Tag Archives: Abstract Art

Introducing Seattle-based abstract artist LIZ TRAN

19 Oct

Liz Tran represented by Morton Fine Art

Liz Tran

Channeling subjects such as dream imagery, imagined landscapes, geodes, outer space and The Big Bang, LIZ TRAN explores the shapes of nature, with the infusion of fantastical, pulsing synthetic hues. The psychedelic visuals are harvested from the place where inner-verse meets outer-verse, where optical misfires combine with a vacuum pull moving at the speed of light. Through painting, sculpture and installation, she creates atmospheres that aim to activate.

Public collections of Tran’s work include the City of Seattle’s Portable Works Collection, Capital One, Vulcan Inc., Baer Art Center, Camac Art Centre, The El Paso Children’s Hospital, Harborview Medical Center, The King County Public Art Collection and The Child Center. Tran has completed multiple special projects and installations, including work for VH1Save the Music Foundation, The Upstream Music Fest, The Seattle Art Museum, The Brain Project Toronto, Public Art at The Aqua Art Fair Miami and Vulcan Inc.

She has been awarded multiple fellowships and grants; including a Grant for Artist Projects (GAP) from Artist Trust, Clowes Fellowship for residency at the Vermont Studio Center, the Nellie Cornish Scholarship and residency at The Camac Art Centre in France, The Baer Art Center in Iceland, Jentel, Millay Colony for the Arts and The Center for Contemporary Printmaking. She resides in Seattle, WA. She has been represented by Morton Fine Art since 2020.

ARTWORK

Baby Father, 2019,mixed media on panel,24 x 24 in,$1,800
Cosmic Circle 4, 2020,mixed media on panel,24 x 24 in,$1,600
Cosmic Circle 3, 2020,mixed media on panel,24 x 24 in,$1,600

Cosmic Circle 2, 2020,mixed media on panel,24 x 24 in,$1,600
Cosmic Circle 1, 2020,mixed media on panel,24 x 24 in,$1,600
Pink Out, 2019,mixed media on panel,30 x 24 in,$1,800
Ornament 7, 2016,mixed media on panel,24 x 24 in,$1,600
Ornament 15, 2016, mixed media on panel,24 x 24 in,$1,600

KATHERINE TZU-LAN MANN in “Traces” at the Kreeger Museum

14 Oct
KATHERINE TZU-LAN MANN’s wall wrap installation at the Kreeger Museum



We are delighted
 to welcome visitors back into the galleries, beginning on September 23 with the opening of our special exhibition, TRACES.

A Unique Gallery Experience Spend up to 50 minutes alone in the galleries with your group. Visitors will need to obtain a free timed-entry pass to enter the Museum. Each timed-entry session is limited to a single household group or quarantine pod that will be able to enjoy the galleries with only their group during their 50-minute window. Advanced reservations are required.
TRACES features regional artists Billy Friebele, Roxana Alger Geffen, Rania Hassan, Sebastian Martorana, Katherine Tzu-Lan Mann, Antonio McAfee, Brandon Morse, and Johab Silva. Guest curated by Sarah Tanguy, the show explores how the past evokes shifting memories while suggesting new and present narratives. Rich in representation and abstraction, TRACES encompasses painting, photography, mixed media, sculpture, sound, and video, and includes several site-responsive installations. As the artists dialogue with their source materials, they mine the many meanings of “trace” as noun and verb, and engage the themes of displacement, connectivity and transformation. Variously inspired by personal and cultural history, the natural and built environments, and the human condition, they offer an impassioned take on the issues of the day and suggest possible futures to come. 

Available Artwork by KATHERINE TZU-LAN MANN.

Or contact:

Morton Fine Art, 52 O St NW #302, Washington, DC 20001

(202) 628-2787 (text or call)

mortonfineart@gmail.com

Rob Shore’s film “One Window” on the art process of KATHERINE TZU-LAN MANN, Funded by Adobe

29 Apr

Katherine Tzu-Lan Mann’s art starts with an act of chaos, an act of chance — and then seeks to impose order around it. Her work invites people to take their shoes off and step into another world. Funded by Adobe, One Window is an experimental documentary short that seeks to use the creative methods behind Katherine’s own art to produce a film about it. By the end of the film, viewers won’t have any trouble seeing how a seventy foot-long abstract mural is a work of detailed self-portraiture about one of the most extraordinary artists of our time.
 
Director & Producer: Rob Shore
Executive Producer: Eric Philpott (Adobe)
DP: Shane Alcock
Editor: Matt Tanski
Sound Design & Music: Joe Basile
Location Sound: Phil Edfors
Colorist: Robbie Carmen
Assistant Camera: Camille Toussaint
Picture This Productions
Represented by Morton Fine Art, 52 O St NW #302, Washington, DC 20001
(202) 628-2787 (call or text)
mortonfineart@gmail.com

KATHERINE TZU-LAN MANN featured in House Beautiful Magazine

12 Oct

Living Room
“Lush and not prissy,” says Gridley about the living room’s facing sofas, which are covered in an Old World Weavers blue linen velvet. The vintage coffee table is by Tomasso Barbi. An artwork by Katherine Tzu-Lan Mann hangs over an Outpost Original hide bench that “is pulled into action,” Gridley says, for extra seating during parties. – Maura McEvoy

ANDREI PETROV featured Music@Menlo

24 Jun

Congratulations to ANDREI PETROV for being the featured artist at the prestigious Music@Menlo Chamber Music Festival and Institute. The Fourteenth Season : Russian Reflections.

You can find available works by Andrei Petrov here on our website, please contact Morton Fine Art for acquisition details.

FH-1172 Poster 20x30_Final_02sm

NATALIE CHEUNG’s “Facsimile” and ANDREI PETROV’s “B.C./A.D” reviewed in the Washington Post

10 Apr

the washington post logo

 

 

“Cappadocian Field Trip” and other abstract oil paintings by Andrei Petrov evoke erosion. (Andrei Petrov/Courtesy of Morton Fine Art)

“Cappadocian Field Trip” and other abstract oil paintings by Andrei Petrov evoke erosion. (Andrei Petrov/Courtesy of Morton Fine Art)

 

April 10, 2015

NATALIE CHEUNG’s “Facsimile” and ANDREI PETROV’s “B.C./A.D.” reviewed in the Washington Post

Natalie Cheung & Andrei Petrov

Photograms and chemigrams are both forms of camera-less photography yet have a very different feel. Natalie Cheung illustrates the contrast with “Facsimile,” at Morton Fine Art. The smaller photograms, created by placing objects on photo paper and then exposing it, are hard-edged, black-and-white and essentially tidy. The chemigrams, painted with chemicals on photo paper, are larger and looser. The billowing black and red-brown forms suggest ink painting but also, at their most ominous, blood-
spatter patterns. One piece resembles a razor blade, dripping with black plasma. Even if it may not be what the Washington artist intended, these pictures are beguilingly dark, fluid and strange.

The abstract oils of Andrei Petrov’s “B.C./A.D.,” also at Morton, evoke glaciation, erosion and water seeping through rock. Such associations fit the Washington-born New York artist’s method: He both builds and subtracts from his paintings, scraping and sanding to achieve a hard-worked surface and compositions that feature seeming cracks and crevices. The colors include some bright blues but are mostly shades that suggest minerals. Although “Swiss Bliss” somewhat resembles a landscape, most of the works lack that picture’s sense of distance. Whatever it is that Petrov depicts, he puts the viewer very close to its center.

Facsimile: Alternative Process Photographs by Natalie Cheung and B.C./A.D.: Nature-Based Abstract Oil Paintings by Andrei Petrov On view through April 16 at Morton Fine Art, 1781 Florida Ave. NW. 202-628-2787. http://www.mortonfineart.com

TIMELESS REMNANTS Group Exhibition Opens Friday September 26th, 2014

27 Aug
TIMELESS REMNANTS
New Abstract Artworks in a variety of media by MAYA FREELON ASANTE, GA GARDNER and CHOICHUN LEUNG
September 26th- October 17th, 2014

OPENING RECEPTION 

Friday, September 26th, 6pm-8pm

Jung stated that “in addition to our immediate consciousness, which is of a thoroughly personal nature…there exists a second psychic system of a collective, universal, and impersonal nature which is identical in all individuals. This collective unconscious does not develop individually, but is inherited”. The abstract artwork in Timeless Remnants combines elements of “inherited” collective memory consisting of pre-existent forms and each artist’s individual experience of life, colored with her/his unique culture, personality and life events.  Featured artists hail from varied countries of origin, and bring forward bountiful travels and experiences from around the world. Timeless Remnants explores that which resonates within the collective and individual memory and aims to elicit universal emotional response through techniques of script, mark making, composition, palette, texture, layering, energy and tensions present in the artwork.

 

 

MAYA FREELON ASANTE, Again & Again, 56"x58", tissue ink on paper

MAYA FREELON ASANTE, Again & Again, 56″x58″, tissue ink on paper

About MAYA FREELON ASANTE (Chapel Hill, b. USA): 

Maya Freelon Asante is an award-winning artist whose artwork was described by poet Maya Angelou as 
“visualizing the truth about the vulnerability and power of the human being,” and her unique tissue paper 
work was also praised by the International Review of African American Art as a “vibrant, beating 
assemblage of color.” She was selected by Modern Luxury Magazine as Best of the City 2013 and by the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”.
 
Maya has exhibited her work nationally and internationally including Paris, Ghana, and US Embassies in 
Madagascar, Italy, Jamaica, and Swaziland. She has been a professor of art at Towson University and 
Morgan State University. Maya has attended numerous residencies including Skowhegan School of Painting 
and Sculpture, the Korobitey Institute and Brandywine Workshop. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston. 
 
 
 
GA GARDNER, So You, 65"x42", mixed media on mylar

GA GARDNER, So You, 65″x42″, mixed media on mylar 

About GA GARDNER (Trinidad, b. Trinidad): 

GARDNER’S work is a visual representation of the proliferation of media and information in contemporary society and the resulting cacophony of messages it engenders. The goal of his work is to dissect and neutralize the white noise found in these forms of media and create cohesive stories that integrate his cultural background as an immigrant from Trinidad and Tobago living and working in the USA. He presents a Caribbean aesthetic in his art by utilizing colors, textures, and environments as the lens through which he sees urban contemporary life in America, weaving his cultural identity back into the fabric of our society. 

GA Gardner began his professional art career in New York City, creating and exhibiting large format 3D computer fine art in 1996. Gardner studied fine art at San Francisco State University, California, from which he earned both his Bachelor’s of Arts and Master’s of Arts degrees. Gardner crafted mixed media art and animation at The Ohio State University, Columbus, where he earned a Ph.D. in Art Education in 1995. Gardner has served as a professor of art and animation at various universities, including William Paterson University (Wayne, New Jersey); University of the District of Columbia; and George Mason University (Fairfax, Virginia), and has been a lecturer at The Ohio State University.

 

 

CHOICHUN LEUNG, The Transparent Route, 48"x50", acrylic on canvas

CHOICHUN LEUNG, The Transparent Route, 48″x50″, acrylic on canvas 

About CHOICHUN LEUNG (New York, b. UK): 

LEUNG’s “Diplopia” series of paintings occurred after losing partial eyesight in 2013 and living with double vision for a period of half a year. During this time, her perspective as a visual artist changed drastically – she no longer saw detail in objects clearly, had no spacial depth of vision, saw contrast and light intensely and sounds became more acute. Moving objects were blurry as her eyes could not synchronize to follow movement.  The work in this series is an expression of what she experienced visually; when everything overlapped, and was blurry, intertwined and complex. Her “Diplopia” paintings are a record of the new way of seeing, which made her question her perception of reality of the senses, where loss created a new meaning of abstract impressions and color. 

CHOICHUN LEUNG was raised in Wales, born to a British mother and Chinese father. Leung earned a degree in 3D design specializing in metalsmithing in the U.K., and later operated a metal studio fabricating her vessel designs and percussion instruments. Leung participated in the Ray Man Chinese Orchestra in London, performing Chinese classical and folk music. She later studied Buddhist Symbolism at the Yangung Caves Archaeological Site in China. This is her forth exhibition at Morton Fine Art in Washington, DC.

 

About Morton Fine Art: 

Founded as an innovative solution to the changing contemporary art market, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that anyone can become an art collector, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of innovative exhibitions and a new generation of art services.

Artwork in “Fragmentation & Integration” – GA GARDNER and ANDREI PETROV

19 Mar

View the work online! Including new arrivals by artist ANDREI PETROV – arriving in the gallery today!

Andrei Petrov, Anatomy of Temptation (SOLD)

Andrei Petrov, Anatomy of Temptation (SOLD)

Andrei Petrov, Cognitive Distortion (SOLD)

Andrei Petrov, Cognitive Distortion (SOLD)

Andrei Petrov, Partial Obstruction, 29x36, oil on canvas

Andrei Petrov, Partial Obstruction, 29×36, oil on canvas

Andrei Petrov, Perpetual Access (SOLD)

Andrei Petrov, Perpetual Access (SOLD)

Andrei Petrov, Time Lapse, 32"x48", oil on canvas

Andrei Petrov, Time Lapse, 32″x48″, oil on canvas

Andrei Petrov, Untitled, 13x48, oil on canvas

Andrei Petrov, Untitled, 13×48, oil on canvas

Andrei Petrov, Havana Nocturne, 36"x48", oil on canvas

Andrei Petrov, Havana Nocturne, 36″x48″, oil on canvas

Andrei Petrov, Maine Stay, 30"x48", oil on canvas

Andrei Petrov, Maine Stay, 30″x48″, oil on canvas

Andrei Petrov, Morrocan Field Trip, 48"x60", oil on canvas

Andrei Petrov, Morrocan Field Trip, 48″x60″, oil on canvas

Andrei Petrov, Nostalgia in Lake George, 30"x48", oil on canvas (SOLD

Andrei Petrov, Nostalgia in Lake George, 30″x48″, oil on canvas (SOLD

Andrei Petrov, Process of Elimination, 36"x22", oil on canvas

Andrei Petrov, Process of Elimination, 36″x22″, oil on canvas

Andrei Petrov, Whiff of Hope, 13"x48", oil on canvas

Andrei Petrov, Whiff of Hope, 13″x48″, oil on canvas

GA Gardner, Six Degrees, 42"x44", mixed media on mylar

GA Gardner, Six Degrees, 42″x44″, mixed media on mylar

GA Gardner, Dangerous, 61"x42", mixed media on mylar

GA Gardner, Dangerous, 61″x42″, mixed media on mylar

GA Gardner, Home, 69"x42", mixed media on mylar (SOLD)

GA Gardner, Home, 69″x42″, mixed media on mylar (SOLD)

GA Gardner, Red, White, Blue and Black, 72"x42", mixed media on mylar

GA Gardner, Red, White, Blue and Black, 72″x42″, mixed media on mylar

GA Gardner, White Path, 55"x84", mixed media on mylar

GA Gardner, White Path, 55″x84″, mixed media on mylar

GA Gardner, Blinding Beauty, 50"x42", mixed media on mylar

GA Gardner, Blinding Beauty, 50″x42″, mixed media on mylar

Fragmentation & Integration Opening Reception March 8th, 2013

12 Mar

Great opening reception for “Fragmentation and Integration” on Friday night! “Gallery Pick of the Week” in the Washington Post!! Congratulations to the artists, GA Gardner and Andrei Petrov!

The show explores how two artists, GA Gardner (Washington, DC b. Trinidad) and Andrei Petrov (NYC, b. USA), utilize mediums, additive and subtractive processes, patterns and scale to create abstracted organic works of art.

This slideshow requires JavaScript.

GA GARDNER & ANDREI PETROV’s “Fragmenta​tion & Integratio​n” opens 3/8/13

25 Feb

Fragmentation and Integration

An Exhibition of new work by GA GARDNER & ANDREI PETROV

March 8th, 2013 – April 2nd, 2013

OPENING RECEPTION

Friday, March 8th from 6pm-8pm

**Both artists will be in attendance.**

_________________________________

fragmentation and integration invite front

Morton Fine Art is pleased to present an exciting exhibition of new work by artists GA GARDNER and ANDREI PETROV.

The exhibition will be on display from March 8th, 2013 through April 2nd, 2013. The opening reception will be held on Friday, March 8th from 6 to 8 pm.  Both artists will be in attendance.

____________________________

About Fragmentation and Integration:

The show explores how two artists, GA Gardner (Washington, DC b. Trinidad) and Andrei Petrov (NYC, b. USA), utilize mediums, additive and subtractive processes, patterns and scale to create abstracted organic works of art. ______________________________

About GA GARDNER (Washington, DC/ Brooklyn, NY b. Trindad; mixed media on mylar):

GA Gardner, Red, White and Blue, 72"x42", mixed media on mylar

GA Gardner, Red, White and Blue, 72″x42″, mixed media on mylar

GA Gardner was born in 1969 in the Republic of Trinidad and Tobago, and migrated to the USA in 1988 where he earned his BA in Visual Arts and MA in Educational Technology from San Francisco State University. He also received a Ph.D. in Art Education from The Ohio State University. There he focused on Computer Art Education. When he emerged in 1995, he was already considered an international expert on the subjects of Computer Art Education, Computer Graphics and Animation, and a pioneer in the the area of large format digital fine art. Gardner created crisp and detailed three-dimensional images on water color paper that discussed the social elements of Caribbean cultures.
His work has been exhibited at various museums and galleries in the USA, Asia and the Caribbean, including the James E. Lewis Museum of Art; Paterson Museum, New Jersey; Nanjing College of Art, China; Caribbean Museum Center for the Arts, St Croix, USVI, Bergen Museum, New Jersey and Morton Fine Art, DC. He has been the subject of numerous articles and catalog essays. He has been awarded artist residencies in the Caribbean and Asia.
GA Gardner currently lives and works in Washington DC and Brooklyn NY.
_______________________________

About ANDREI PETROV (NYC, b. USA; layered oil on canvas):

Andrei Petrov, Morrocan Field Trip, 48"x60", oil on canvas

Andrei Petrov, Morrocan Field Trip, 48″x60″, oil on canvas

Andrei Petrov explores memory in his organic abstract paintings. His paintings probe the distortion, incompleteness and rare moments of clarity in the shadows of memory. Each piece portrays the intrinsic struggle and selective inclusion or exclusion of details in the process of recollection. At times, sharpness occurs in the rear of the picture plane while the out of focus, obscured areas, exist in a larger scale toward the foreground and make reference to the inscrutable nature of long and short term memory.

Petrov’s paintings have been exhibited nationally and internationally in prestigious collections and can be viewed at The Four Seasons Hotel in both Washington, DC and Punta Mita, Mexico, The Fairmont Hotel in Chicago and The Conrad Hotel, Miami. His paintings have also had cameos in the following films, The Royal Tenenbaums, Autumn in New York, Kate and Leopold, The Business of Strangers and Words and Lyrics.
The production of a painting begins with a pencil or ink drawing on paper which I extrapolate from and edit as I work the canvas. First with pencil or charcoal and then with color washes done with acrylic or ink, I map the raw canvas and allow it to be ingrained with the materials. Once satisfied with the composition and balance, the surface is sealed with a clear acrylic so as to allow the use of oil based pigments. Handmade tools are used to drag, apply, scrape and blend the paint across the canvas plane creating a contrast of textures which resemble collaged elements. Sandpaper and rags also propel the evolution of the work. The addition and subtraction of paint are meant to act as a metaphor for the intentions and motives for which the paintings are based.” – Andrei Petrov