Tag Archives: abstract contemporary art

New artwork arrivals by KATHERINE TZU LAN MANN

21 Dec

My work’s abstractions arise from the subjects I portray: ecological and geological cycles, processes of chemical corrosion and natural efflorescence. With roots in traditions of Chinese landscape painting, my monumentally sized paintings and installations evolve a fantastic, abstract vision of the natural world. My latest work confronts the challenge: the resuscitation of landscape painting in a world where “landscape” is represented and defined through an ever-widening field of digital, graphic, and visual forms. How can a painting capture flux, abundance, waste, fertility, and the collision and collusion of diverse forms? How can it respond to the pressure we place on our era’s fragile ecosystem? My paintings explore both questions by sustaining tension between what is artificial and what is natural, between what is chemical and what is biological, between organic and inorganic. The paper on which I paint is not only a recognition of a tradition of Chinese painting; it is also a medium of vulnerability and expansiveness, susceptible to crease and tear as well as to collage and collation. My own role in the creation of the paintings strikes a balance between the purposive and the protective. I trust to process, chance, and change, but I encourage, direct, and facilitate all of these. In my most recent work, I hope to live in the tradition of landscape painting, experiencing it for what it has always been: an occasion for radical experimentation and confrontation with the world, in the broadest sense of the term that sustains us. – KATHERINE MANN

Click HERE to view available artwork by KATHERINE TZU LAN MANN.

Morton Fine Art, 52 O St NW #302, Washington, DC 20001

(202) 628-2787 (text or call)

info@mortonfineart.com

http://www.mortonfineart.com

New Artwork by MAYA FREELON ASANTE

15 Jan

New arrivals to the gallery by artist MAYA FREELON ASANTE!

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About MAYA FREELON ASANTE (Chapel Hill, b. USA):

Maya Freelon Asante is an award-winning artist whose artwork was described by poet Maya Angelou as “visualizing the truth about the vunerability and power of the human being,” and her unique tissue paper work was also praiseed by the International Review of African American Art as a “vibrant, beating assemblage of color.” She was selected by Modern Luxury Magazine as Best of the City 2013 and by the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”.

Maya has exhibited her work nationally and internationally including Paris, Ghana, and US Embassies in Madagascar, Italy, Jamaica, and Swaziland. She has been a professor of art at Towson University and Morgan State University. Maya has attended numerous residencies including Skowhegan School of Painting and Sculpture, the Korobeity Institute and Brandywine Workshop. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston.

 

Please contact Morton Fine Art for artwork availability.
mortonfineart@gmail.com
(202) 628-2787

 

ARC Magazine: Morton Fine Art presents ‘Timeless Remnants’ featuring Maya Freelon Asante, GA Gardner and Choichun Leung

14 Oct

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Morton Fine Art presents ‘Timeless Remnants’ featuring Maya Freelon Asante, GA Gardner and Choichun Leung

By ARC Magazine Sunday, September 21st, 2014

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Jung stated that “in addition to our immediate consciousness, which is of a thoroughly personal nature…there exists a second psychic system of a collective, universal, and impersonal nature which is identical in all individuals. This collective unconscious does not develop individually, but is inherited”. Timeless Remnants explores that which resonates within the collective and individual memory and aims to elicit universal emotional response through techniques of script, mark making, composition, palette, texture, layering, energy and tensions present in the artwork.

Maya Freelon Asante, Again & Again, 56"x58", tissue ink on paper

About Maya Freelon Asante (Chapel Hill, b. USA): Maya Freelon Asante is an award-winning artist whose artwork was described by poet Maya Angelou as “visualizing the truth about the vulnerability and power of the human being,” and her unique tissue paper work was also praised by the International Review of African American Art as a “vibrant, beating assemblage of color.” She was selected by Modern Luxury Magazine as Best of the City 2013 and by the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know“. Maya has exhibited her work nationally and internationally including Paris, Ghana, and US Embassies in Madagascar, Italy, Jamaica, and Swaziland. She has been a professor of art at Towson University and Morgan State University. Maya has attended numerous residencies including Skowhegan School of Painting and Sculpture, the Kokrobitey Institute and Brandywine Workshop. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston.

GA Gardner, So You, 65"x42", mixed media on mylar

About GA Gardner (Trinidad, b. Trinidad): Gardner’s work is a visual representation of the proliferation of media and information in contemporary society and the resulting cacophony of messages it engenders. The goal of his work is to dissect and neutralize the white noise found in these forms of media and create cohesive stories that integrate his cultural background as an immigrant from Trinidad and Tobago living and working in the USA. He presents a Caribbean aesthetic in his art by utilizing colors, textures, and environments as the lens through which he sees urban contemporary life in America, weaving his cultural identity back into the fabric of our society. GA Gardner began his professional art career in New York City, creating and exhibiting large format 3D computer fine art in 1996. Gardner studied fine art at San Francisco State University, California, from which he earned both his Bachelor’s of Arts and Master’s of Arts degrees. Gardner crafted mixed media art and animation at The Ohio State University, Columbus, where he earned a Ph.D. in Art Education in 1995. Gardner has served as a professor of art and animation at various universities, including William Paterson University (Wayne, New Jersey); University of the District of Columbia; and George Mason University (Fairfax, Virginia), and has been a lecturer at The Ohio State University.

Choichun Leung, The Transparent Route, 48"x50", acrylic on canvas

About Choichun Leung (New York, b. UK): Leung’s “Diplopia” series of paintings occurred after losing partial eyesight in 2013 and living with double vision for a period of half a year. During this time, her perspective as a visual artist changed drastically – she no longer saw detail in objects clearly, had no spacial depth of vision, saw contrast and light intensely and sounds became more acute. Moving objects were blurry as her eyes could not synchronize to follow movement. The work in this series is an expression of what she experienced visually; when everything overlapped, and was blurry, intertwined and complex. Her “Diplopia” paintings are a record of the new way of seeing, which made her question her perception of reality of the senses, where loss created a new meaning of abstract impressions and color. She was raised in Wales, born to a British mother and Chinese father. Leung earned a degree in 3D design specializing in metalsmithing in the U.K., and later operated a metal studio fabricating her vessel designs and percussion instruments. Leung participated in the Ray Man Chinese Orchestra in London, performing Chinese classical and folk music. She later studied Buddhist Symbolism at the Yungang Caves Archaeological Site in China. This is her fourth exhibition at Morton Fine Art in Washington, DC.

Exhibition: September 26th- October 17th, 2014

Opening Night Reception: Friday, September 26th, 6pm-8pm Morton Fine Art, 1781 Florida Ave NW, Washington, DC 20009, United States

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ARC Magazine
ARC Magazine

ARC Inc. is a non-profit print and online publication and social platform launched in 2011. It seeks to fill a certain void by offering a critical space for contemporary artists to present their work while fostering and developing critical dialogues and opportunities for crucial points of exchange. ARC is an online and social space of interaction with a developed methodology of sharing information about contemporary practices, exhibitions, partnerships, and opportunities occurring in the Caribbean region and throughout its diasporas.

– See more at: http://arcthemagazine.com/arc/2014/09/morton-fine-art-presents-timeless-remnants-featuring-the-work-of-maya-freelon-asante-ga-gardner-and-choichun-leung/#sthash.TvTrmkOZ.dpuf

“Timeless Remnants” – Washington Post’s Gallery Opening of the Week

30 Sep

 

Wash Post Timeless Remnants Opening of the Week 2014 web

 

We are pleased to announce a wonderful turn out to Friday night’s opening of “Timeless Remnants” featuring abstract artworks by MAYA FREELON ASANTE, GA GARDNER & CHOICHUN LEUNG.   Many thanks to Michael O’Sullivan and the Washington Post for highlighting the exhibition at “Gallery Opening of the Week” in their Friday, September 26, 2014 edition!

View images of ANDREI PETROV’s exhibition “Sedition of Sound”

3 Apr

SEDITION OF SOUND

New Oil Paintings by ANDREI PETROV

March 28 – April 22, 2014

 

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EXHIBITION LOCATION 

Morton Fine Art (MFA)

1781 Florida Ave NW (at 18th & U Sts)

Washington, DC 20009

HOURS 

Tuesday – Saturday 11am – 6pm

Sunday 12pm-5pm

About the inspiration for Sedition of Sound:

In the 20th century music has served as a medium to express injustice, lack of freedom, loss of love and opposition to war.
The blues from the field recordings from the Delta in the twenties or the protest songs from the sixties both evoked unjust circumstances that demanded change. Power from song extended the messages, of speeches and protests, through records played on the airwaves or at home and shaped imagination.

This series of paintings is a reflecting pool of the shifting moods and sentiments captured in those recordings. – Andrei Petrov

About ANDREI PETROV’s process (New York, b. USA):

The production of a painting begins with a pencil or ink drawing on paper which I extrapolate from and edit as I work the canvas. First with pencil or charcoal and then with color washes done with acrylic or ink, I map the raw canvas and allow it to be ingrained with the materials. Once satisfied with the composition and balance, the surface is sealed with a clear acrylic so as to allow the use of oil based pigments. Handmade tools are used to drag, apply, scrape and blend the paint across the canvas plane. Sandpaper and rags also propel the evolution of the work. The addition and subtraction of paint are meant to act as a metaphor for the intentions and motives for which the paintings are based. – Andrei Petrov

 

 

 

New work by GA GARDNER

14 Jan

 

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Fragmentation & Integration Opening Reception March 8th, 2013

12 Mar

Great opening reception for “Fragmentation and Integration” on Friday night! “Gallery Pick of the Week” in the Washington Post!! Congratulations to the artists, GA Gardner and Andrei Petrov!

The show explores how two artists, GA Gardner (Washington, DC b. Trinidad) and Andrei Petrov (NYC, b. USA), utilize mediums, additive and subtractive processes, patterns and scale to create abstracted organic works of art.

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Online Images of CHOICHUN LEUNG’s Exhibition “Veils and Transparencies”

29 Mar

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