives: contemporary art galleries

The Washington Post reviews KESHA BRUCE ‘Weapons for Spiritual Warfare’

2 Mar
Kesha Bruce_Until I Break Skin_Full Size_FINAL EDIT web.jpg

Until I Break Skin, 2018, dyed/painted fabric on un-stretched canvas, 96″x 96″

The artworks in Kesha Bruce’s “Weapons for Spiritual Warfare” are a form of ancestor worship. Each one of the tradition-rooted pieces in her Morton Fine Art show is “an answered prayer,” writes the African American artist, who divides her time between the United States and France.

Most of these collage-paintings are small and consist of four rough-edged fabric squares daubed with simple geometric forms. The X, Y, + and # shapes are elemental, but rendered loosely to give evidence of the artist’s hand, as well as offer a sense of spontaneity. The largest and most complex are “The Sky Opened for Her,” which is cross-shaped and fringed with streamers, and “Between Starshine and Clay,” whose top third consists of overlapping black squares. The former resembles a ceremonial robe, while the latter evokes a sweeping view of a village under a nighttime sky — a universe conjured from tattered scraps and unstudied gestures.

Reviewed by Mark Jenkins, March 1, 2018.

Kesha Bruce: Weapons for Spiritual Warfare Through March 7 at Morton Fine Art, 1781 Florida Ave. NW. 202-628-2787. mortonfineart.com.

Please follow the hyperlink to visit our website  for all available artworks by KESHA BRUCE, and contact us here at the gallery for additional information or acquisition details.


MAYA FREELON ASANTE and KESHA BRUCE artwork on view at Capital One McLean

24 Jan


Capital One McLean is currently hosting the group exhibition, Between Memory and Magic in honor of Black History Month. Morton Fine Art has loaned six artworks by MAYA FREELON ASANTE and KESHA BRUCE for the duration of the show.


Between Memory and Magic is a group exhibition exploring the creative contributions of African Americans by establishing a connection between memory, language and spirituality. The exhibition surveys the works of 9 artists providing a balance of realistic, yet poetic portrayals of the human figure and experiences within the culture; as well as works that uplift the subject in a contemporary perspective transporting the viewer to a magical, elemental realm. Between Memory and Magic includes select, diverse artists as a representation of social justice and to convey an underlining objective of peace and understanding.

Available Artwork by these two powerhouse artists MAYA FREELON ASANTE and KESHA BRUCE can be found on Morton Fine Art’s website, follow the hyperlinks attached to their names.  For additional details and acquisition please contact us here at the gallery!

We Love Arts: Rosemary Feit Covey’s Red Handed

27 Jun

By , 26 Jun 2013

Sometimes we experience works of art that embody both beauty and horror. The old word for this, now sadly devalued, was “awesome.” I hope artist Rosemary Feit Covey will forgive me for using that word to describe her current complete gallery installation, Red Handed. It is simply awesome.

Recently I visited Morton Fine Art to watch as Covey installed the work under the gentle eye of curator Amy Morton, spreading vinyl pieces across the floor. Even in that unfinished state before opening, it had undeniable power. Swirling vortexes of bald, nude figures, mouths open and arms red to the fingertips, soon covered the floor. I stepped gingerly over their faces, having no other option but to participate in their torture. It’s impossible to look away from the unsettling mass of bodies under your feet. It feels disrespectful. Jarring.


There’s no rest for your eyes on the walls either, which are also covered in variants of the twisting, stumbling figures. It’s difficult not to continually look down and dive into the pit. The vinyl floor pieces began as drawings, then printed both commercially and by hand, and finally overlaid in places with paint. Some prints were also made into wall paintings or just printed on basic paper. Covey got “housemaid’s knees” working on them (an old Victorian term that struck me as a cheeky metaphor for this quietly contained artist serving to bring these figures to life).

“Red Handed.” Art installation by Rosemary Feit Covey at Morton Fine Art. Image: MFA.

“Red Handed.” Art installation by Rosemary Feit Covey at Morton Fine Art. Image: MFA.

It’s an intensely visceral piece. Covey hopes it compels strangers visiting the gallery to engage with each other, to open up about their own distinct reactions. Though the work has its genesis in ideas of guilt, both individual and collective, viewers (or rather, participants) are encouraged to let their own interpretations germinate. Suicide, depression, isolation amongst the many, illness, the Holocaust, even zombies…whatever the dialogue that ensues, it has value to the artist.

“Red Handed.” Art installation by Rosemary Feit Covey at Morton Fine Art. Photo credit: Sophia Guerci.

“Red Handed.” Art installation by Rosemary Feit Covey at Morton Fine Art. Photo credit: Sophia Guerci.

Emotional reactions ran the gamut at last Friday’s opening (the crowd also went through “40+ bottles of wine,” Morton noted, and you may feel the need for a cocktail after visiting!) and will no doubt continue. The installation is on view now through July 5, and I encourage you to immerse yourself in the beautiful horror, facing the abyss both internal and external. Covey’s work is well worth the discomfort.

Rosemary Feit Covey’s Red Handed, now through July 5 at Morton Fine Art, located at 1781 Florida Avenue NW, Washington, DC 20009. Gallery hours: 11am-6pm Tuesday-Saturday, 12-5pm Sunday. For more information call 202-628-2787.

To view the full online version please visit: http://www.welovedc.com


As one of the founding editors of We Love DC, Jenn Larsen’s passions are theater and cocktails. After two decades in the city, she’s loved every quirky, mundane, elegant, rude minute of her DC life. A proud advocate for DC’s talented drinks scene, she’s judged the Corcoran Gallery of Art’s ARTINI contest, the DC Rickey Month contest, the Jefferson Hotel’s Quill Cocktail competition, and is a founding member of LUPEC DC. A graduate of Catholic University’s drama program, she toured the country as a member of National Players, and has been both an actor and a costume designer before jumping the aisle to theater criticism. Send your suggestions to jenn (at) welovedc (dot) com and follow her on Twitter.