Archive | October, 2018

Morton Fine Art participates in Prizm Art Fair in Miami December 3 – 9, 2018

16 Oct

 

Prizm Art Fair 2018
December 3rd – December 9th | Open Daily: 10 am – 6 pm
PRIZM is the producer of a cutting-edge cultural platform that is multidisciplinary in scope. Our goal is to expand the spectrum of exhibiting international artists from the African Diaspora and emerging markets.
Our mission is to promote the work of artists from Africa and global African Diaspora, who reflect global trends in contemporary art. Workshops and special events are organized throughout the year to advance critical dialogue and sharpen the lens through which we view and understand contemporary art. We are committed to the Miami cultural community and will work to expand its visual arts landscape, nurture and educate its constituents and provide forums for cross cultural exchange.
Prizm exhibits a dynamic group or contemporary artists during Art Basel/Miami Beach and beyond. Salient works are presented that highlight the diversity evident in contemporary visual art practices today, including painting sculpture and mixed media installations.
Morton Fine Art will be featuring the artwork of internationally renowned contemporary artists OSI AUDU, KESHA BRUCE, VICTOR EKPUK, MAYA FREELON, AMBER ROBLES-GORDON and NATE LEWIS.

Morton Fine Art Relocating to NoMA District in Washington, DC

12 Oct

After nearly 9 years on Florida Ave, Morton Fine Art will be relocating the gallery to 52 O Street NW, Washington, DC, 20001 in November 2018. The building at 52 O Street NW was built in 1914 in what was then a remote, industrial part of town. It was designed by architect Clement Didden who previously assisted Richard Morris Hunt in the design of landmarks including the Metropolitan Museum of Art. Before becoming an arts-dedicated space in 1978, 52 O Street NW housed a meat-packing company, a plumbing company, a Hecht’s furniture factory and Decca Records. NoMA is a vibrant, growing neighborhood nestled next to Capitol Hill, Shaw, Mt. Vernon Triangle and H Street NE corridor in Washington, DC. It also has ample street parking, easy metro access, and close proximity to Union Station.

We look forward to continuing our active solo and group exhibition programming in our new location and also to participating in projects locally and nationally to promote Morton Fine Art’s artists in new markets. Upcoming out-of-gallery, outreach projects include Prizm Art Fair in Miami from Dec 3-9, 2018 where we will showcase the artwork of select MFA artists to a national and international collector audience; an MFA curated group exhibition of gallery artists honoring Black History and Women’s History months at Workhouse Arts Center in Lorton, VA mid-Feb through the end of March 2019; and two month long “pop-up” exhibitions at Gallery B in Bethesda, MD in March and April 2019.

 

New Location:

Morton Fine Art

52 O Street NW #302

Washington, DC 20001

 

New Hours:

Wednesday – Saturday: 12pm-5pm

Sunday – Tuesday: By appointment

 

Map of 2 mile route down Florida Ave NW from our Adams Morgan location to new NoMA location – SO EASY!

Morton Fine Art

OSI AUDU’s “Dialogues with African Art” at Woodstock Byrdcliffe Guild in New York

11 Oct

Osi Audu: Dialogues with African Art – Artist’s Talk and Opening Reception

When:   October 20, 2018 @ 3:00 pm – 6:00 pm
Where:   BYRDCLIFFE Kleinert/James Center for the Arts, 36 Tinker Street, Woodstock, NY

Opening on Friday October 19, the Kleinert/James Center for the Arts presents the solo exhibition OSI AUDU: DIALOGUES WITH AFRICAN ART. Mr. Audu, who lives in Hurley, New York, will give an artist’s talk on Saturday, October 20, at 3:00 pm. The public opening reception for the show follows at 4:00 pm on Saturday.

OSI AUDU: DIALOGUES WITH AFRICAN ART examines issues of identity rooted in the artist’s cultural experiences growing up in Nigeria, as well as broader metaphysical and social concepts of the self. Audu’s paintings, some of them very large in scale, are influenced by the abstract geometric possibilities in traditional African sculpture; thus the exhibition also includes examples of original nineteenth- and twentieth-century African sculpture that the artist uses as inspiration for his work. Describing the works in the show, Audu writes: “I am interested in the dualism of form and void, and the metaphysical relation between the tangible and intangible, something and nothing, light and dark, body and mind, the dual nature of being—the self in portraits.” The title “self-portrait” that Audu uses in his work is about the portrait of the intangible self, rather than a literal portrait of the artist.

Osi Audu is a Nigerian-American artist whose work has been shown in numerous international exhibitions including the Kwangju Biennale, Venice Biennale, the Africa-Africa exhibition at the Tobu Museum, Japan, and the Museum of the Mind at the British Museum. His work has also been exhibited at and collected by public institutions including the Smithsonian Institution’s National Museum of African Art in Washington DC, The Newark Museum in Newark, New Jersey, the British Museum, Horniman Museum, and Wellcome Trust Gallery, all in London, the Hood Museum at Dartmouth College, New Hampshire, and the Mott-Warsh Collection in Flint, Michigan. His work has also been acquired for corporate collections including by Sony Classical New York, the Fidelity Investment Corporation in Boston, Massachusetts, and the Schmidt Bank in Germany.

Audu curated an international exhibition of contemporary African art which opened at the N’Namdi Center for Contemporary Art in Detroit in September 2017, then traveled to the Samuel Dorsky Museum of Art at the State University of New York, New Paltz, and the August Wilson Center in Pittsburgh, Pennsylvania in 2018.

He is a current recipient of the Pollock-Krasner Foundation grant.

The exhibition is curated by Sylvia Leonard Wolf, who is the chair of the Woodstock Byrdcliffe Guild’s Exhibition Committee. A full color catalogue accompanies the exhibition. Below is an excerpt from an essay in the catalogue:

Audu is, in effect, reclaiming abstraction…Through the language of abstraction, Audu seeks to create a container or a frame for the intangible that is the self. In choosing to dialogue with works of African art that are themselves symbolic representations of concepts, he situates his geometric abstraction firmly within African ontologies. And in doing so, he also makes tangible the intangible, or perhaps hidden, presence of African sculpture within the legacy of Western modernism.
— Christa Clarke, Ph.D. (Senior Curator, Arts of Global Africa, Newark Museum)

OSI AUDU: DIALOGUES WITH AFRICAN ART is open through Sunday, December 2. The gallery is open Thursday-Sunday: 12:00 – 6:00 pm or by appointment. School groups and other organizations can schedule group visits with the artist by contacting derin@woodstockguild.org.

Click HERE to view available artwork by  OSI AUDU.