
VICTOR EKPUK, ETHIOP
48” x 48”, acrylic and steel on panel, 2012.
Image courtesy of the artist and Morton Fine Art
VICTOR EKPUK’s Artist Statement:
ETHIOP
“My color does not disfigure my honor and wit” –Afonso Alvares” (Portugal, 1500s)
This exhibition is layered with history, memory and meaning. For me, these layers are summed up in; “Head of a Black Slave” (1560-90, cast iron, Venice, Italy). This object with manacled neck and unbowed head has inspired my creation of a painting titled “Ethiop”.
“Ethiop” (a Renaissance description of a black African) explores the symbolisms and metaphors of black as a color. It explores history, relationships, experiences and conditions of being described as “black”, being “black”, and being “black African”.
The layers of meaning explored in “Ethiop” also find expression in my second piece, “Union of Pope Clement VII and Simonetta da Collevecchio”.

Head of a Black Slave
(1560-90, cast iron, Venice, Italy)
Courtesy Walters Art Museum
Tags: amy morton, baltimore, Contemporary African Art, Ethiop, Galerie Myrtis, Head of a Black Slave, MFA Gallery, morton fine art, Myrtis Bedolla, Revealing the African Presence in Renaissance Europe, The Contemporary Response, The Walters, Victor Ekpuk, Walters Museum of Art