Tag Archives: Astrid Kohler

ASTRID KOHLER hosts a painting workshop at Windmill Workshops

21 Dec

Click her to learn more about Windmill Workshops

The classic of workshops. Painting. With Astrid Köhler. Some claim she ‘could have been a great art forger as well’.  Not only for her technical skills, but also her capability to pick up on form, themes, stiles and make them her own, which open up to even the untrained eye.  Her pictures are such perfectly painted, that nobody would come up with the idea, to copy them like a Picasso. (…) The portrayed carry paper bags on their heads, her still life of fruits are wrapped with dressing bandages – pictures and groups of works have weird names from time to time. Such a break of tradition of art, the subversion of the beauty, up to the finest detail pictured incongruent, oppositional element and the connection of outmost virtuosity and ‘lower category items’…

To cut a long explanation short: Right, we have one of the most talented, most crazy and obviously best workshop instructors on board. Be prepared.

Astrid Köhler

©Astrid Köhler (Klick!)

Workshop I: 12. 02. – 16.02.2020 oder

Workshop II: 19.02. – 23.02.2020

Realistic Painting, (Landscape, Still life, Animals, Plants): Mixed Media, including Oil, Acryl, water colour Spraypaint, etc.

  • 7 – 13 people
  • 5 Days
  • Preis: 980 € inklusive (inclusive overnight stay in shared bedrooms, single rooms on request on a small surcharge )
  • payable in advance (Here our AGB /Terms & Conditions)
  • own travel arrangements (airport pickup on request)
  • Food: Breakfast, Lunch, Dinner including soft drinks, alcoholic drinks on request
  • daily painting about 6 hours, for the tirelessly ones even longer
  • book here: info@windmillworkshops.com

What Astrid says:

I am here for every participant sharing my talent and experience, even in their and my own free time. The “students” should reach their goals with a lot of fun and concentration and be able to carry on with the learned skills later on. With all my experience we will select motifs, which will enable every individual to optimise their strengths and lead to a fantastic result.

Just a few requests:

Please bring your own brushes, the ones you like to work with most. Also backgrounds (DIN A5 up to maximum size DIN A3, square or rectangular or cartons. All other material needed we will supply on location. Please bring also some (digital) pictures of the works you did already in order to give me an impression what you like to paint and what skills you have already. Perhaps you find some motif already and bring a digital or print out of it with you.

Schedule:

Day 1: Individual arrival, get to know each other, take a look at the individual skills and aims to achieve, group dinner

Day 2: group breakfast, search of motifs for everyone, to put the motif in the right context, lunch, preparing of the background, main motif to be transferred to the background, some free time (if you want), group dinner, talk about the different technics of being used or wanted

Day 3: group breakfast, drawing up the motif, explanation of the different techniques with all the tricks and finesses of 30 years of experience, group lunch, painting, free time, group dinner

Day 4: Group breakfast, further work on the painting, work on details, use unconventional techniques and aim to finish your painting. Obviously lunch and dinner even on day 4

Day 5: Group breakfast, wrap up of the art work and individual departure

©Astrid Köhler

Click HERE to view available artwork by ASTRID KOHLER.

Concurrent solos by KATHERINE TZU-LAN MANN and ASTRID KOHLER presented by Morton Fine Art & *a pop-up project at Gallery B

11 Apr

 

KATHERINE TZU-LAN MANN

Echoing Green

April 3 – April 27, 2019

 

ASTRID KOHLER

Conflux

April 3 – April 27, 2019

 

Opening Reception

Friday, April 5th from 6-8pm

 

EXHIBITION LOCATION

Morton Fine Art at Gallery B

7700 Wisconsin Ave, Ste E

Bethesda, MD 20814

 

HOURS

Wednesday – Saturday 12pm – 6pm

 

 

KATHERINE TZU-LAN MANN, Leaves into Birds, 2019, 60″x36″, acrylic and sumi ink on stretched paper over canvas

 

 

About Echoing Green

My work’s abstractions arise from the subjects I portray: ecological and geological cycles, processes of chemical corrosion and natural efflorescence. With roots in traditions of Chinese landscape painting, my monumentally sized paintings and installations evolve a fantastic, abstract vision of the natural world. My latest work confronts the challenge: the resuscitation of landscape painting in a world where “landscape” is represented and defined through an ever-widening field of digital, graphic, and visual forms. How can a painting capture flux, abundance, waste, fertility, and the collision and collusion of diverse forms? How can it respond to the pressure we place on our era’s fragile ecosystem? My paintings explore both questions by sustaining tension between what is artificial and what is natural, between what is chemical and what is biological, between organic and inorganic. The paper on which I paint is not only a recognition of a tradition of Chinese painting; it is also a medium of vulnerability and expansiveness, susceptible to crease and tear as well as to collage and collation. My own role in the creation of the paintings strikes a balance between the purposive and the protective. I trust to process, chance, and change, but I encourage, direct, and facilitate all of these. In my most recent work, I hope to live in the tradition of landscape painting, experiencing it for what it has always been: an occasion for radical experimentation and confrontation with the world, in the broadest sense of the term, that sustains us.

-KATHERINE TZU-LAN MANN, 2019

 

 

 

About KATHERINE TZU-LAN MANN

Katherine Tzu-Lan Mann received her BA from Brown University and MFA from the Maryland Institute College of Art. She is the recipient of a Fulbright grant to Taiwan, the AIR Gallery and Lower East Side Printshop Keyholder Fellowships in New York, NY, and the Individual Artist Grant, Arts and Humanities Grant, Mayor’s Award and Hamiltonian Fellowship in Washington, DC. She has attended residencies at Virginia Center for the Creative Arts, Blue Sky Dayton, Vermont Studio Center, Salzburg Kunstlerhauss, Triangle Workshop, Anderson Ranch Art Center, Bemis Center for the Arts, Djerassi Resident Artists Program, Facebook, and the Jaipur, India Carbon 12 Residency. Some of the venues where Mann has shown her work include the Walters Art Museum, Corcoran Gallery of Art, Rawls Museum, the US consulate in Dubai, UAE, and the US embassy in Yaounde, Cameroon. Mann is currently an instructor at the Maryland Institute College of Art. She is represented by Morton Fine Art in Washington, DC.

 

 

Available artwork by KATHERINE TZU-LAN MANN

 

 

 

 

ASTRID KOHLER, fucking Vogelkonig 2, 2018, 4.75″x4.75″, watercolor and acrylic on paper

 

 

 

About ASTRID KOHLER and Conflux

 

German painter ASTRID KOHLER combines old and new in her latest series Conflux. Artwork includes 19th century German portraits which have been over-painted with Kohler’s imaginative and playful images of perched birds and jumping baby ducks. Antique pastoral backgrounds have been layered with contemporary additions of leafy shoots of bamboo, and outlines of stylized, gold clouds.

 

Her still life paintings, some of which are layered with epoxy, are visually accentuated with dramatic pops of color, unexpected narrative elements and oftentimes contain animated wildlife. Her ten piece series “fucking Vogelkonig” features delicate birds masterly painted with a three-haired brush and then crowned with neon orange headdresses which juxtapose the artist’s incredible technical ability as a realist painter with fluid, gestural lines and attitude.

 

Kohler seeks new ways of arranging space and blending old and new to create tension for her creative inspiration. Conflux marks her first solo exhibition in the U.S. She is represented by Morton Fine Art in Washington, DC.

 

Available artwork by ASTRID KOHLER

 

 

About Morton Fine Art 

 

Founded in 2010 in Washington, DC, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that anyone can become an art collector or enthusiast, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice.

 

Want to view artwork in DC? Come by our permanent gallery space:

 

Morton Fine Art

52 O St NW #302

Washington, DC 20001

Hours: Wed – Sat 12pm-5pm and Sun-Tues by appointment

(202) 628-2787

mortonfineart@gmail.com

http://www.mortonfineart.com

 

 

About *a pop-up project

 

Redefining the traditional gallery model, Morton Fine Art (MFA) replaces a single gallery space with two locations: MFA’s permanent fine art gallery space and *a pop-up project, a temporary mobile art gallery of curated group shows. Morton Fine Art established it’s trademark, *a pop-up project, in 2010.

Introducing German painter ASTRID KOHLER to Morton Fine Art’s roster

19 Sep

Morton Fine Art is thrilled to introduce German artist ASTRID KOHLER to our roster.

“‘You see, what you see’

Astrid Köhler could have been a marvellous art forger also. Her technical competence, as well as the capability to capture different genres, themes, styles and making them her own is obvious to the less professional observer even at first glance. Her pictures are painted in such a perfect manner, that nobody would ever come up with the idea to get a child to copy her work like a painting by Picasso.

However, Astrid Köhler is not content with simple reproduction – neither with deceptively real imitations of works of art nor with the most realistic representation of drapery or the heads of matches, baby animal fur or plumage. Instead, persons portrayed by her wear paper bag hats, the fruit in her still life wear bandages – and from time to time, she also chooses ironic titles for her work. Such a break with artistic tradition because of a subject, the subversion of a beautiful depiction, perfectly executed to the last detail, through an incongruent, resistive element, and the combination of maximum virtuosity and shoddy objects can be found in many of her works – for instance, in the wrinkled handkerchiefs on old paper or wallpaper, which equally remind one of mannerism or … a flat iron.

This restoration of art to everyday life, the repatriation of la objet trouvé back into the daily routine of the kitchen presumably is one reason for the accessibility of her pictures and – with all respect for the virtuosity – makes them so very much likeable. They are instantly appealing and one can imagine them in one’s own living room as well as on display in a grand museum or art gallery. However, her work is anything but merely cute and innocuous. It is always full of tension, ranging from vague ambiguity to candid surrealism. Thus, something violent adheres to the graffiti bar in the  Crossed-out group of works; the energetically sprayed red drops over delicate and pretty birds could provoke thoughts of blood as well. Nevertheless you have good reason for being just enraptured by Astrid Köhler’s paintings. Albeit you won’t get disappointed if you are looking for more than exceptional skill and pictorial intelligence.”

If you would like to learn more about Astrid Kohler or if you would like to see her work in person, please contact the gallery.

Morton Fine Art, 1781 Florida Ave NW, Washington, DC, 20009

http://www.mortonfineart.com

(202) 628-2787

mortonfineart@gmail.com

Click HERE to view available artwork by ASTRID KOHLER. 

ASTRID KOHLER, Frau mit Kanarienvogel, 2017, 12″x12″, oil on canvas

 

ASTRID KOHLER, Madchen mit Schleife, 2017, 9.5″x7″, oil on canvas

 

ASTRID KOHLER, Schlechtes Pferdebild 2, 2017, 20″x16″, oil and mixed media on paper

 

ASTRID KOHLER, Gruenes Portrait 2, 9.5″x12″, oil on canvas

 

ASTRID KOHLER, Schlechtes Pferdebild 3, 2017, 16″x20″, oil and mixed media on paper

 

ASTRID KOHLER, Juengling mit Kardinal, 2017, 9.5″x7″, oil on canvas

 

ASTRID KOHLER, Porzellanhaut, 2017, 9.5″x12″, oil on canvas

 

ASTRID KOHLER, Frau mit Vogel 3, 2017, 9.5″x7″, oil on canvas