Tag Archives: art collecting

VONN SUMNER paints from life “Trash Fire III”

5 Aug

VONN SUMNER creates a remarkable painting titled “Trash Fire III”, 2019, 18″x14″, oil on linen from life. Check out this incredible video of SUMNER oil painting while viewing a burning trash can outside his studio window!

 

 

 

 

 

VONN SUMNER’s finished painting, “Trash Fire III”, 2019, 18″x14″, oil on linen.

 

Available artwork by VONN SUMNER.

 

Contact the gallery for more information:

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787

http://www.mortonfineart.com

mortonfineart@gmail.com

Get to know MFA’s new artist MICHAEL A. BOOKER

3 Aug

 

Morton Fine Art is pleased to announce  we now represent the artwork of MICHAEL A. BOOKER. Please explore his video above which explores the inspiration and process of his incredible creations.

 

STATEMENT

My work is a creation of a parallel utopic, afro-futuristic community, told through a series of fineliner pen drawings.  As a form of escapism, this utopic world is crafted within and around the figures themselves by weaving natural environments into the people of this community.  Culturally significant hairstyles and clothing function as symbolic conduits; objects through which I begin to imagine and build this “afrotopia” as both a physical place and as an outer projection of an inner consciousness. – MICHAEL A. BOOKER, 2019

 

BIOGRAPHY

Michael Booker is a mixed media artist originally from Jackson, Mississippi that currently resides in Maryland. He received his BFA in Studio Art – Painting from Mississippi State University in 2008, and received his MFA in Studio Art from University of Maryland in 2012.  He has exhibited in various galleries across Mississippi, Alabama, North Carolina, Maine, Maryland, Virginia, and Washington DC. His work has been acquired by the David C. Driskell Center in College Park, MD.  Currently, he is an Assistant Professor of Art at Montgomery College Takoma Park/Silver Spring.  Booker is represented by Morton Fine Art in Washington, DC.

 

Available artwork by MICHAEL A. BOOKER

 

Contact Morton Fine Art for acquisition or additional information.

 

Morton Fine Art

52 O St NW #302

Washington, DC 20001

(202) 628-2787

http://www.mortonfineart.com

mortonfineart@gmail.com

 

NATHANIEL DONNETT’s artwork on view at the Kemper Museum of Contemporary Art

16 Mar

Child’s Play: An Exploration of Adolescence

Friday, March 1, 2019 to Sunday, August 4, 2019
Kemper Museum of Contemporary Art

Child’s Play: An Exploration of Adolescence situates contemporary works of art from Kemper Museum’s Permanent Collection in conversation with concepts brought forth by neurologist and founder of psychoanalysis, Sigmund Freud (Austrian, 1856–1939). Freud suggested that humans can trace their compulsions back to their childhood. From this idea, Child’s Play explores artists’ depictions of children, their relationships with those around them, and with the world.

Artists Nathaniel Donnett and Nicholas Prior see Freud as inspiration for their projects. Using the scene of a playground as the setting for his collage work Freudianslipslideintodarkisms (2011), Donnett illuminates how childhood memories and experiences may directly inform our identities in adulthood. Prior’s Untitled #46 (2004) and Untitled #26 (2005) are based on Freud’s notion that an adult cannot accurately access memories of childhood in the way they were originally experienced.

Artists in this exhibition depict children’s experiences from varying perspectives that then reflect back on the world. In her photographic work, Julie Blackmon shows real and imagined aspects of her family life by capturing moments when children are crying, revealing a sense of a hectic home environment. Arthur Tress overlays images of children with images of games, school, and activities, again suggesting the Freudian concept that his adult self cannot accurately remember the feelings he originally felt as a child. Artist Kojo Griffin relies on his child psychology training to highlight relationships of children while possibly referencing Freud’s concept of “doubling”—self-love and narcissism found in children—inUntitled (2000).

Child’s Play links the arts and social sciences to engage viewers in the different ways artists depict childhood. Child’s Play: An Exploration of Adolescence is curated by Jade Powers, assistant curator at Kemper Museum.

Giotto’s “The Kiss of Judas” inspires six new paintings by VONN SUMNER

14 Mar

Morton Fine Art invites you to join us for an unveiling of new and major artworks at Gallery B in Bethesda this March

9 Mar

Artwork by: OSI AUDU, JULIA MAE BANCROFT, ROSEMARY FEIT COVEY, NATALIE CHEUNG, NATHANIEL DONNETT, VICTOR EKPUK, KATHERINE HATTAM, NATE LEWIS, ANDREI PETROV, MARIO ANDRES ROBINSON, and VONN SUMNER

 

 

Spring 2019 Survey of Select Morton Fine Art Artists

March 6 – March 30th, 2019

Opening Reception

Friday, March 8th from 6-8pm

 

EXHIBITION LOCATION

Gallery B

7700 Wisconsin Ave, Ste E

Bethesda, MD 20814

 

HOURS

Wednesday – Saturday 12pm – 6pm

 

Want to view artwork in DC? Come by our permanent gallery space:

 

Morton Fine Art

52 O St NW #302

Washington, DC 20001

Hours: Wed – Sat 12pm-5pm and Sun-Tues by appointment

 

Please also view our exhibition “Starshine and Clay” featuring the artwork of KESHA BRUCE, MAYA FREELON and AMBER ROBLES-GORDON at Workhouse Arts Center in Lorton, VA through March 31st, 2019.

 

Workhouse Arts Center

2nd Floor – McGuireWoods Gallery

9518 Workhouse Road

Lorton, VA 22079

Hours: Wed – Sat 11am-6pm, Sunday 12pm-5pm

 

About Morton Fine Art  

Founded in 2010 in Washington, DC, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that anyone can become an art collector or enthusiast, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice.

Redefining the traditional gallery model, Morton Fine Art (MFA) replaces a single gallery space with two locations: MFA’s permanent fine art gallery space and *a pop-up project, a temporary mobile art galleryof curated group shows.  Morton Fine Art established it’s trademark, *a pop-up project, in 2010.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

“Starshine and Clay” at Workhouse Arts Center featuring artwork of KESHA BRUCE, MAYA FREELON & AMBER ROBLES-GORDON

15 Feb

Starshine and Clay

February 13 – March 31

Starshine and Clay
On View February 13 – March 31, 2019
Exhibition Reception: March 9, 6:00-8:00pm
McGuireWoods Gallery

DOWNLOAD PRESS RELEASE 

Workhouse Arts Center and Morton Fine Art present the work of  Kesha Bruce, Maya Freelon and Amber Robles Gordon — three women artists exploring ideas of healing power through their lineage of storytelling.

Bruce’s spirit-based use of guardians, African-American folklore and a prophetic mix of abstracted figures and symbols serve as a reminder ‘to fight’ and to bring about change. Freelon’s visual vortex of potent tissue ink monoprints and quilt-like immersive installations welcome the contemplation of our standing ideas of strength and vulnerability. Robles-Gordon’s powerful narrative and the influence of African elemental and spiritual based practices activate bloodline connections and ancestral memories.

With substantive and varied approaches, Bruce, Freelon and Robles-Gordon chart the transcendence of gender, history and preservation, rooting themselves as important and impactful contributors to current social and cultural dialogues.

Morton Fine Art co-curates “Starshine and Clay” at Workhouse Arts Center

7 Feb
KESHA BRUCE, MAYA FREELON & AMBER ROBLES-GORDON
Starshine and Clay
February 13th – March 31st, 2019
Opening Reception
Saturday, March 9th from 6-8pm
EXHIBITION LOCATION
Workhouse Arts Center
2nd Floor – McGuireWoods Gallery
9518 Workhouse Road
Lorton, VA 22079
HOURS
Wednesday – Saturday 11am – 6pm
Sunday 12pm-5pm
About Starshine and Clay
Morton Fine Art and Workhouse Arts Center present the work of Kesha Bruce, Maya Freelon and Amber Robles Gordon — three women artists exploring ideas of healing power through their lineage of storytelling.
Bruce’s spirit-based use of guardians, African-American folklore and a prophetic mix of abstracted figures and symbols serve as a reminder ‘to fight’ and to bring about change. Freelon’s visual vortex of potent tissue ink monoprints and quilt-like immersive installations welcome the contemplation of our standing ideas of strength and vulnerability. Robles-Gordon’s powerful narrative and the influence of African elemental and spiritual based practices activate bloodline connections and ancestral memories.
With substantive and varied approaches, Bruce, Freelon and Robles-Gordon chart the transcendence of gender, history and preservation, rooting themselves as important and impactful contributors to current social and cultural dialogues.
Co-curated by Amy Morton of Morton Fine Art and Jaynelle Clarke Hazard of Workhouse Arts Center.
KESHA BRUCE
Artwork is spiritwork.
When I pray, I ask my ancestors for the bravery to follow and make manifest the deepest truths and longings of my heart. Every artwork I create is an answered prayer.
In this current political and social moment my prayers are especially urgent: Where can Black women feel safe? Where can we feel free? How do we protect our spirits from those who mean to destroy us?
As an artist, these questions always lead me back to my work.  In my experience, the most powerful weapon for spiritual warfare is joy. I’m not being hyperbolic when I tell you that the process of making artwork has saved my life many, many times. Art is a refuge for the spirit. It offers us a way to understand and heal ourselves. I am of the mind that something absolutely prophetic can be revealed in both the act of making and the act of looking at art.
Art objects embody spiritual power.
I believe this so firmly now, that it seems almost surreal to think back to a time, not so long ago, when I was afraid to speak about my work in spiritual terms for fear of being called less serious or less intellectually rigorous. It’s clear to me now that often our fears show us the parts of ourselves that are desperately waiting to be revealed. To be set free.
So, I present this new work with the firm knowledge that what I am creating is an important and worthy contribution to the current cultural dialogue. More importantly, I consider my work a part of a strategy for resistance. Even as we steel ourselves for battle ahead, we must remember to leave room for joy.
Joy is sacred and so it is worth fighting for.
Remember to fight.
-KESHA BRUCE
SELECTED COLLECTIONS
Smithsonian National Museum of African American History and Culture (14 pieces), Washington, DC
The Amistad Center for Art and Culture, Hartford, CT
The Museum of Modern Art, Franklin FurnaceArtist Book Collection, New York, NY
The University of Iowa Women’s Center, Iowa City, IA
The En Foco Photography Collection, New York, NY
The Museum of Modern Art/Franklin FurnaceArtist Book Collection, New York, NY
photo credit: Christopher Charles
MAYA FREELON
Maya Freelon is an award-winning visual artist whose work was described by the late poet Maya Angelou as “visualizing the truth about the vulnerability and power of the human being.” Cosmopolitan Magazine featured her in June 2015 in “Art Stars” calling her one “of the most badass female artists in the biz.”  She was commissioned by Google to design original art for their OnHub router, by Cadillac to create a live-sculpture for their Dare Greatly creative campaign, and by the North Carolina Museum of Art to create a collaborative tissue paper sculpture celebrating the opening of their African Art wing. Her unique tissue paper art, praised by the International Review of African American Art as “a vibrant, beating assemblage of color,” has been exhibited internationally, including shows in Paris, Jamaica, Madagascar, and Italy. She was selected by Modern Luxury Magazine as Best of the City; by Huffington Post as “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”; and by Complex magazine as “15 Young Black   Artists Making Waves in the Art World.”  Maya has completed residencies at the Skowhegan School of Painting and Sculpture in Maine, the Korobitey Institute in Ghana, and the Brandywine Workshop in Philadelphia. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston.
COLLECTIONS
U.S. State Department
U.S. Embassy in Madagascar
U.S. Embassy Swaziland
U.S. Embassy Rome
The University of Maryland (David C. Driskell Center)
Johns Hopkins University
Rocketship Rise Academy;
The Museum of the National Center of Afro-American Artists
The Reginald F. Lewis Museum
The School of the Museum of Fine Arts The University of North Carolina at Chapel Hill
Lafayette College
The Brandywine Workshop
The Experimental Printmaking Institute
The Williston Northampton School
The Kokrobitey Institute
Lewis Tanner Moore
Dr. Maya Angelou
AMBER ROBLES-GORDON
My artwork is a visual representation of my hybridism: a fusion of my gender, ethnicity, cultural, and social experiences. I impose colors, imagery, and materials that evoke femininity and tranquility with the intent of transcending or balancing a specific form. I associate working with light, color, and energy as a positive means to focus on the healing power found in the creative process and within us all. It is my belief that colors have both feminine and masculine energies and each color represents a specific aspect of nature.
-Amber Robles Gordon
COLLECTIONS
Judith A. Hoffberg Archive Library
University of California, Santa Barbara, CA
Masterpiece Miniature Art Exhibition, Kuala Lumpur, Malaysia
Capital One Bank, Mc Clean,Virginia
District of Columbia’s Art Bank, Washington, D.C.
Schomburg Center for Research in Black Culture, New York, NY
The Gautier Family Collection, Washington, DC
About Workhouse Arts Center
Workhouse Arts Center is a Virginia not-for-profit corporation that was created for planning, developing and fundraising a self- sustaining arts space. The primary goal has been and remains the renovation, preservation and reuse of the former District of Columbia Complex’s Workhouse facilities. Officially transitioned from the District of Columbia Prison Complex to Workhouse Arts Center in 2008, the organization now sits on 55-acres of land surrounded by rolling hills, featuring 4 main gallery spaces, near 100 artist studios and hosts an array of arts education courses, festivals and theatre performances.
About Morton Fine Art
Founded in 2010 in Washington, DC, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that anyone can become an art collector or enthusiast, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice.