Archive | 5:06 pm

OSI AUDU’s solo exhibition “A Sense of Self”

13 Dec
Osi Audu’s latest exhibition investigates notions of the self beyond  the materiality that defines our existence
Visit our Website
Self Portrait after Dogon Bird Mask, 2017-2021, 54″x72″, pastel and graphite on paper mounted on canvas

A Sense of Self
A solo exhibition of new drawings, paintings and sculpture by OSI AUDU
December 8th, 2021 – January 5th, 2022

Contact the gallery for viewing by appointment, price list, additional information and acquisition. Complimentary catalogs available upon request.

(202) 628-2787 (call or text)

Available Artwork by OSI AUDU
Self-Portrait after Head of Pangwe Figure, 2018, 22″x31″, acrylic on canvas
About A Sense of Self
Morton Fine Art is proud to present A Sense of Self, a solo exhibition of new works by Nigerian multimedia artist Osi Audu; on view from December 8, 2021 – January 5, 2022.
Working across drawing, painting and sculpture, Audu considers notions of internal and external dualities, most distinctively, the Yoruba sense of “outer and inner head.” The works–geometric abstractions made alive with vibrant shades of blue, red, green, yellow and black, reflect Audu’s celebration of color as a manifestation of interior human essence. Each of the pieces in A Sense of Self are presented as self-portraits, which Audu articulates to be “the portraits of the intangible self.”
Self Portrait II, 2021, 22″x31″, pastel and graphite on paper mounted on canvas
In conversation with classical African aesthetics, Audu’s works examine the human head as an axis of material and subliminal consciousness. In this sense, the artist captures what exists prior to and beyond embodiment, the self outside of matter. Though many of his pieces are rich in color, at their core, each one is a rumination on blackness—that which is imperceivable by the human eye. In works reminiscent of scientific illustrations, Audu gives image to internal expressions of the self, investigating the mechanisms and shapes of the human spirit.
Self Portrait after Head of a Benin Queen Mother, 2021, 26″x14″x10.5″, painted steel
As studies of visceral perception, Audu’s portraits ask questions such as, what might the intangible self look like after donning a Dogon bird mask; or after wearing an Efik headdress? His answer to the former is: four sharp rectangular shapes, with a free-form waved appendage; to the latter: a gently coiled form, with two flat surfaces. To Audu, these questions are neither anomalous nor incidental. Instead, they are essential vehicles for investigating what is nestled between the layers of the mind, body and personal identity that we each understand ourselves to have.  A Sense of Self provides a deeply personal visual language for examining the complex structures of being. At once dynamic and uncomplicated, these works leave the audience with questions about themselves.
Self Portrait after an Efik Headdress, 2021, 22″x31″, pastel and graphite on paper mounted on canvas
Self Portrait with Yoruba Hairstyle, 2021, 22″x31″, pastel and graphite on paper mounted on canvas
Available artwork by OSI AUDU
OSI AUDU received a B.A. in Fine Art with First Class Honors from the University of Ife, Ile-Ife, Nigeria, and an M.F.A. in Painting and Drawing from the University of Georgia, Athens, Georgia, USA. He has been exhibited at, and collected by, public Institutions including the Smithsonian Institution’s National Museum of African Art in Washington, D.C., The Newark Museum in Newark, New Jersey, USA, The British Museum and the Horniman Museum, both in London, and the Wellcome Trust Gallery in London. Audu’s work has also been exhibited at the Tobu Museum and Setagaya Museum, both in Japan, the Liverpool Museum in England, the Science Museum in London; and acquired for corporate collections including Microsoft Art Collection, Sony Classical New York and the Schmidt Bank in Germany.
Audu has been represented by Morton Fine Art in Washington, D.C. since 2012.
About Morton Fine Art
Founded in 2010 in Washington, DC by curator Amy Morton, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that art collecting can be cultivated through an educational stance, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of substantive exhibitions and a welcoming platform for dialogue and exchange of original voice. Morton Fine Art specializes in a stellar roster of nationally and internationally renowned artists as well as has an additional focus on artwork of the African Diaspora.
Morton Fine Art founded the trademark *a pop-up project in 2010. *a pop-up project is MFA’s mobile gallery component which hosts temporary curated exhibitions nationally.
Gallery hours: By appointment only. Mask required.

Morton Fine Art
52 O St NW #302
Washington, DC 20001
(202) 628-2787

Guest host, Dr. Melayne Price, chats with ‘The Dirty South’ exhibit’s curator, Valerie Cassel Oliver, as well as Houston artists Nathaniel Donnett and Mel Chin

13 Dec


I SEE U, Episode 27: Storytelling Art of The Dirty South

Guest host, Dr. Melayne Price, chats with ‘The Dirty South’ exhibit’s curator, Valerie Cassel Oliver, as well as Houston artists Nathaniel Donnett and Mel Chin about what happens when contemporary art merges with the roots of Southern hip-hop culture.MELANYE PRICE | POSTED ONDECEMBER 9, 2021, 8:28 PM

To be black and southern is to contend with the embedded legacy of racial terror and grapple with the unique and enduring culture created in its shadow. The term “dirty south” can invoke many images connected to southern agrarian life, but hip-hop artists have transformed it into a banner of pride. Dirty South now represents a short cut for understanding the perspectives of creatives who were raised or procured their work in the South – through music, art, fashion, and other forms of cultural products that possessed a specific, Southern lens. This work has been captured in an exhibit called, “Dirty South,” currently on display at the Contemporary Art Museum of Houston until February. On this episode of I SEE U, join us as guest host, Dr. Melayne Price, chats with the exhibit’s curator, Valerie Cassel Oliver, as well as Houston artists Nathaniel Donnett and Mel Chin whose works are included in the show. Find out what happens when contemporary art merges with the roots of Southern hip-hop culture in The Dirty South.

Available Artwork by NATHANIEL DONNETT