Archive | August, 2014

TIMELESS REMNANTS Group Exhibition Opens Friday September 26th, 2014

27 Aug
TIMELESS REMNANTS
New Abstract Artworks in a variety of media by MAYA FREELON ASANTE, GA GARDNER and CHOICHUN LEUNG
September 26th- October 17th, 2014

OPENING RECEPTION 

Friday, September 26th, 6pm-8pm

Jung stated that “in addition to our immediate consciousness, which is of a thoroughly personal nature…there exists a second psychic system of a collective, universal, and impersonal nature which is identical in all individuals. This collective unconscious does not develop individually, but is inherited”. The abstract artwork in Timeless Remnants combines elements of “inherited” collective memory consisting of pre-existent forms and each artist’s individual experience of life, colored with her/his unique culture, personality and life events.  Featured artists hail from varied countries of origin, and bring forward bountiful travels and experiences from around the world. Timeless Remnants explores that which resonates within the collective and individual memory and aims to elicit universal emotional response through techniques of script, mark making, composition, palette, texture, layering, energy and tensions present in the artwork.

 

 

MAYA FREELON ASANTE, Again & Again, 56"x58", tissue ink on paper

MAYA FREELON ASANTE, Again & Again, 56″x58″, tissue ink on paper

About MAYA FREELON ASANTE (Chapel Hill, b. USA): 

Maya Freelon Asante is an award-winning artist whose artwork was described by poet Maya Angelou as 
“visualizing the truth about the vulnerability and power of the human being,” and her unique tissue paper 
work was also praised by the International Review of African American Art as a “vibrant, beating 
assemblage of color.” She was selected by Modern Luxury Magazine as Best of the City 2013 and by the Huffington Post’s “Black Artists: 30 Contemporary Art Makers Under 40 You Should Know”.
 
Maya has exhibited her work nationally and internationally including Paris, Ghana, and US Embassies in 
Madagascar, Italy, Jamaica, and Swaziland. She has been a professor of art at Towson University and 
Morgan State University. Maya has attended numerous residencies including Skowhegan School of Painting 
and Sculpture, the Korobitey Institute and Brandywine Workshop. She earned a BA from Lafayette College and an MFA from the School of Museum of Fine Arts, Boston. 
 
 
 
GA GARDNER, So You, 65"x42", mixed media on mylar

GA GARDNER, So You, 65″x42″, mixed media on mylar 

About GA GARDNER (Trinidad, b. Trinidad): 

GARDNER’S work is a visual representation of the proliferation of media and information in contemporary society and the resulting cacophony of messages it engenders. The goal of his work is to dissect and neutralize the white noise found in these forms of media and create cohesive stories that integrate his cultural background as an immigrant from Trinidad and Tobago living and working in the USA. He presents a Caribbean aesthetic in his art by utilizing colors, textures, and environments as the lens through which he sees urban contemporary life in America, weaving his cultural identity back into the fabric of our society. 

GA Gardner began his professional art career in New York City, creating and exhibiting large format 3D computer fine art in 1996. Gardner studied fine art at San Francisco State University, California, from which he earned both his Bachelor’s of Arts and Master’s of Arts degrees. Gardner crafted mixed media art and animation at The Ohio State University, Columbus, where he earned a Ph.D. in Art Education in 1995. Gardner has served as a professor of art and animation at various universities, including William Paterson University (Wayne, New Jersey); University of the District of Columbia; and George Mason University (Fairfax, Virginia), and has been a lecturer at The Ohio State University.

 

 

CHOICHUN LEUNG, The Transparent Route, 48"x50", acrylic on canvas

CHOICHUN LEUNG, The Transparent Route, 48″x50″, acrylic on canvas 

About CHOICHUN LEUNG (New York, b. UK): 

LEUNG’s “Diplopia” series of paintings occurred after losing partial eyesight in 2013 and living with double vision for a period of half a year. During this time, her perspective as a visual artist changed drastically – she no longer saw detail in objects clearly, had no spacial depth of vision, saw contrast and light intensely and sounds became more acute. Moving objects were blurry as her eyes could not synchronize to follow movement.  The work in this series is an expression of what she experienced visually; when everything overlapped, and was blurry, intertwined and complex. Her “Diplopia” paintings are a record of the new way of seeing, which made her question her perception of reality of the senses, where loss created a new meaning of abstract impressions and color. 

CHOICHUN LEUNG was raised in Wales, born to a British mother and Chinese father. Leung earned a degree in 3D design specializing in metalsmithing in the U.K., and later operated a metal studio fabricating her vessel designs and percussion instruments. Leung participated in the Ray Man Chinese Orchestra in London, performing Chinese classical and folk music. She later studied Buddhist Symbolism at the Yangung Caves Archaeological Site in China. This is her forth exhibition at Morton Fine Art in Washington, DC.

 

About Morton Fine Art: 

Founded as an innovative solution to the changing contemporary art market, Morton Fine Art (MFA) is a fine art gallery and curatorial group that collaborates with art collectors and visual artists to inspire fresh ways of acquiring contemporary art. Firmly committed to the belief that anyone can become an art collector, MFA’s mission is to provide accessibility to museum-quality contemporary art through a combination of innovative exhibitions and a new generation of art services.

VICTOR EKPUK’s drawing on view at the Smithsonian National Museum of African Art

19 Aug

VICTOR EKPUK’s drawing “Slave Narratives” is now on view at the National Museum of African Art, Smithsonian Institution.

 

"Slave Narratives", curator of contemporary art Karen Milbourne, artist Victor Ekpuk and museum Director Dr Johnnetta Cole at the National Museum of African Art, DC

“Slave Narratives”, curator of contemporary art Karen Milbourne, artist Victor Ekpuk, and museum Director Dr Johnnetta Cole at the National Museum of African Art, DC.  Image courtesy of the artist.

 

950 Independence Avenue, SW
Washington, D.C. 20560

202.633.4600

10 a.m. to 5:30 p.m. daily except December 25.

Admission is free.

 

 

NATHANIEL DONNETT at Contemporary Arts Museum of Houston

6 Aug

Contact MORTON FINE ART for available work by NATHANIEL DONNETT.

http://www.mortonfineart.com

mortonfineart@gmail.com

(202) 628-2787

RIGHT HERE, RIGHT NOW: HOUSTON

On View: August 23 – November 30, 2014

Opening Reception: Friday, August 22, 2014 | 6:30-9PM


With Right Here, Right Now: Houston, the Contemporary Arts Museum Houston showcases artists living in the city and celebrates our region’s vibrant creative community. Houston has been a lively breeding ground for artistic innovation for decades now and is increasingly considered a global art center alongside New York, Los Angeles, London, and more recently, Berlin. The Houston of today is a globally networked city where a manageable cost of living and affordable studio space allow innovators to maintain practices at a highly professional level without having to sacrifice international recognition or an excellent quality of life. Right Here, Right Now: Houston is a dynamic portrait of the artistic developments taking shape in studios across this city and features solo presentations of work by Houston-based artists Debra Barrera, Nathaniel Donnett, and Carrie Marie Schneider. It marks the beginning of an occasional and ongoing series through which the museum will investigate localized artistic practices.

CAMH’s Director Bill Arning, Senior Curator Valerie Cassel Oliver, and Curator Dean Daderko respectively selected Barrera, Donnett, and Schneider. Each artist and curator pair worked together closely from the conception to the installation of the artist’s individual project. A complement of public programs will be presented in conjunction with the exhibition. Please check CAMH’s online calendar for a complete listing. Right Here, Right Now: Houston is the first solo museum exhibition for each of the participating artists.

CAMH sees itself as a nexus point for making sure that information on cutting edge culture flows in two directions: into and out of our unique metropolis. Along with CAMH’s recent drawing survey of Houston-based artist Trenton Doyle Hancock and an upcoming Perspectives exhibition of work by Robert Hodge as well as a survey of the work of Mark Flood slated for 2016, this exhibition will bring work by some of Houston’s most talented art makers to both area audiences for whom their work may be familiar, as well as act as an introduction to wider audiences outside of the region.

About Debra Barrera: Avalon
In Avalon, Debra Barrera’s ongoing exploration of the very human desire for escape is explored in drawing, installation, and objects. In her earliest mature works, she focused on modes of transportation combined with cinema—both methods of getting outside of or away from one’s present circumstances. She identifies far way places real and unreal, accessible and impossible and provides hints of how we can get there from wherever we are. In this installation, drawings of unlikely escapes, such as the puff of smoke the Wicked Witch used to vanish in the Wizard of Oz, are mixed with motorcycle helmets and taxi lights that all but declare “get me out of here.” The installation employs the real exits of CAMH using pink and black, respectively, to make the existing emergency exit and trap door appear to promise alternative escape routes. The title Avalon refers to an imaginary place that derives from our shared mythic histories, which when sung by Bryan Ferry in Roxy Music’s Avalon, was the perfect location for unreal romance.

About Nathaniel Donnett: Nothing to See Hear
Nathaniel Donnett’s Nothing to See Hear is an investigation into how sound and light can create a space of remembrance and meditation. Through the use of minimalist gestures, Donnett has created an immersiveenviornment that integrates light, sound, sculpture, and works on paper that give visibility to the contemporary portrayals of resistance and protest, loss and mourning. Donnett pays homage to the numerous men and women who have died while placing themselves on the front line for justice. His installation functions as a visual eulogy to their sacrifice as well as a conscious and thought provoking call toward social awareness.

About Carrie Marie Schneider: Incommensurate Mapping
For this exhibition Carrie Marie Schneider has created architectural models of CAMH, that stage a variety of conceptual, social, archival, structural, and imagined possibilities for the museum. Each model builds on CAMH’s iconic parallelogram footprint, which opened in 1972 and was designed by Gunnar Birkerts, and considers aspects of CAMH’s place within Houston’s broader cultural fabric. With their variety of scales, diverse media, and aestheticsensibilities, these speculative models “situate the Museum within webs of broader organizational and intellectual concerns to investigate CAMH’s wider cultural function, its place in the city, and the space it provides for art(ists),” says Schneider. Her polyphonic display is “full of possibilities and informed by survival creativity, good humor, desperate imagination, and the political charge to project a future forward. The models operate in the funky overlap where we envision and build a new world while we still occupy this one.”

Right Here, Right Now: Houston will be on view in the Contemporary Arts Museum Houston’s Brown Foundation Gallery from August 23 to November 30, 2014.

PUBLICATION
Rigth Here, Right Now: Houston will be accompanied by a catalogue featuring essays by Bill Arning and Dean Daderko on the work of Debra Barrera and Carrie Marie Schneider, respectively, an interview by Valerie Cassel Oliver with artist Nathaniel Donnett, color and black-and-white illustrations of the artists’ work, and a biography on each artist.

This catalogue is made possible by a grant from The Brown Foundation, Inc.

 

 

Shipment of KESHA BRUCE’s new “Guardians” arriving soon!

5 Aug

Here is a sneak peek of KESHA BRUCE’s latest works off the easel in her continuing “The Guardians” series.  Don’t miss out on these amazing new works due to arrive at Morton Fine Art this week!

The Washington Post’s critic Mark Jenkins wrote this about “The Guardians” in Jan 2014:

“Spurred by a vision of a figure she saw standing at the foot of her bed, Kesha Bruce has executed nearly 200 mixed-media paintings of creatures she calls “The Guardians.” The Iowa-bred artist, who lives in France, draws on African iconography for these pictures, some of which are at Morton Fine Art. Most of the figures are ghostly, often faceless, like things seen in a half-awake state…

..Yet the specters become palpable because of their hot, earthy colors and forceful brushwork. Indeed, the vigor suggests another tradition altogether: abstract expressionism. While the pictures are clearly representational, they’re also exercises in sheer painting. Areas of clean, bold color abut mottled regions; scraps of collaged fabric and textile-like circular patterns contrast the figures’ streamlined forms. Bruce’s guardians may be dream-time wisps, but her painting makes them solid and potent.”

Kesha Bruce, Untitled 2, 48"x48", mixed media on canvas

Kesha Bruce, Untitled 2, 48″x48″, mixed media on canvas

Kesha Bruce, Altir, 24"x24" Mixed Media on Canvas

Kesha Bruce, Altir, 24″x24″ Mixed Media on Canvas

Kesha Bruce, Luki, 28"x20", Mixed Media on Canvas

Kesha Bruce, Luki, 28″x20″, Mixed Media on Canvas

Kesha Bruce,Saura, 24"x24" Mixed Media on Canvas

Kesha Bruce,Saura, 24″x24″ Mixed Media on Canvas

Kesha Bruce, Elini, 24"x24" Mixed Media on Canvas

Kesha Bruce, Elini, 24″x24″ Mixed Media on Canvas

Kesha Bruce, Untitled, 48"x48", mixed media on canvas

Kesha Bruce, Untitled, 48″x48″, mixed media on canvas

 

Please contact Morton Fine Art for pricing and availability!

(202) 628-2787

mortonfineart@gmail.com

http://www.mortonfineart.com